1991 After Tom Wesselmann 'Seascape' Pop'

1991

Serigraph created by Tom Wesselmann for a Tammy Wynette concert in Vermont, 1989. Printed on regular poster stock, not rag paper. Shipping and Handlin...

Limited edition serigraph hand-signed by Roy Lichtenstein for the Poetry Project, a leading organization promoting poetry across the U.S. Based in St. Mark's Church in NYC's East Vil...

This exhibition poster is a rare and highly collectible item, originally produced for Tom Wesselmann's solo show at Galleria Plura in Milan, which took place from February to March 1...

"Tulips in a Vase" by Tom Wesselmann is a vibrant and striking serigraph that showcases the artist's ability to blend elements of fine art and popular culture. Published in 1985 by G...

Screenprint on paper. Hand signed and numbered by the artist. Edition 19/30 (there were also ten artist’s proofs). From the portfolio Master American Contemporaries, Inaugural Print Invitational. Published by Museu de Arte Contemporânea, São Paulo, printed by American Image, Katonah, NY, and labeled with the museum’s printed anniversary mark in the lower right corner. Custom framed as pictured...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...

Blonde Vivienne, 1985-86 Transfer-printed service plate in colors. Diameter: 12 in. (30.5 cm). published by Rosenthal, Limited Edition, Germany

Screenprint on museum board. Hand signed and numbered by the artist. Edition of 100. Published by International Images, Putney, Vermont. Sheet size 59 x 68 inches. Artwork is in e...