Delphine Brabant

Lignée - Empreinte - Ensemble II - by Delphine Brabant

2008 - 2019

Sunrise is a unique glass fiber reinforced concrete sculpture by contemporary artist Pavlína Kvita, dimensions are 165 × 95 × 68 cm (65 × 37.4 × 26.8 in). The sculpture is signed an...

Pillar Phantom is a unique pigmented glass fiber reinforced concrete, raw steel plinth sculpture by contemporary artist Pavlína Kvita, dimensions are 270 × 90 × 85 cm (106.3 × 35.4 ×...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Mask II is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 58 cm (27.6 × 22.8 in). The sculpture is signed and comes with ...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

Blue decorative sculpture with gold accents by Houston, TX contemporary artist Jude Rosemond. Sculpture is made from concrete, clay, stone with rosewater...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

"Ascent" by Chapel 39x12x6" one-of-a-kind sculpture Mixed Media: Dyed Concrete, Stainless Steel, Marble, Steel, Slate This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...