Flower Prints and Multiples

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Photograph "Iris #3" by Holly Gordon. The artwork showcases the enduring fascination and artistic exploration of the enchanting world of plants, flowers and nature, a passion that ar...

Limited edition (edition number TBA) Suite of four Edition of four $2,500 each, framing is additional $350

Cast a spell, 2025 Medium: Archival Pigment Print; Printed on Hahnemuhle FineArt Baryta 325gsm paper and archival 8-ply rag paper Available size: Image Size: 60” x 96” Edition of...

Cast a spell, 2025 Medium: Archival Pigment Print; Printed on Hahnemuhle FineArt Baryta 325gsm paper and archival 8-ply rag paper Available size: Image Size: 60” x 96” Edition of...

Forager Series: 18042, 9/2016, Print by Lisa Stefanelli, 2016 Additional information: Medium: Digital aided material printed on aluminum with floating mount Dimensions: 24 × 77 in E...

Forager Series : 18042, 1/2017, Print by Lisa Stefanelli, 2017 Additional information: Medium: Digital aided material printed on aluminum with floating mount Dimensions: 24 x 40 in ...

Colour Lithograph "Les volubilis" by George Braque from 1963 from “Lettera amorosa”: 1. Book with a text by René Char and 22 colour lithographs as well as 5 + 2 smaller lithographe...

Colour Lithograph "Les deux Iris bleus" (The two blue irises) by George Braque from 1963 from “Lettera amorosa”: 1. Book with a text by René Char and 22 colour lithographs as well ...

Colour Lithograph "Giroflée bleue" (The blue violet) by George Braque from 1963 from “Lettera amorosa”: 1. Book with a text by René Char and 22 colour lithographs as well as 5 + 2 ...

Colour Lithograph "Fleurs de l'air" (Flowers of the air) by George Braque from 1963 from “Lettera amorosa”: 1. Book with a text by René Char and 22 colour lithographs as well as 5 + ...

Colour Lithograph "Deux fleurs violettes" (Two violet flowers) by George Braque from 1963 from “Lettera amorosa”: 1. Book with a text by René Char and 22 colour lithographs as well...

Created by Donald Sultan in 2024, Yellow Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, ...

Created by Donald Sultan in 2024, Green Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, t...

Created by Donald Sultan in 2024, Red Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, tit...

The present work “Freesia” by Alex Katz from 2023 is a color woodcut in seven colors. In terms of both style and motif, the work is one of the most recent in his landscape and floral...

Alex Katz Yellow Flags on White 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Ka...

Alex Katz Yellow Flags on Brown 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Ka...

An artwork of understated elegance, Autumn 3, by Alex Katz was created by the artist in 2023, and is hand-signed and numbered in pencil measuring 72 x 45 in. (183 x 114 cm), unframed...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

"Yellow Flags on White" is a new limited edition created by the American artist Alex Katz. It is a print characterized by its minimalist yet striking composition. The piece depicts a...

Yellow Flags on Brown, 2023

"Purple Irises on White" is an limited edition created by the renowned American artist Alex Katz. The print showcases Katz's distinctive style and his ability to capture the essence ...

Created as an original seven-color woodcut on Somerset White paper in 2023, Alex Katz's Freesia measures 47 1/2 x 35 1/2 in. (120.7 x 90.2 cm), unframed. The artwork is hand-signed a...

Created in 2007, Donald Sultan color screenprint Red Poppies II, 2007 with flocking on museum board is hand-signed by Donald Sultan (North Carolina, 1951 - ) in pencil in the left margin and is numbered from the edition of 75 in pencil in the lower right margin. About the Framing: Framed to museum-grade, conservation standards, Donald Sultan Red Poppies...

An artwork of uncommon beauty, Purple Irises on White, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), un...

An artwork of uncommon beauty, Yellow Flags on White, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unf...

An artwork of uncommon beauty, Yellow Flags on Brown, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unf...

An artwork of uncommon beauty, Purple Irises on Red, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unfr...

Alex Katz (b. 1927) The Flowers Portfolio (75/100), 2021 Archival Pigment Print on Innova Etching Cotton Rag 315 gsm paper

This offset lithograph features animated colorful flowers in a silver circle.

This work of art is a serigraph print in colors, depicting a large cluster of colorful flowers in the center.

This offset lithograph depicts interconnecting colored circular eyes.

Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm)

Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm)

Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm)

Created by Takashi Murakami in 2015, Korin: The Land Beyond Death, Bathed in Light, is an offset color lithograph with foil and high gloss varnish. The artwork is hand-signed and num...

"Flags" is a stunning woodcut from 2013. It is a very stylized view over a wide flower meadow. Typically, Katz is using a clear and straight color palette. It is beautiful to see how...

Alex Katz (b. 1927) Azaleas on Yellow (53/100), 2021 Archival Pigment inks Print Edition of 100 Innova Etching Cotton Rag 315 gsm print paper 47 x 34...

We are proud to present a brand new edition by Alex Katz. "Purple Irises in White" is one of the latest works that have been published. It is an homage to his landscape and flower artworks...

We are proud to present a brand new edition by Alex Katz. "Purple Irises on Red" is one of the latest works that have been published. Edition of 100, signed, numbered and dated.

We are proud to present a brand new edition by Alex Katz. "Yellow Flags on Brown" is one of the latest works that has been published. It is an homage to his landscape and flower artworks...

We are proud to present a brand new edition by Alex Katz. "Yellow Flags on White" is one of the latest works that has been published. It is an homage to his landscape and flower artworks...

Technical Information: Andy Warhol Flowers, FS II.67 1970 Screenprint 36 x 36 in. Edition of 250 Signed and stamped number on verso

Created by Ross Bleckner in 2019, Five Tulips is hand-signed in pencil, and numbered, measuring 30 x 30 in, (76 x 76 cm), unframed, from the edition of 50.

Created by Ross Bleckner in 2019, Light Flower is hand-signed in pencil, and numbered, measuring 30 x 30 in, (76 x 76 cm), unframed, from the edition of 50.

Created by Ross Bleckner in 2019, Six Tulips is hand-signed in pencil, and numbered, measuring 30 x 30 in, (76 x 76 cm), unframed, from the edition of 50.

Glowing and contemplative, Water Lilies was created by Ross Bleckner in 2019, the artwork measuring 42 x 70 in, (107 x 178 cm), unframed, hand-signed in p...

Glowing and contemplative, Floating Red was created by Ross Bleckner in 2019, the artwork measuring 42 x 70 in, (107 x 178 cm), unframed, hand-signed in pencil, and numbered, from th...

This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...

This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...

From the Artist: What is behind all of this? I can not see you, It is covering you, what I wish, what I dream, I can not reach it yet. It feels good, but I am still not convinced abo...

From the Artist: You are everything, my will to live, my thoughts, my dawn, my present, my whole life. I choose you every day and I feel blessed, because I never dreamed of so much l...

From the Artist: Yes, it is always this duality between who I am and who I want to be, the one that I have not been allowed to be or rather, the one that I do not allow myself to be....

From the Artist: You are just a fantasy in my head. It is difficult to explain. Our love blossomed into an eternal dream and there we were lost. You look...

Agent X Alfuderm mRNA (white) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 37 x 35 inches Signed COA provided Ref.: 924802-854 -----...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

Holiday Print Jonas Wood 9-color screenprint on Rising Museum Board 10.5 x 8" 2018 edition of 250 signed

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Photogravure (Edition of 50) Contact gallery for price This work is offered by ClampArt in New York City