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Jörg BachXXXX, Jörg Bach, 2006, Lacquer and Steel, Abstract Sculpture, Germany2006
2006
$50,042.29
£37,118.06
€42,000
CA$68,524.65
A$76,186.33
CHF 39,878.95
MX$934,400.07
NOK 507,759.86
SEK 479,385.48
DKK 319,686.14
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About the Item
Sculpture „XXXX“ by Jörg Bach (born 1964, Wolgast - Germany) out of Corten and lacquer, no. 24, 116 x 333 x 133 cm.
Primarily active as a sculptor - but not only - he creates sculptures that are titled "fruits of the soil". In his studio, square tubes are bent, welded, and assembled into uniquely curved structures that can grow from manageable dimensions to monumental sizes - or literally grow out of the ground.
When one confronts them, prejudice meets a moment of surprise: a heavy, self-contained, compact to complex structure reveals a dynamic and energetic charge on closer inspection that seems as if some objects were about to burst. At first there is no resting point for the eye, only the constant scanning of the sculpture with "all senses" to find something that reminds us of one of the laws and regularities in sculpture known to us.
Often we speak of an immanent "power center" in the sculptures, which becomes immediately comprehensible when we imagine the contrasts of hard material and at the same time, almost painterly curved lines.
- Creator:Jörg Bach (1964)
- Creation Year:2006
- Dimensions:Height: 45.67 in (116 cm)Width: 131.11 in (333 cm)Depth: 52.37 in (133 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greding, DE
- Reference Number:Seller: 086-01201stDibs: LU130425403082
Jörg Bach
Jörg Bach was born in 1964, in Wolgast, Germany. He is primarily active as a sculptor. His sculptures are titled Fruits of the soil. In his studio, square tubes are bent, welded and assembled into uniquely curved structures that can grow from manageable dimensions to monumental sizes or grow out of the ground. When one confronts them, prejudice meets a moment of surprise, a heavy, self-contained, compact to complex structure reveals a dynamic and energetic charge on closer inspection that seems as if some objects were about to burst. At first, there is no resting point for the eye, only the constant scanning of the sculpture with all senses to find something that reminds us of one of the laws and regularities in sculpture known to us. His forms penetrate each other, creating an energetic centre, chore to movement and rhythm. His sculptures have many angles and therefore various perspectives points to be seen from.
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