Fragment de Venus (Fragmented Venus)
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ArmanFragment de Venus (Fragmented Venus)1989
1989
About the Item
- Creator:Arman (1928 - 2005, French)
- Creation Year:1989
- Dimensions:Height: 19.5 in (49.53 cm)Width: 4.35 in (11.05 cm)Depth: 3.75 in (9.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: ar/fra/ven/011stDibs: LU66637358512
Arman
Arman was born in Nice, France, in 1928, and showed a talent for painting and drawing as a child. He studied at the the Ecole Nationale des Art Décoratifs in Nice followed by studies at the École du Louvre in Paris. In his early years he focused on abstract paintings. Then, in 1957, he became interested in common objects as works of art. He first did what came to be called his "allures d"objet" (object impressions), where he would dip an object into paint and press it on canvas thus leaving the object's shadow or impression. Then he decided the object itself was worth paying attention to and started to treat them in his own way. His intention was to remove the material purpose of an object so that its only remaining function was to "feed the mind" as a work of art. What better way to achieve that result than by breaking, slicing or even burning objects such as violins, telephones, typewriters or even whole cars? He also made objects useless by accumulating them, such as 2,000 wristwatches in a Plexiglass box that all kept different time. Once emotionally detached from the circumstances associated with a broken object, the viewer could grow to appreciate its abstract beauty; so, in a sense, Arman was literally teaching that things one never thought could be regarded as attractive could indeed turn out to be so. Through this achievement, Arman gained worldwide recognition and is regarded as one of the most prolific and inventive creators of the late 20th century. His work can be found in the collections of numerous museums including the Metropolitan Museum of Art in New York, the Tate Gallery in London and the Centre Pompidou in Paris. Arman’s work has also been exhibited in galleries, museums and public spaces worldwide including the Musée D’Art Contemporain in Tehran, Iran; the Museum of Art in Tel Aviv, Israel; the Musée Des Arts Decoratifs and Opéra De Paris in France; the La Jolla Museum of Contemporary Art in California; and the Museum of Arts and Design and the Guggenheim in New York He died in 2005 in New York.
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By Menashe Kadishman
Located in San Francisco, CA
This artwork titled "Wave" 1975 is a metal and glass sculpture multiple by noted Israeli artist Menashe Kadishman 1932-2015. It is signed, numbered 1/7 and dated under the main metal part. The size assembled as intended by the artist is 21 inches long, 10 inches high and 3 inches wide. The all metal and the glass and metal part disunited are 18 x 10 inches each. The rectangle part at the top is movable and can be oriented in different position (see picture #1 and #7) It is in very good condition. The large version of this sculpture is referenced in the two following publications: Pierre Restany, Kadishman, Tel Aviv, 1996, illustration of the large version pp. 76-77
Jacob Baal-Teshuva (ed.), Menashe Kadishman, Munich, 2007, no. 22, illustration of the large version p. 17
About the artist:
Menashe Kadishman (August 21, 1932 - May 8, 2015) was an Israeli sculptor and painter.
Menashe Kadishman was born in the British Mandate Palestine in 1932. His father, who was a pioneer, died when Kadishman was 15 years old. The young Menashe left school to help his mother with housework and to earn money.
From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he attended Saint Martin's School of Art and the Slade School of Art. During 1959 and 1960 he also studied with Anthony Caro and Reg Butler. He remained there until 1972; he had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style, On May 8, 2015, Menashe Kadishman died after he was hospitalized at Sheba Medical Center in Tel Hashomer.
EDUCATION
1947-50 Studies with sculptor Moshe Sternschuss, Avni Institute, Tel Aviv
1954 Studies with sculptor Rudi Lehman, Jerusalem
1959-61 St. Martin's School of Art, London
1961-62 Slade School of Art, University of London
PUBLIC COLLECTIONS
Art Gallery of Ontario, Toronto, Canada
Bass Museum, Miami, FL
Buhsnami Sculpture Garden, Burton, TX
Centro d'Arte Contemporaneo, Prato, Italy
City of Tel Aviv, Israel
City of Breda, The Netherlands
City of Kirchheim, West Germany
City of Seoul (Olympic Park), South Korea
City of Toronto, Canada
Columbia University, New York
Ein Herod Museum, Yizre'el Valley, Israel
Faret Tachikawa, City of Tachikawa, Japan
Hara Museum of Contemporary Art, Tokyo
Hebrew University, Jerusalem
Heichal Hatarbut, Tel Aviv
High Museum of Art, Atlanta, GA
Hirshhorm Museum and Sculpture Garden, Washington, D.C.
