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Adolph DiodaAbstract Minimalist Geometric Sculpture1979
1979
About the Item
Adolph T. DIODA (1915-1991)
Birth place: Aliquippa, PA
Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA
Profession: Sculptor, educator
Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York.
Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch, Carnegie Inst., 1953; 60th Ann. Exhib. Am. Paintings & Sculpture. Awards: Guggenheim Found. grant, 1945; George D. Widener Medal, Eben Demarest Scholar Fund grant, Carnegie Inst. Technology, 1948; Philadelphia A. All., 1952.
Member: Pittsburgh AA; Soc. S. Pittsburgh; Artist Equity Assn, Philadelphia chapter; Peale Club.
Work: Carnegie Mellon Museum, Pittsburgh, PA; Pennsylvania Acad. of Fine Arts, Philadelphia; Philadelphia Mus. of Art; Ogonquit Mus. of Art, Maine; Westmoreland Mus Art, Greensburg, PA. Commissions: Crucifix, St. Michael School, Pittsburgh, 1949; figure, commissioned by Dahlen K. Ritchey, Pittsburgh, 1951; steel panel, Dept. of Recreation, City of Philadelphia, 1971.
Comments: Preferred media: wood. Teaching: instructor of sculpture, Tyler School, Temple Univ., 1959-1969; instr. of sculpture, Haverford College, 1962-1969; instr. wood & stone carving, Pennsylvania Acad. of Fine Arts, 1962.
- Creator:Adolph Dioda (1915 - 1991, American)
- Creation Year:1979
- Dimensions:Height: 20 in (50.8 cm)Width: 16.5 in (41.91 cm)Depth: 9.75 in (24.77 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:some splitting to the wood, wear to surface.
- Gallery Location:Surfside, FL
- Reference Number:Seller: 9461stDibs: LU38212174632
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de Ganay produces minimalist abstract art works, painting, relief and wall sculpture. Sculptures made of aluminum, linen fabric, plastic, oil painting, wood and other materials. de Ganay joins a tradition of experimental artists. In this sense, for example, the Achromes by the Italian Arte-Povera artist Piero Manzoni, created in the 1960s, point the way for de Ganay's examination of folded linen fabric.
"The process of de Ganay's Painting is the process of thought itself; it is a process which turns not away from painting, but towards it. And rather than seeing painting as closure, he presents his work to us as a space of multiple openings, layers, shadows and reflections. Painting is, as much as an object or a process, a state of flux."
(Adrian Searle, art critic for The Guardian, London (1994)) In the style of Readymades and Arte Povera, de Ganay starts out from a simple utility material and combines this with an examination of the surface in the tradition of Minimal Art. He designed a limited edition chair "PLEASE" a “4 Piece Chair” customized by John Baldessari, Lawrence Weiner and Rirkrit Tiravanija.
SELECT SOLO EXHIBITIONS:
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"Transposition an Reproduction", Kunsthalle Krems in der Dominikanerkirche, Krems, Austria
2016 "Space on the Move", Hausler Contemporary, Zurich, Switzerland
2015 "Fold", Häusler Contemporary, Munich, Germany
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2014 "Turn the green light on", Institut Français in Palais Clam-Gallas, Vienna, Austria
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St. Moritz Art Masters, Schlosserei, St. Moritz, Switzerland
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2010 Presentation of the "All in one"-project, Galerie Renos Xippas, Paris, France
2009 "Catalogue", Daniel Abate Galeria, Buenos Aires, Argentina
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2004 "Artist Quarterly", Sotheby’s, Vienna, Austria
2002 Galerie Jacqueline Rabouan-Moussion, Paris, France
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Born in 1962 in Boulogne-Billancourt, France, Sebastien De Ganay studied political science and film at Columbia University in New York 1986-1990 ( (Bachelor of Political Science, Master of Fine Arts in Cinema) and is co-founder and editor of the art book publishing house onestar press. In addition to numerous exhibition participations, including the Centre Pompidou in Paris and the Landesmuseum Österreich in St. Pölten, Austria, the Institut Français in Vienna showed a comprehensive solo exhibition of the artist in 2014. In 2017, de Ganay realized a highly acclaimed installation for the Kunsthalle Krems. de Ganay lives and works in Austria.
de Ganay produces minimalist abstract art works, painting, relief and wall sculpture. Sculptures made of aluminum, linen fabric, plastic, oil painting, wood and other materials. de Ganay joins a tradition of experimental artists. In this sense, for example, the Achromes by the Italian Arte-Povera artist Piero Manzoni, created in the 1960s, point the way for de Ganay's examination of folded linen fabric.
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(Adrian Searle, art critic for The Guardian, London (1994)) In the style of Readymades and Arte Povera, de Ganay starts out from a simple utility material and combines this with an examination of the surface in the tradition of Minimal Art. He designed a limited edition chair "PLEASE" a “4 Piece Chair” customized by John Baldessari, Lawrence Weiner and Rirkrit Tiravanija.
SELECT SOLO EXHIBITIONS:
2019 CRISS CROSS - Sébastien de Ganay, Raffaella della Olga, Galerie Steinek, Wien, Österreich
"Flip, Flop, Flux", Galerie Ruzicska, Salzburg, Austria
2018 "und, und, und", rauminhalt harald bichler, Vienna, Austria
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"Transposition an Reproduction", Kunsthalle Krems in der Dominikanerkirche, Krems, Austria
2016 "Space on the Move", Hausler Contemporary, Zurich, Switzerland
2015 "Fold", Häusler Contemporary, Munich, Germany
"Folded Flat" Galerie Ruzicska, Salzburg, Austria
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2013 Sébastien de Ganay, "Carton Sculptures", rauminhalt harald bichler, Vienna, Austria
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2002 Galerie Jacqueline Rabouan-Moussion, Paris, France
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