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Eric Zammitt
HAZE 4

2013

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Don't You Forget About Me, Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category

2010s Abstract Geometric Abstract Sculptures

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Steel

90 To Shore Yellow Right
By Eric Zammitt
Located in Phoenix, AZ
Category

2010s Abstract Geometric Abstract Sculptures

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Plastic

YELLOWPINK Wedge
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

BLUEGREEN 2 AQUA Concave
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

The Skies of Sky #1 (black)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Skies of Sky #3 (white)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

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