Israel Museum, Jerusalem
Jewish Museum, New York
Lehigh University, Allentown, PA
Louisiana Museum, Denmark
Metropolitan Museum of Art, New York
Montgomery Museum of Fine Arts, Alabama
Museo de Bellas Artes, Montevideo, Uruguay
Museum Haus Lange, Krefeld, West Germany
Museum of Modern Art, New York
Museum of Modern Art, Munich, West Germany
Museum of Modern Art, Skopje, Yugoslavia
Open Air Sculpture, Kirchheim, West Germany
Philadelphia Museum of Art, Philadelphia, PA
Rabbinical Seminary, Cincinnati, OH
Storm King Art Center, Mountainville, NY
Tate Gallery, London
Tel Aviv Museum, Israel
Uffizi Gallery, Florence, Italy
Weizmann Institute of Science, Rehovot, Israel
Wilhelm-Lehmbruk Museum, Duisburg, West Germany
PRIZES AND AWARDS
1960 America-Israel Cultural Foundation Scholarship
1961 Sainsbury Scholarship, London
1967 First Prize for Sculpture, 5th Paris Biennale
1978 Sandberg Prize, The Israel Museum, Jerusalem
1981 The Eugen Kolb Prize, The Tel Aviv Museum
1981 Prize of the Jury, Norwegian International Print Biennale, Fredrickstad
1984 The Pundik Prize, The Tel Aviv Museum
1989 King Solomon Award, America-Israel Foundation, New York
ONE-PERSON EXHIBITIONS
1965 Harlow Arts Festival, Harlow, England
1970 The Jewish Museum, New York
1972 Museum Haus Lange, Krefeld, West Germany
1975 Israel Museum, Jerusalem, Israel
1978 Venice Biennale, Venice
1979 Israel Museum, Jerusalem: The Kadishman Connection
1981 University of Haifa Art Gallery, Haifa, Israel
1981 Tel Aviv Museum, Tel Aviv
1983 Muhlenberg College, Allentown, PA
1983 ICC, Antwerp, Belgium
1984 Fabien Booulakia, Paris
1984 The Jewish Museum, New York
1986 De Beyerd, Centre of Contemporary Art, Breda, The Netherlands
1986 Gemeentemuseum, Arnhem, The Netherlands: Installation
1987 The Tel Aviv Museum, Myth Transformed: Painting and Monumental
1987 Sculpture of Menashe Kadishman, Tel Aviv
1988 Kammermusiksaal, Menashe Kadishman: Sacrifice of Isaac, Berlin, Germany
1988 Lehigh University, Bethlehem, PA
1988-89 Kniestedter Kirche Stadtmuseum, Salzgitterbad, Germany
1990 Israel Museum, Jerusalem
1994 Giuliano Gori, Fattoria di Celle, Pistoia, Italy
SELECTED GROUP EXHIBITIONS
1980 International Sculpture Symposium, Washington, D.C.
1980 Contemporary Art Meeting, Tel Hai, Israel
1980 The Israel Museum, Borders, Jerusalem
1980 David's Tower, The Jerusalem City Museum, Jerusalem the Israeli
1980 Printmaker, Jerusalem
1981 Henie-Onstad Kunstsenter, Young Art from Israel...
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By Sam Richardson
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This artwork titled "Art Crate #X" 1986 in a wood and acrylic paint sculpture by American minimalist artist Sam Richardson, 1924-2013. The size is 37 x ...
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By Arnold A. Grossman
Located in San Francisco, CA
This artwork titled "Untitled #1" c.1980 is a painted wood bas-relief by noted California artist Arnold A. Grossman, 1923-2016. It is signed at the lower right corner by the artist. ...
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By Paula Winokur
Located in San Francisco, CA
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Located in San Francisco, CA
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About the artist:
Lucia Waiser Palombo was born in Santiago on September 30, 1940.
