Frida Fjellman

White crystal handblown glass prism sculpture chandelier by Frida Fjellman

2017

Cast and hand-collaged sculpture of phosphor bronze and silver by Richard Filipowski (1923-2008), executed circa 1960-1965. Untitled, of a naturalistic, topiary form. With a certific...

Cast and hand-collaged sculpture of phosphor bronze and silver by Richard Filipowski (1923-2008), executed, circa 1960-1965. Titled "Reed." Unsigned, with a certificate of authentici...

Jasmin Anoschkin (Finnish, b. 1980) is a multi-disisplinary artist whose practice includes ceramic and wood sculpture, paintings and works on paper, a...

Cast and hand-collaged sculpture of phosphor bronze and silver by Richard Filipowski (1923-2008), executed, circa 1960-1965. Titled "Venus." Unsigned, with a certificate of authentic...

Bodil Manz (Danish, b. 1943) is a ceramicist known for her predominant use of ultra-thin, translucent eggshell porcelain to create distinctive cylindrical forms, anchored by bold, geometric abstractions in a style evocative of Russian Suprematism. Much in the way Morandi approached a still life or Albers the square, her engagement with the cylinder form ad infinitum is study in the master’s ability to extract sublime nuance from the seemingly quotidien. In her own words – “Focusing and concentrating on a single object such as a sphere, a square, a cylinder, a cup, fundamentally something quite ordinary, the stuff of everyday life, [seems] indeed almost banal. But during the process we discovered fresh aspects, and suddenly ‘the ordinary’ became a new experience. Bodil Manz’s work is included in many important museum collections including: the Museum of Modern Art New York, Victoria and Albert in London, the Los Angeles County Museum of Art, the Musée de Sèvres...

Bodil Manz (Danish, b. 1943) is a ceramicist known for her predominant use of ultra-thin, translucent eggshell porcelain to create distinctive cylindrical forms, anchored by bold, geometric abstractions in a style evocative of Russian Suprematism. Much in the way Morandi approached a still life or Albers the square, her engagement with the cylinder form ad infinitum is study in the master’s ability to extract sublime nuance from the seemingly quotidien. In her own words – “Focusing and concentrating on a single object such as a sphere, a square, a cylinder, a cup, fundamentally something quite ordinary, the stuff of everyday life, [seems] indeed almost banal. But during the process we discovered fresh aspects, and suddenly ‘the ordinary’ became a new experience. Bodil Manz’s work is included in many important museum collections including: the Museum of Modern Art New York, Victoria and Albert in London, the Los Angeles County Museum of Art, the Musée de Sèvres...

Jonas Noël Niedermann Modular Shapes (Bleu, Rose et Opaline), 2021 Blown, carved, and etched glass 13.50h x 9w x 4d in 34.29h x 22.86w x 10.16d cm

Jonas Noël Niedermann Modular Shape (Pink), 2020 14.25h x 8.75w x 4.25d in 36.20h x 22.23w x 10.79d cm

Jonas Noël Niedermann BIGBANG, 2020 Blown glass and brass 10.50h x 12.50w x 13d in 26.67h x 31.75w x 33.02d cm

Jonas Noël Niedermann Modular Shapes (Noir et Opaline), 2021 Blown, carved, and etched glass 11.25h x 7.50w x 4.50d in 28.57h x 19.05w x 11.43d cm

Jonas Noël Niedermann ORBIT, 2021 Blown glass and brass 14.25h x 15w x 15d in 36.20h x 38.10w x 38.10d cm

Jonas Noël Niedermann INCANDESCENTE, 2021 Blown glass and brass 24h x 11.50w x 4.75d in 60.96h x 29.21w x 12.06d cm