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Style: Bauhaus
Joost Schmidt-Bauhaus Exhibition-1995- Vintage
Located in Brooklyn, NY
Schmidt's 1923 poster for the Bauhaus Exhibition is celebrated for its innovative use of geometric forms and typographic elements, reflecting the school's avant-garde approach to des...
Category
Mid-20th Century Bauhaus Prints and Multiples
Materials
Offset
Mid-Century Shapes IV, White and Blue Abstract Floating Shapes, Unique Cyanotype
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
2010s Bauhaus Prints and Multiples
Materials
Photographic Film, Emulsion, Watercolor, Photographic Paper, Monotype, P...
1969 Woodcut, Titled "Andalusian Sky" by Bauhaus Master Werner Drewes
Located in Chicago, IL
A 1969 woodcut, titled "Andalusian Sky" by Bauhaus Master Werner Drewes. Signed and numbered in pencil. Edition: 21/XXX. An impression of this print is in the collection of the Sm...
Category
1960s Bauhaus Prints and Multiples
Materials
Paper, Woodcut
LE CORBUSIER 'Villa Savoye, Four Elevations' 2009- Vintage
By Le Corbusier
Located in Brooklyn, NY
This is a high-quality reproduction of Villa Savoye, Four Elevations by Le Corbusier, printed on fine art paper with a cotton mat finish. The premium material enhances the architectu...
Category
Early 2000s Bauhaus Prints and Multiples
Materials
Offset
Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)
Located in New York, NY
Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)”
1919, Woodcut.
Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...
Category
1910s Bauhaus Prints and Multiples
Materials
Woodcut
"Nurnberg" Woodcut Print of the Old City by A. Thomas style of Lyonel Feininger
Located in Soquel, CA
The image shows an abstract, black and white block print in the style of Lyonel Feininger of what appears to be a streetscape in Nuremberg, Germany. The style is reminiscent of early...
Category
1960s Bauhaus Prints and Multiples
Materials
Woodcut
Sale and Marketing Kiosk for P Cigarettes (Bauhaus) (20% OFF + Free Shipping)
Located in Kansas City, MO
Herbert Bayer
Sale and Marketing Kiosk for P Cigarettes (Verkauf- und Werbekiosk, Zigarettenmarke P ), 1924
Offset Lithograph
Year: 1994
Size: 33.2 × 23.2 inches
Publisher: Bauhaus A...
Category
1920s Bauhaus Prints and Multiples
Materials
Lithograph
$120 Sale Price
20% Off
Centre Art et Recherches 1966, Lithograph
By Le Corbusier
Located in Brooklyn, NY
Original lithograph design by Le Corbusier for an exhibition held in 1966 at the Pavillon de Marsan in Paris. The original lithograph measures 15.5 x 16 inches. Very rare and hard-to...
Category
1960s Bauhaus Prints and Multiples
Materials
Lithograph
$960 Sale Price
20% Off
Insel, 1933
Located in Kansas City, MO
Lyonel Feininger (after)
Insel, 1933
Collotype, watercolor
Size: 11.5x17in on 17.5x22in
Esther Gentle, Reproduction, 1952
Signed, titled and dated in the stone
Stamped and numbered b...
Category
1930s Bauhaus Prints and Multiples
Materials
Watercolor, Color
$680 Sale Price
38% Off
THOMSON Gyrathomic, Original horizontal French mid-century vintage poster
By Guy Georget
Located in Spokane, WA
Original THOMSON Gyrathomic. Horizontal format original French vintage lithograph poster. Artist: Guy Georget. C. 1955. Archival linen backed. Very good condition.
A fun...
Category
1950s Bauhaus Prints and Multiples
Materials
Lithograph
Triangulated Squares, Geometric Abstract Bauhaus Screenprint by Herbert Bayer
Located in Long Island City, NY
Artist: Herbert Bayer, Austrian (1900 - 1985)
Title: Triangulated Squares
Year: 1969
Medium: Screenprint, signed in pencil
Size: 32 in. x 33 in. (81.28 cm x 83.82 cm)
Printed at Kel...