She studied Design at the Art School of the University of Chile, from which he graduated in 1966. Later he moved to the United States to study drawing at Foothill College in California. In 1976 he traveled to England where he completed a Master in Art Theory and History at the University of Sussex. The following year he studied lithography at the Brighton Polytechnic Institute. In 1980 he returned to the United States and entered Stanford University to study sculpture with Richad Randell. In 1984, he completed his artistic apprenticeship at the University of Berkeley, California, conducting a paper workshop dictated by Joan Rhine.
Selected museums and public collections:
COLLECTION IBM, SANTIAGO, CHILE
CEMENTO MELON SA, LA CALERA, CHILE
WINTHERTUR MUSEUM, SWITZERLAND
SOUTH MUSEUM, CHILOE, CHILE
VALDIVIA MUSEUM, VALDIVIA, CHILE
SALVADOR ALLENDE MUSEUM, SANTIAGO, CHILE
CONSULATE OF CHILE IN NEW YORK, NEW YORK, UNITED STATES
NORGLAS, SANTIAGO, CHILE
PAPELES BIO-BIO SA, CONCEPCION, CHILE
SCULPTURE PARK, PROVIDENCIA, SANTIAGO, CHILE
Selected exhibitions
1981 Selected in Sculpture, Seventh National Securities Placement Contest, Chile.
1991 Honorable Mention, Parque Arauco Es-Cultura Contest, Santiago.
1966 University of Chile, School of Design, Santiago, Chile.
1968 Vidal, Zurich, Switzerland.
1978 Bell, Book and Candle, San Juan, Puerto Rico.
1978 Lou Henry Hoover House, Standford University, Standford, California, United States.
1981 For being a Woman, South Gallery, Santiago, Chile.
1982 San Francisco Museum Gallery, California, United States.
1983 Época Gallery, Santiago, Chile.
1984 Chilean-French Institute.
1987 Carmen Waugh Gallery, Santiago, Chile.
1988 Del Cerro Gallery, Santiago, Chile.
1990 Sculpture Park, Santiago, Chile.
1991 British Chilean Institute of Culture, Santiago, Chile.
1992 National Painting Competition El Color del Sur, Puerto Varas, Chile.
1995 Arte Actual Gallery, Santiago, Chile.
2009 Accomplices, sculptures 2009, Artespacio Gallery, Santiago, Chile.
1967 IL Principe, Florence, Italy.
1967 Bottega di Fulgenzi, Florence, Italy.
1979 Los Robles Gallery, Palo Alto, California, United States.
1980 Lou Henry Hoover House, Stanford University, Stanford, California, United States.
1980 Printers Inc., Palo Alto, California, United States.
1980 Palo Alto Cultural Center, Palo Alto, California, United States.
1981 VII National Securities Placement Contest, National Museum of Fine Arts, Santiago, Chile.
1982 Los Robles Gallery, Palo Alto, California, United States.
1982 Adam and Eve, Época Gallery, Santiago, Chile.
1982 Innate Harmony, London, England.
1982 Christie's Contemporary Art, London, England.
1983 Five Women Artists, Espacio Arte Gallery, Santiago, Chile.
1983 Contemporary Textile, Goethe Institut, Santiago, Chile.
1983 Third Anniversary Exhibition, The Moss Gallery, San Francisco, California, United States.
1983 Center Culturel de L'Amérique Latine, Paris, France.
1984 Bread in Art, South Gallery, Santiago, Chile.
1984 Small Format, South Gallery, Santiago, Chile.
1984 The Art and Survival of the Planet, National Museum of Natural History, Santiago, Chile.
1986 Nuestro Mundo Andino, Galería Arte Actual, Santiago, Chile.
1986 La Tertulia, Museum of Modern Art, Cali, Colombia.
1987 Carmen Waugh Gallery, Casa Larga, Santiago, Chile.
1987 The Couple, Época Gallery, Santiago, Chile.
1988 Exhibition and auction of works by national artists, Dutch Embassy, Santiago, Chile.
1988 Painting the Painting, El Cerro Gallery, Santiago, Chile.
1988 Sculptors' Meeting, Plaza Mulato Gil de Castro...
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$1,500
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Located in San Francisco, CA
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About the subject:
Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy.
About the artist:
Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
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