Urban Prints and Multiples

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Signed, titled and numbered from the edition of 50. This illustration is used in the book The Ballad of Huck and Miguel - a re-telling of Mark Twain's The Adventures of Huckleberry Finn, set in contemporary times and centering around Huck and an illegal immigrant in the urban environment of the Los Angeles River. A young boy looking up at a starlit night sky. Artist statement: “My life has been shared between two countries, the United States and Mexico. I’ve experienced the hard rural life of my parents in Mexico and the dangerous and fragmented life of the inner city. I am a person made up from experiences from both of these worlds. I am Mexican but I am also American and I can slip between these two worlds with ease and exist in both simultaneously. Culture does not honor borders. Culture is about change and growth. My work is inspired by the folk stories that my parents and grandparents have passed on. I have a desire to invent and share my own narratives and vision through printmaking. I want to be able to communicate through the image an invitation to tell a new story to be told or an old one to be remembered." Daniel Gonzalez was raised in Los Angeles, and received his training at the California College of Arts and Crafts. He also apprenticed with Artemio Rodriguez...

This stunning version of Cafe Ravello is a limited edition embellished giclee on canvas. It is numbered 64/195 and signed by the artist Howard Behrens. Framing options are available.

Camille HILAIRE Circus : The Outfielders Original lithograph Handsigned in pencil On Vellum 74 x 53 cm (c. 30 x 21 in) Excellent condition

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Wolff Buchholz Title: Untitled Medium: Lithograph Year: 1993 Signed and dated by hand Size: 25.2 × 17.9 on 23.0 × 15.4 inches Wolff Buchholz was born in 1935 in Hamburg, Germany. Fr...

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of 93/199. Excellent condition.

This screenprint was created by New York-based artist Ken Keeley. Keeley's Keeley's collections of candy bars and magazines; storefronts and street scenes gr...

This stunning 1960 travel poster, featuring a photograph by Fronval, captures one of the most breathtaking perspectives of Paris—a bird’s-eye view from the top of Notre-Dame Cathedra...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

Claude Tabet, French (1924 - 1979) - Du Descendant les Marches. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 3...

Lecce is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Barracks in Piazza Navona is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1950. Phototype print..  Good condition. Italian title ...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm .Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in t...

Max Epstein, Canadian (1932 - 2002) - NYC #1, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Offset print. Hand signed Edition of 100.

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. Th...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

This exquisite collotype after Max Ernst (1891–1976), titled Il tombera loin d'ici (He Will Fall Far from Here), from the album Max Ernst, Histoire Naturelle (Natural History), origi...

Hans Figura: 1898-1978. Well listed Austrian artist. Most famous for these beautiful etchings on silk. He has an auction result high for a single etching just over $2400. We have own...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

The 1962 original poster for BEA (British European Airways), titled "Londres: The Tower of London", was created as part of a campaign to promote London as a prime destination for international tourists. The poster specifically highlighted the Tower of London, one of the city’s most iconic landmarks, as a symbol of England’s rich history and cultural significance. During the 1960s, British European Airways played a pivotal role in shaping modern air travel within Europe and beyond. This poster was part of their effort to combine the allure of travel with the timeless appeal of London's historic sites. The Tower of London, with its storied past as a royal palace, prison, and treasury, was an ideal subject to attract history enthusiasts and travelers seeking a quintessentially British experience. The choice of the Tower of London as the focal point of this campaign underscored the growing interest in cultural tourism during the post-war era. As more people gained access to affordable air travel, cities like London sought to position themselves as must-visit destinations, offering a blend of historical charm and cosmopolitan appeal. BEA’s marketing strategy with this poster aligned with their broader mission of connecting travelers to Europe’s most captivating destinations. The Tower of London, a UNESCO World Heritage Site and a symbol of resilience and intrigue, served as a powerful emblem of what London had to offer. Today, this 1962 BEA poster...

Ari Gradus, Israeli (1943 - ) - Knife Sharpener, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 25 inche...

In Cologne, the city of art in Germany, painter and graphic artist Jurgen Kuhl met Andy Warhol for the first time. The American Pop Art artist had come on ...

Digital print on Hahnemühle Fine Art Paper - 100% Cotton. Released in 2021. Sold out from a limited edition of 200. Dimensions 22x22 in. Hand signed, titled and numbered by Joel Rea.

Ari Gradus, Israeli (1943 - ) - Out West, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 18 x 25 in. (45.72 x 63.5 ...

This artwork titled " New England Tamarack" c.1980 is an original color lithograph with embossing on wove paper by noted British artist Tessa Beaver, 1932...

This beautiful poster was made in 1972, for Lufthansa, a private airline of German origin. It is one of the oldest airline companies. It has one of the largest fleets of aircraft an...

Ari Gradus, Israeli (1943 - ) - Old Quartier, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: 245, AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. ...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Bridge in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...

Uses and Customs -  Ducal Palace in Modena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Uses and Customs - Saint Carlo Theatre in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

The original 1949 travel poster by Henry De Waroquier for Bourgogne, sponsored by SNCF (French National Railway Company), invites viewers to embark on a captivating journey through the picturesque landscapes of Burgundy, France. Waroquier's artistic masterpiece captures the essence of Burgundy's timeless charm and rich cultural heritage. Through vibrant colors and exquisite detail, the poster portrays the region's rolling vineyards, historic chateaux, and quaint villages nestled amidst lush countryside. As a promotional piece for SNCF, the poster highlights the convenience and comfort of travel by rail...

This amazing bird's-eye-view of an ancient European town is a wonder to behold. There is such detail and interesting perspective. Maybe the artist (unknown...

Ducal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Palace of the Queen Mother in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good ...

Ari Gradus, Israeli (1943 - ) - Main Street USA, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 26 inches, Size: 22 in. x 30 in. ...

Ari Gradus, Israeli (1943 - ) - Puppet Show, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), ...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certifi...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Ari Gradus, Israeli (1943 - ) - Sidewalk Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 245, AP, Image Size: 18 x 26 inch...

Ladies of the Islands of Tina is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gover...

Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration. On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin. Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341. This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete. Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks: Big cartouche with half-moon Big cartouche with letters “FO” and “AS” Bound and ripples on paper. In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation. Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes. Other four views are deeply inspired by Michele...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Underpass is original xylography realized by an anonymous artist of the XX century, hand-signed, unreadable. The State of preservation is good. The artwork represents the underpass...

Photorealist cityscape screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil Barriers Lowell Blair Nesbitt, American (1933–1993) Date: 1971 Screenprint,...

Uses and Customs - Pavia Towers is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Medium: Etching with aquatint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of high wire walker...

Covert to Overt, Gold, Triptych, Shepard Fairey, Jon Furlong. 3 prints, each with dimensions 18 inches x 24 inches. Screen Prints on cream Speckle Tone paper. Signed by Shepard Faire...

Uses and Customs - San Marco Square in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Uses and Customs - Piazza di Sant'Andrea in Mantua is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Uses and Customs - Piazza di Sant'Antonio in Padova is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...