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Carmelo Cappello1974 Italy Stopped Rounded Sphere Carmelo Cappello Abstract Bronze Sculpture1974
1974
$4,695.72
£3,541.44
€4,030
CA$6,492.25
A$7,272.41
CHF 3,819.73
MX$88,430.17
NOK 48,370.29
SEK 45,916.41
DKK 30,679
About the Item
This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to the Universe.
In his mind he considered the Universe a not perfect circle but an irregular cosmic shape that can be observed from many point of view. And every time it looks different.
Edited in 1974.
Bronze casting with polished finish. Black lacquered wood base.
This is an artwork created by the well known Italian artist Carmelo Cappello.
The artwork will be delivered with its Certificate of Authenticity numbered and signed by the artist. This is a multiple of 250 and are available the latest few pieces.
Carmelo Cappello was born in Ragusa, Italy in 1912 and since he was young, he attended artistic studies. In 1941 he became one friends of Giò Ponti and he started to collaborate with him.
He exhibited numerous time at the Venice Biennial and at the Milano Triennial.
- Creator:Carmelo Cappello (1912, Italian)
- Creation Year:1974
- Dimensions:Height: 18.12 in (46 cm)Width: 11.82 in (30 cm)Depth: 3.55 in (9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brescia, IT
- Reference Number:1stDibs: LU997315459622
Carmelo Cappello
Carmelo Cappello was born in Ragusa, Italy in 1912, he grew close to the Italian sculptor Ettore Colla and in the 1931 he went to Milano. Since his younger, he attended artistic studies. First he attended the Marino Marini courses at the School of Arts in Monza, Italy. In 1941 he became one friends of Giò Ponti and he started to collaborate with him. He exhibited numerous time in important exhibitions like, the Venice Biennial of Art and at the Milano Triennial of Art and also to the Quadriennial Exhibition of Art in Rome. The artist considered the Universe a not perfect circle but an irregular cosmic shape that can be observed from many points of view and every time the point of view was different. One of the basis of his structures is the curve, sometime used close to the circle and sometimes inserted into the ellipses. This vision are relevant to understand the continuous research of the artist of the equilibrium between the relations of the two-dimensional sides of the sculpture that represent the cosmos.
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