Category
1960s Bauhaus Prints and Multiples
Materials
Screen
Circle and Square
Located in Boston, MA
Werner Drewes. Circle and Square, 1980. Rose 386. Number 1 in an edition of 20. Signed and dated in pencil lower right margin: "Drewes -80-"; numbered in pencil lower left margin: "N...
Category
20th Century Bauhaus Prints and Multiples
Materials
Woodcut
'Masken (Masks)' — German Expressionism, Bauhaus
Located in Myrtle Beach, SC
Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...
Category
1920s Bauhaus Prints and Multiples
Materials
Woodcut
LE CORBUSIER 'Villa Savoye, Nord-Est' 2009- Vintage
By Le Corbusier
Located in Brooklyn, NY
This is a high-quality reproduction of Villa Savoye, Nord-Est by Le Corbusier, printed on fine art paper with a cotton mat finish. The refined surface enhances the architectural prec...
Category
Early 2000s Bauhaus Prints and Multiples
Materials
Offset
The Man in Love, from: Masters Portfolio of the Staatliches Bauhaus - German
By Paul Klee
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Klee" at the lower right margin.
Our impression is from the third and final state of this lithograph which...
Category
1920s Bauhaus Prints and Multiples
Materials
Lithograph
Oskar Schlemmer 'Romisches' 1988- Vintage
Located in Brooklyn, NY
This is a high-quality reproduction of Römisches (Roman), originally painted by Oskar Schlemmer in 1925, during his influential tenure at the Bauhaus. Schlemmer—celebrated for his ra...
Category
1980s Bauhaus Prints and Multiples
Materials
Offset
Oskar Schlemmer 'Gruppe Am Gelander' 1988- Vintage
Located in Brooklyn, NY
This is a high-quality reproduction of Gruppe am Geländer (Group at the Railing), a painting by German artist Oskar Schlemmer originally created in 1931. Schlemmer, a central figure ...
Category
1980s Bauhaus Prints and Multiples
Materials
Offset
Barcelona - interior architecture and furniture of iconic midcentury pavillion
By Frank Schott
Located in San Francisco, CA
A serene interior photograph of iconic furniture inside an architectural masterpiece, the mid century modern "Barcelona Pavilion", designed by Ludwig Mies van der Rohe, director of t...
Category
21st Century and Contemporary Bauhaus Prints and Multiples
Materials
Archival Pigment, Archival Paper, Photographic Paper, Giclée
'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Prints and Multiples
Materials
Woodcut
Twin Formation in Gray
Located in Myrtle Beach, SC
Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Smithsonian American Art Museum.
ABOUT THE ARTIST
Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career.
Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...
Category
Late 20th Century Bauhaus Prints and Multiples
Materials
Woodcut
'Varietesoubrette, Schwalbennest' also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed.
Published in Die Schaffenden...
Category
1920s Bauhaus Prints and Multiples
Materials
Drypoint
'Da - Da I' — German Expressionism, Rare
Located in Myrtle Beach, SC
Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...
Category
1920s Bauhaus Prints and Multiples
Materials
Woodcut
'Three Masted Ship, 2' – Artist's Personal Letterhead, Bauhaus Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner.
A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Prints and Multiples
Materials
Woodcut
Pointed Shapes and Black Half Moon
Located in Myrtle Beach, SC
Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...
Category
1930s Bauhaus Prints and Multiples
Materials
Etching
'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK).
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Prints and Multiples
Materials
Woodcut
'Church with House and Tree' – Artist's Personal Letterhead, 1940s Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'.
A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce.
Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted.
Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Prints and Multiples
Materials
Woodcut
BENDIX ALUFROID original horizontal French poster
Located in Spokane, WA
Original Herve Movan vintage French poster: BENDIX ALUFROID.
Horizontal format size: 43" wide by 30.5.
Professional acid-free archival linen backed, very good condition; ready to ...
Category
1960s Bauhaus Prints and Multiples
Materials
Lithograph
$796 Sale Price
20% Off
Small Forms On Crossing Bands
Located in Myrtle Beach, SC
Werner Drewes, 'Small Forms on Crossing Bands', drypoint and roulette, 1935, edition 20, Rose 1.197. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper...
