Carlos Cruz Diez

Three element transchrome

2011

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

Rafael Barrios "Trazos Levitantes" 1990 cod# 267 Ed 2 of 3 Lacquered stainless steel 36 x 43 x 10 in Rafael Barrios is a Venezuelan born in 1947 in Baton Rouge, Louisiana, US. Having studied Fine Arts in Canada, the United States, and Venezuela, his artistic trajectory dates back to a very early age. Barrios studied drawing and painting at the Museo de Bellas Artes in Caracas, Venezuela, which led him to achieve his first recognition with the award "National Youth Painting" in 1963. Upon completing his basic studies in Venezuela and Canada, he received a scholarship from J. Walter Thompson International to attend the Ontario College of Art in Toronto, Canada, graduating with honors in "Pure Art" and "Communication and Design". He received a scholarship from New York University (US) to attend its Graduate Program for "Fine Arts" and "Monumental Sculpture Techniques". He was granted several national and international awards: "The Sculpture Award", Ernesto Avellán Exhibition; the McLean Foundation Scholarship, the highest award offered by the Ontario College of Art, Canada; the "Excelentísima Diputado Provincial de la Frontera" Decoration, for his Monumental Sculpture titled "Tercer Horizonte", to commemorate 500 years of America's Discovery, in Palos de la Frontera, Huelva, Spain; "Second Prize" at the Sofia Imber Caracas Contemporary Museum's Biennial of Visual Arts, in Venezuela; the "Conferry Award", First Sculpture Biennial, Francisco Narváez...

Victor Vasarely Felhoe, 1989 Double-sided acrylic on wood Ed. of 100 16 x 16 x 2 in

JESUS RAFAEL SOTO Jai-Alai Suite: Multiple I, 1969 Plexiglass in white, blue, yellow, screen-print in black, nylon thread and steel. 25 1/8 x 21 1/2 x 7 3/4 in Ed. 15 / 300 Provenan...

‘Samscara’ is an abstract kinetic art sculpture created by Venezuelan artist Jose Margulis in 2023. Featuring multicolor plexiglass pieces whose subtle variation of height and colors...

'Dual Perspectives' was the award winning piece submitted in 2017 by J. Margulis to the BOMBAY SAPPHIRE® Artisan Series of 2000 international artists. This wall sculpture is a perfect example of Margulis's work which is based on Geometric abstractionism and Kinetic art, influenced early on by his encounters with the works of Venezuelan kinetic artist Jesús Soto...

‘Black Undulation’ is an abstract kinetic art wall sculpture created by Venezuelan artist Jose Margulis in 2017. Featuring a palette made of black and white, this PVC and plexiglass sculpture features a juxtaposition of lines, whose subtle variation of height and colors creates a combination of geometrical shapes. The minimalist quality of this piece infuses it with a sense of simplicity while the kinetic approach plays with our eye beautifully. Walking along the piece will allow you to embrace it fully. With its exquisite flowing 3D movement and nice proportions, this kinetic 2020 abstract sculpture will be a strong focal point in any room, whether placed above a sofa, console table or enfilade. Jose Margulis was born in Caracas, Venezuela in 1970. He traces his love of art to his studying photography as a young man before working for his family’s digital printing business. Today he begins most of his pieces as a digital creation which he then brings to life in a 3D world. Most of his work is created with acrylic sheets of various colors, textures, shapes and levels of translucency. “I treat my three-dimensional pieces as light traps or secret blueprints, in which by controlling the placement of its components, I’m able to create intriguing 3-D containers.” The patterns and shapes of his pieces come alive based on the angles and intensity and saturation of light at any moment, or throughout the day. Jose tends towards a bright and fully saturated color palette which is heavily influenced by the traditional Mexican arts and craft...

Margulis’ utmost concern is the creation of geometric shapes conceived mostly by changing the perspective of the viewer accompanied by the philosophical notion that everything in lif...