Flower Prints and Multiples

27 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...

In 2011, Barthélémy Toguo, a renowned Cameroonian artist, designed the official Roland Garros poster. Known for his multidisciplinary approach and themes of migration, identity, and ...

Vervain Three-leaved, Verbena triphylla Plate 367 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Epidendrum Aloe-leaved, Epdendrum aloides Plate 387 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

STEVE REOUTT (Chinese-American, 1938-2008) “Spring Bouquet”, Portal Gallery Sausalito Poster 28 x 20 in Unframed Publishing Information: Portal Publicat...

Lovers Yannis Amoryanos Greek Date: 1980 Screenprint, signed and numbered in pencil Edition of 300 Size: 28 in. x 22 in. (71.12 cm x 55.88 cm)

Salvador Dali Hemerocallis thumbergii elephanter furiosa, from Surrealistic Flowers, 1972 Drypoint with heliogravure printed in colours Hand signed lower right Edition 335 / 350 Co...

René Gruau LES IRIS - 1998 Print -Lithograph on Arches Archival Paper    46'' x 20'' inches Edition: signed in pencil, titled and marked 285/300 Embossed with the printers stamp M...

Hugh Turvey is a British artist and photographer who uses x-ray technology to create what he calls Xograms, a fusion of visible light and x-ray imagery. Hugh trained as a designer /...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

CARL SCHUMANN (American) More Than This Poster 38 x 25.125 in. Unframed Plate signed Copyright 1989 Haddad’s Fine Arts, Inc. Anaheim, California. Good/Fair Condition-indentation/wr...

Rozanova, Olga. Transrational blog (The Queen of Hearts).1915, Moscow Red Linocut, on thin wove paper, from Zaumnaya gniga [Transrational boog] by A. ...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable ...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs. Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Print size: 75 x 54 cm Framed: 80 x 60 cm approx. Inspired by Victorian era taxidermy dioramas...

From Isles of Greece Suite. Serigraph on paper. Hand signed and numbered by the artist. Image size 25 x 32 inches Edition of 300. Artwork is in excellent condition. Certificate of...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Wayne Ensrud, American (1934 - ) - Multicolor Bouquet, Medium: Lithograph with Hand-Coloring, signed in pencil, Image Size: 35 x 24 inches, Size: 37 x 36 in. (93.98 x 91.44 cm), D...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Breaking Dawnis a colored screen print hand-signed (whole signature) and numbered in pencil in the lower margin. Edition of 250 prints. In excellent conditions. This beautiful prin...

The Editor prunes the branching narratives of her imagination emerging from a ceramic planter on her lap. The leafy shoots reveal pairs of eyes, each highlighted with a holographic sheen and sculpted in shallow relief. The eyes refer to a painting of Saint Lucy...

These are three separate 24 x 18-inch hand-printed photographs using the 170-year-old cyanotype process. Unframed, side by side, they span 24 x 54 inches”. Once matted and framed ...

Giclée print on Canvas. Hand painted finishing with original brushstroke and oil paints. Rhododendron blooms in May always tell us - that summer is already here - it's near! The pos...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Yellow Rose Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image S...

Price is for one framed print. Prints sold individually. Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised ...

Jellyfish Eyes - Black 5 is an offset lithograph on paper, 19.75 x 19.75 inches, signed and numbered 144/300 lower right. Framed in a contemporary white frame.

MAURICE DE VLAMINCK (French, 1876-1958) The Blue Vase Poster/Print 26.75 x 29.3125 in. Unframed Copyright New York Graphic Society. Printed in Switzerland. Good/Fair Condition-sign...

Marc Chagall (1887-1985) - Paradise I Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Signed, titled and numbered by the artist. This is the last remaining print in the edition. Sonia Romero is a full time artist living and working in East Los Angeles. She received h...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

Henri Matisse's 1985 original poster for 'Décoration Masques 1953' is a masterpiece that offers a glimpse into the creative genius of one of the 20th century's most celebrated artist...

Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971.  Good conditions. Signed on the plate and dated on the bottom center.

“Permafrost” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy series...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

David Lee, Chinese (1944 - ) - Poppies (9), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 21 x 29 in. (53.34 x 73.66 cm), Description...

Chromaluxe supplied with subframe ready to hang. Also available in 60 x 73 cm on paper for £1400 In 2009, Hugh was appointed the first Artist in Residence for The British Institut...

Kozo Inoue (Japan, b. 1937) Title: "Fleur de Feu" translated to Flower of Fire Medium: Silkscreen Print on Paper Dimensions: 21.5" x 15.5" (image) ...

Plate 293 from Johanna Goodman's Catalogue of Imaginary Beings Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due...

Damien Hirst, Cherry Blossoms, 2021 Set of 6 exhibition posters from the 'Cerisiers En Fleurs' Paris Cartier foundation exhibition Print in colours on 220 gsm fine art paper 80 x 60...

Edition of 25 Archival Fine Art Giclée Print Framed: £650 Unframed: £485 The frame is whitewash natural wood. Print size: 40.64 x 50.80 cm. Hugh Turvey ...

Damien Hirst, Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry, 2021 Offset lithograph Framed size: 85 x 65 cm (33.46 x 25.59 in) Unkown editon size...

Damien Hirst, Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry, 2021 Offset lithograph Framed size: 85 x 65 cm (33.46 x 25.59 in) Unkown editon size...

Lowell Nesbitt Rust Iris - 1979 Screen print on Arches archival paper    29'' x 29'' inches Edition: Signed in pencil, dated and marked 151/175 Lowell Nesbitt emerged as one of the ...

A wonderful print by African American artist, Charles White (1918 - 1979) "Blues" Color lithograph on Rives paper, 1971. 11.5 x 26.75 inches (28.55 x 68.7 cm) Signed, titled, dated and numbered in pencil, lower right. Number 63/100 from the numbered edition of 100. Framed Printed by William Law III and the Tamstone Group, Los Angeles, with their blindstamps lower right.  Charles Wilbert White...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Antonio Lopez Garcia (Spain, 1936) 'Lirios', 2021 etching, lithograph on paper Rives BFK 300 g. 23.3 x 26.8 in. (59 x 68 cm.) Edition of 75 Unframed ID: L...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Wayne Ensrud, American (1934 - ) - Untitled Flowers 18, Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Edition: I/I, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

PEMA Art of the 80's, New York Exhibition-Poster. Measures 36 x 24 inches Unframed. Plate Signed. Fair/Distressed Condition.

Jon Carsman Cannas - 1978 Print - Silkscreen, on Arches archival paper   34½" x 24" in Edition: Signed in pencil, titled and marked 157/175 "Jon Carsman did for suburban and hometown views what Edward Hopper did for cities, except Carsman exchewed a human presence." Annette Dixon, curator of the University of Michigan Museum. Jon Carsman found the source of his inspiration in the play of color and light reflected across the framed houses...

This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...

An image that originally appeared in an astrological calendar for the year 1766. Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...

'Burtonia Villosa - Villous Burtonia' Botanical lithograph of a Western Australian native plant with original hand-colouring , 1848, by Walter Hood Fitch (1817-1892). 235mm by 145m...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

SOLD UNFRAMED Siamese Cats by Orovida Pissarro (1893-1968) Etching 10 x 7.5 cm (4 x 3 inches) Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...