Category
1930s Bauhaus Prints and Multiples
Materials
Drypoint
LE CORBUSIER 'Couvent de La Tourette' 2015
By Le Corbusier
Located in Brooklyn, NY
This is a high-quality reproduction of Couvent de La Tourette by Le Corbusier, printed on fine art paper with a cotton mat finish. The surface enhances the architectural lines and co...
Category
2010s Bauhaus Prints and Multiples
Materials
Offset
'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Prints and Multiples
Materials
Woodcut
12. Untitled, Framed Geometric Bauhaus Offset Lithograph by Herbert Bayer
Located in Long Island City, NY
A print from the CCA folio of Herbert Bayer published in 1965. Nicely framed.
12. Untitled
Herbert Bayer, Austrian (1900–1985)
Date: 1965
Offset Lithograph
Image Size: 10.5 x 13.5 i...
Category
1960s Bauhaus Prints and Multiples
Materials
Offset
Gewerbemuseum, Basel/Licht Reklame. 1928.
By Charles Karl Hidenlang
Located in New York, NY
Hindenlang, Charles [Karl]. Gewerbemuseum, Basel/Licht Reklame. 1928.
Color lithograph. Printed by Wasserman, Basel. 35 1/5 x 50 1/4."
Hiddenlang was known primarily as a muralist with interests in painting,
glassware, ceramics, stage and graphic design. Born in Basel and
educated at the city's Gewerbeschule.
The Kunsthalle Basel dedicated to him in 1965 along with Dick and Karl Otto...
Category
1920s Bauhaus Prints and Multiples
Materials
Lithograph
Bauhaus (Red and Green), Geometric Abstract Screenprint by Gisela Beker
By Gisela Beker
Located in Long Island City, NY
Artist: Gisela Beker, German/American (1932 - 2015)
Title: Bauhaus (Red and Green)
Year: Circa 1975
Medium: Serigraph, signed and numbered in pencil
E...
Category
1970s Bauhaus Prints and Multiples
Materials
Screen
Tender Picture E, Bauhaus Print by Herbert Bayer
Located in Long Island City, NY
A print from the CCA folio of Herbert Bayer published in 1965. Nicely framed.
Tender Picture E
Herbert Bayer, Austrian (1900–1985)
Date: 1928 (1965)
Offset Lithograph
Image Size: 9 ...
Category
1960s Bauhaus Prints and Multiples
Materials
Offset
Florence Henri
Located in New York, NY
Ritratti al Bauhaus. Photo-offset poster.
Museo cantonale d'arte Lugano
Year: 1991.
Monguzzi studied in Geneva and London, spent part of his early career in at the studio of Antonio Boggeri, in Milan. The inspiration of the experimental and visually-daring work of the avant garde designers Herbert Bayer, El Lissitsky, Jan Tschichold, Piet Zwart, Paul Schuitema, Ladislav Sutnar...
Category
1990s Bauhaus Prints and Multiples
Materials
Offset
Never Ending Nicht Endend - Bauhaus German
By Paul Klee
Located in London, GB
This etching is hand signed in pencil by the artist "Klee" at the lower right margin.
It is dated in pencil ‘1930’ in the lower left margin.
It is also inscribed ‘K 10’ in pencil ne...
Category
1930s Bauhaus Prints and Multiples
Materials
Etching
Ariadne
By Max Bill
Located in New York, NY
City Theatre matinee- 24 April 10:45 - dance studio wuff, basel
(includes notice of postponement of a ballet by
Satie and Picabia and a statement of aesthetics in small type)
Zurich.
Letter press...
Category
1930s Bauhaus Prints and Multiples
Materials
Lithograph
Price Upon Request
Bauhaus prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Bauhaus prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, yellow, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Lyonel Feininger, (after) Josef Albers, Brigitte Parusel, and Werner Drewes. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Bauhaus prints and multiples, so small editions measuring 2.38 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $120 and tops out at $203,691, while the average work sells for $825.
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