Vintage John Baldessari exhibition poster (John Baldessari at Sonnabend NY 1986)
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Vintage John Baldessari exhibition poster (John Baldessari at Sonnabend NY 1986)1986
1986
About the Item
- Creation Year:1986
- Dimensions:Height: 17.5 in (44.45 cm)Width: 21.5 in (54.61 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35434897742
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2014
1stDibs seller since 2016
4,238 sales on 1stDibs
More From This SellerView All
- Takashi Murakami 'Superflat' exhibition poster (vintage Takashi Murakami)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsLithograph, Offset
- Takashi Murakami record art 2018 (Takashi Murakami Kanye West)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Gh...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsPaper, Offset
$100 Sale Price20% Off - Takashi Murakami Kanye West 2007 (Takashi Murakami Louis Vuitton)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsOffset, Paper
- Andy Warhol Fiorucci 1986 Press ReleaseBy Andy WarholLocated in NEW YORK, NYAndy Warhol "America" Fiorucci Press Release 1986: Original press release for a 1986 Andy Warhol Valentine's Day book signing, at the legendary New York cultural institution: Fiorucci. A one day event in which Warhol signed his "America" book for 350 lucky fans. In conjunction with this Warhol America event, Fiorucci sold Warhol inspired T-shirts, accessories and photos. A rare & much desirable piece of Andy Warhol ephemera produced just one year before the artist's death in February of 1987. Typed letter; 1986. 8.5 x 11 inches. Fold-lines as issued for mailing. Minor wear commensurate with age & medium; in otherwise very good overall vintage condition. Unsigned from an edition of unknown. RARE. More on Fiorucci: 'The New York City Fiorucci store is the stuff of cultural legend. Located in East Midtown and attracting everyone from Gloria Vanderbilt to Madonna, it was as much a place to experience culture and art during the height of the mid 70s and early 80s as it was a store – with everyone from Keith Haring to Andy Warhol hosting events at the location. Intrinsically linked to the glamorous days of disco, the brand was even name checked in Sister Sledge's “He’s The Greatest Dancer” alongside Gucci and Halston. Marc Jacobs skipped summer school to hang out there, Cher would often wonder in, Maripol designed the space. They had an advert featuring Divine. It was unquestionably cool. As much as they became a staple of New York culture, Fiorucci’s origins were in Italy – where Elio Fiorucci, the son of a shoe shop owner, began designing wellies in primary colors before officially founding the brand in 1967. The Fiorucci store made its way to New York in 1976 (a London store opened one year prior) and soon earned a reputation for a party-like atmosphere alongside daring fashion mixed with beauty products, vintage clothing, music and home décor. Here, following the sad news...Category
1980s Pop Art More Art
MaterialsPaper, Lithograph
- Milton Glaser Stevie Wonder poster 1968 (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NYMilton Glaser Poster for Stevie Wonder at New York's Philharmonic Hall, 1968: Vintage original 1968 Milton Glaser Stevie Wonder concert poster designed by the legendary designer for...Category
1960s Pop Art Portrait Prints
MaterialsOffset, Lithograph
$420 Sale Price20% Off - Rare original Raymond Pettibon record cover art set of 4 (Pettibon black flag)By Raymond PettibonLocated in NEW YORK, NYRare original 1980s Raymond Pettibon record cover art: Set of 4 individual Raymond Pettibon illustrated record albums accompanied by their orig...Category
1980s Pop Art Prints and Multiples
MaterialsOffset, Lithograph
You May Also Like
- "The 6th International Biennial Exhibition of Prints in Tokyo"By Tadanori YokooLocated in New York, NYTadanori Yokoo "The 6th International Biennial Exhibition of Prints in Tokyo" The National Museum of Modern Art, Tokyo, 1968 Offset lithograph poster 42...Category
Mid-20th Century Pop Art More Prints
MaterialsLithograph, Offset
- As I Opened Fire Poster (Triptych) (First Edition) /// Pop Art Roy LichtensteinBy Roy LichtensteinLocated in Saint Augustine, FLArtist: (after) Roy Lichtenstein (American, 1923-1997) Title: "As I Opened Fire Poster (Triptych) (First Edition)" *Issued unsigned Year: 1966 (First editi...Category
1960s Pop Art More Prints
MaterialsLithograph, Offset
- Keith Haring: Into 1984/Tony Shafrazi GalleryBy Keith HaringLocated in New York, NYColor offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.Category
1980s Pop Art Abstract Prints
MaterialsColor, Lithograph, Offset
- As I Opened Fire Poster, TriptychBy (after) Roy LichtensteinLocated in New York, NYSet of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...Category
1960s Pop Art Abstract Prints
MaterialsColor, Lithograph, Offset
- Dream of William Burroughs (rare 1970s limited edition lithograph) for Earth DayBy Robert RauschenbergLocated in New York, NYROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful early 1970s print Words appearing in a dream of William Burroughs Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York Signed and numbered 103/150 in black marker This work is registered with the Robert Rauschenberg archives, reference number: RRF 72.E001 Text reads: THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET. More information about this work from the Rauschenberg Foundation: Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States. Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.” About Robert Rauschenberg: Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.” Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986. About William Burroughs William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...Category
1970s Pop Art Abstract Prints
MaterialsOffset, Permanent Marker, Lithograph
- Limited Ed. St. Louis Art museum poster Hand Signed & dated by Roy LichtensteinBy Roy LichtensteinLocated in New York, NYRoy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on th...Category
1980s Pop Art Abstract Prints
MaterialsInk, Lithograph, Offset, Pencil, Graphite
Recently Viewed
View AllMore Ways To Browse
Vintage Puns
Barbara Kruger Signed
Cindy Sherman Poster
Antique Plant Print
Antique Plant Prints
1950 French Poster
Retro Posters Of Italy
Japanese Dance
Japanese Dancer
Sale Of Screens
Vintage Claires
Signed Numbered Print Salvador Dali
Salvador Dali Collection
Page 17
Original Lithograph 1950s
Pompeii Drawings
La Belle Antique
Prints Of 18th Century Paintings