Kevin Box

Crease Constellation II

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a master...

Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a master...

Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a master...

1999 - Comes w/ Base Llisa Demetrios has been a bronze sculptor for over twenty years. She often begins a series by making small wood maquettes and then fabricating in bronze in her studio. The Lunar Asparagus series and the Titan series, ranging in scale from 12 inches to 10 feet tall in both indoor and outdoor settings, are often made in pairs or trios, and incorporate the negative space between the sculptures, forming a virtual additional sculpture. In her Lunar Asparagus series, Demetrios drew inspiration from ancient obelisks and totemic emblems. She enjoys the idea of using modern welding skills with the traditional material of bronze. Demetrios has also had an ongoing interest in portraying time in sculpture, as in the textured layers of the earth in the Inner Core Sample...

Bronze and Concrete on Polished Steel Stand. Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in c...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu...

Working in a range of materials— wood, epoxy, metal, and found materials— Walter Robinson hand-fabricates and assembles objects, signage and tableaux that investigate the mechanics o...

Dancing Lady is an iconic form of David Hostetler's. His first Dancing Lady was carved in white oak and painted in 1979. It wasn't until the early 1990's that David revisited this fo...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...