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Lisa Meek
Sweet Dreams

2023

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Music Sonata In A Shadow Box
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Music Sonata In A Shadow Box 2023 Mixed Media, artist signed, front Plexiglas. This sculpture is perfect for the wall or a coffee table. This 3D music diorama found its home in a drawer from an antique Tansu Chest. Some of the 3D elements were made by Erikson. Antique materials achieve a vintage and interesting aesthetic. The depth of the case creates a stage like atmosphere as sort of a visual guide for the viewers eye. The overlapping and juxtaposition of the elements creates a intriguing and appealing composition. Very often Erikson art echoes and fuses antiquity and modernity. Erikson’s central imagery concerns itself with intrigue and a sense of surprise. His body of work is often dispersed with visual, tactile and intellectual delights that lead the viewer on their own form of discovery. Erikson’s awareness of the aesthetic in sending things back in time is a result of studying the Renaissance and other periods of art history. This infusion of historical art references has had a vital effect on his body of work. Heavily influenced by the well known New York art dealer Allan Stone (who represented, among other giants, Joseph Cornell, and Willem de Kooning, Erikson has never departed from Stone’s insistence that “surprise” should remain with a piece of art no matter how long it is viewed. The discipline of archeology decodes messages of the past to find meanings of objects and classify them. This observation takes the viewer on a deeper understanding of the interplay. As a curator of his own “museum cases” in other work, Erikson’s personal vocabulary evokes images of extreme preciousness combined in miniature settings. Despite its minute scale his work commands presence and a sense of vastness. In his body of work, Erikson attempts to introduce sculpture to painting as a way of integrating the second and third dimensions. Exhibited: Allan Stone Gallery - New York, New York Elaine Baker Gallery - Boca Raton, Florida Renata Fine Arts Gallery - West Palm Beach, Florida Winfield Gallery...
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Science and Reason Matter
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Nevertheless, She Persisted
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Queen of the Night (Dialect: series)
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Pitcher Plant
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Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tin...
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They Paved Paradise and put in a Parking lot.
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Willy Wonka
Located in New York, NY
Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tinted adding a dimension of color to the work without obscuring the words on the page Lisa Meek’s sculptures, collectively titled Biblio Botany, possess a duality that is reflective of the artist herself and her eclectic range of interests. As a practicing medical professional with an inherent artistic drive, Lisa Meek has made impactful contributions to those she interacts with in both office and gallery spaces. The polarity of these worlds conglomerate beautifully, manifesting through her notable success in both fields. Lisa’s pursuit of a cosmetological career has always been paralleled with a desire to create, to utilize her artistic prowess in order to share her perspective and initiate important conversations. This desire has been integral to her experience since early adolescence, when she began acting upon her creative drive by depicting nature scenes.  The process in which Lisa assembles her sculptures is quite complex. In order to achieve depth and nuance, Lisa employs considerable intention throughout the planning process. With great admiration and ponder, Lisa cuts pages out of various literary works which highlight topics she wishes to discuss, human rights often being central. Attention to detail is vital; certain books possess qualities unsuitable for paint and shape manipulation. Every aspect of her work is deliberate; the symbolism associated with color and flower species, the pairing of literature, the minute details of shape and object placement. This layered production process exemplifies Lisa’s contemplative nature.  Prior to 2018, the majority of Lisa’s work was created on traditional canvas. Spurring from her exposure to contemporary mediums, she was able to redefine her creative denotations and expand her personal definition of art. The surface work of Liza Lou...
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