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Takashi Murakami
Red - Time

2008

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  • Homage to Francis Bacon (Study for Head of Isabel Rawsthorne, moiré)
    By Takashi Murakami
    Located in Greenwich, CT
    Homage to Francis Bacon (Study for Head of Isabel Rawsthorne, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 33/300. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...
    Category

    21st Century and Contemporary Contemporary Prints and Multiples

    Materials

    Paper, Offset

  • Homage to Francis Bacon (Study for Head of George Dyer, moire)
    By Takashi Murakami
    Located in Greenwich, CT
    Homage to Francis Bacon (Study for Head of George Dyer, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 100/300. Framed in a white contemporary frame, image to be updated. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...
    Category

    21st Century and Contemporary Contemporary Prints and Multiples

    Materials

    Paper, Offset

  • Chaos: Primordial Life, 2017
    By Takashi Murakami
    Located in Greenwich, CT
    Chaos: Primordial Life is an offset lithograph on paper, 26.75 x 26.75 inches, signed and numbered 92/300 lower right. Framed in a contemporary silver-tone frame.
    Category

    21st Century and Contemporary Pop Art Prints and Multiples

    Materials

    Paper, Offset

  • Parallel Universe, 2015
    By Takashi Murakami
    Located in Greenwich, CT
    Parallel Universe is an offset lithograph on paper, 26.75 x 26.75 inches, signed and numbered 212/300 lower right. Framed in a contemporary white frame.
    Category

    21st Century and Contemporary Pop Art Prints and Multiples

    Materials

    Paper, Offset

  • Assignation of a Spirit
    By Takashi Murakami
    Located in Greenwich, CT
    Assignation of Spirit is an offset lithograph on paper, 26.75 x 26.75 inches, signed lower right and numbered 155/300. Framed in a contemporary white frame.
    Category

    21st Century and Contemporary Pop Art Prints and Multiples

    Materials

    Paper, Offset

  • And Then x 727 (Vermillion:SHU)
    By Takashi Murakami
    Located in Greenwich, CT
    And Then x 727 (Vermilion: SHU) is an offset lithograph on paper, 19.5 x 19.5 inches, signed and numbered 137/300 lower right. Framed in a contemporary silver-tone frame.
    Category

    21st Century and Contemporary Pop Art Prints and Multiples

    Materials

    Paper, Offset

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  • Monograph: Philip Glass Words Without Music (book hand signed by Philip Glass)
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