Bronze Abstract Sculptures

'Green Bottle Ochre Seeds' by David Kimball Anderson, 2022. Bronze, steel, and paint, 16 x 6 x 5 in. This sculpture features a square vase cast in bronze a...

La Coppia Bronze Sculpture Set The Couple Heads Figurative Abstract In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), F...

Edition : 1 of 4 Created in 1998 20,5 x 13 x 13 cm Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and ...

The sculpture is patinated bronze with naturally occurring amethyst crystals. Unique edition. Half torso. The cementitious pedestal base is unique and hand-made in the artists studio under the watchful eyes of the artist. The artist is James Edward Lomax who is English in his early 30’s who is internationally recognized for his prodigious talent and individuality He studied art in Cornwall in the Southwest of England, where he specialized in sculpture. His prodigious talent was soon recognized, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is represented at The Englishman Fine Art...

'Planets, Seeds, Nasturtium' by David Kimball Anderson, 2022. Bronze, steel, and paint, 36 x 17 x 10 in. This sculpture features a rounded vase cast in bronze and finished in patinas...

'Seeds' by David Kimball Anderson, 2022. Bronze, steel, and paint, 24 x 8 x 6 in. This sculpture features a classic rounded vase cast in bronze and finished with a grey patina. It fe...

Spinning-top is a tall abstract resin sculpture made by Patrice Breteau, a French contemporary artist.This sculpture is available in eight different colors, all resistant to UV expos...

Bronze Edition of 9 variations Stamped with monogram signature and uniquely numbered 527, 5/9 The natural bronze edges are finely rubbed before lacquering for protection and to preve...

3 bronze parts on a Cedar of Lebanon base Unique Stamped with monogram signature and uniquely numbered 837 The exposed edges in natural bronze are fin...

Bronze on a slate composite base Stamped with monogram signature and uniquely numbered 812 The natural bronze edges and highly polished. Without protection they will tarnish quite r...

Bronze on a spalted beech base. Variations in an edition of 7 Stamped with monogram signature and uniquely numbered 570, 1/7 There are different pattern...

Bronze Series of individual variations Stamped with monogram signature on underside and uniquely numbered 615A This sculpture sits low on a surface and is ideal for placement on a lo...

Year 2016 73 x 26 high x 18 cm Bronze freely rotating on a scorched yew base. Series of individual variations Stamped with monogram signature and uniquely numbered 619A Parts of th...

Bronze Edition of 9 Stamped with monogram signature and uniquely numbered 393, 5/9 The natural bronze edges are finely rubbed before lacquering for protection and to prevent natural ...

Unique Bronze freely rotating on a scorched yew base Stamped with monogram signature and uniquely numbered 561A The natural bronze ends of the ring are finely rubbed and lacquered. W...

Bronze on a Forest of Dean stone base. Series of unique variations. Stamped with monogram signature and uniquely numbered 656A on base of bronze. The bronze pieces have brushed edges...

Bronze on a MDF base with LED light Unique Stamped with monogram signature and uniquely numbered 388 The LED light has a driver operating between 100 and 240 volts. The power lead i...

Bronze Series of variations Stamped with monogram signature and uniquely numbered 681A The natural bronze elements of this sculpture are finely rubbed and lacquered clear Weight: 4....

Bronze Series of variations Stamped with monogram signature and uniquely numbered 682A The natural bronze elements of this sculpture are finely rubbed and lacquered clear Weight: 5....

"The man without a rod №A" Bronze Sculpture 16 x 3 in. Ed. 5/5 by Sergii Shaulis Weight: 8 lbs "The man without a rod" series: The artist spent almost ten years of his life in the...

Edition : 4 of 6 Created in 1998 21,5 x 13,5 x 13,5 Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and ...

Edition: 1 of 4 Casted in 2013 16 x 15 x 19 cm Pollès’s power of giving life to the bronze by infusing it with a carnal quality enables him to combine the breath of sensuality with...

"Minister" Bronze Sculpture 12" x 3" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. ...

"Robed III" Bronze Sculpture 9.5" x 4" x 3" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. ...

"Robed II" Bronze Sculpture 10" x 4" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He...

"Sisters" Bronze Sculpture 14" x 6" x 4" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

"Secret Box" Bronze Sculpture 15" x 7" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979...

Bronze

"Artist Book" Bronze Sculpture 13" x 10.5" x 3.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in...

"Coronet" Abstract Bronze Sculpture 17" x 4" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He started exhibiting in individual and group exhibitions in Alexandria since 1980 and up until now. Sarkis Tossoonian won the second prize in Sculpture in the 5th Biennale of Port Said in 2001. Sarkis Tossoonian excels in blending two different mediums in his works like non shiny bronze with shiny golden brass. His figures stand for both male and female dressed elegantly...

Pollès’s power of giving life to the bronze by infusing it with a carnal quality enables him to combine the breath of sensuality with the glowing work of the metal smith. In my mind ...

Edition: 3/4 Casting date: 2006 50 x 27 x 26 cm Signed on the back Pollès’s power of giving life to the bronze by infusing it with a carnal quality enables him to combine the breat...

Edition: 2/4 Casting date: 2018 Signature engraved on the back Pollès’s power of giving life to the bronze by infusing it with a carnal quality enables him to combine the breath o...

Edition: 2/4 Casting date: 2009 Signature engraved on the back Pollès’s power of giving life to the bronze by infusing it with a carnal quality enables him to combine the breath of...

"Samantha" Figurative Bronze Sculpture 14" x 13" x 9" in by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture...

Patinaed Bronze on Polished Steel Stand Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultur...

1999 - Comes w/ Base Llisa Demetrios has been a bronze sculptor for over twenty years. She often begins a series by making small wood maquettes and then fabricating in bronze in her studio. The Lunar Asparagus series and the Titan series, ranging in scale from 12 inches to 10 feet tall in both indoor and outdoor settings, are often made in pairs or trios, and incorporate the negative space between the sculptures, forming a virtual additional sculpture. In her Lunar Asparagus series, Demetrios drew inspiration from ancient obelisks and totemic emblems. She enjoys the idea of using modern welding skills with the traditional material of bronze. Demetrios has also had an ongoing interest in portraying time in sculpture, as in the textured layers of the earth in the Inner Core Sample...

Explosion (l 'argo) Bronze Sculpture Abstract Contemporary Art KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014). ...

Spirit of the Wind, by Allan Houser, apache, abstract, sculpture, limited edition lifetime bronze casting excellent condition

Pleasant Memories, bronze, sculpture, Allan Houser, Apache, contemporary, modern GLENN GREEN GALLERIES' LONG ASSOCIATION WITH ALLAN HOUSER Allan Houser was represented by Glenn Gree...

The Shy One, bronze, sculpture, by Allan Houser, mother, child, Apache, Native limited edition bronze casting lifetime casting wood base GLENN GREEN GALLERIES' LONG ASSOCIATION WIT...

Reclining Figure II, by Allan Houser, Apache, abstract, figurative, bronze Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty...

Large Vibration is a bronze sculpture by contemporary artist Martine Demal, dimensions including base are 206 × 103 × 45 cm (81.1 × 40.6 × 17.7 in). The sculpture is signed and numb...

Signs and Writings No. 2 is a monumental bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 235 × 70 × 45 cm (92.5 × 27.6 × 17.7 in)...

Bronze sculpture 102 x 85 x 85 inches on 16 x 48 x 48 inch base

Lead Singer, bronze, sculpture, Allan Houser, Native American, Drummer, Apache Allan Houser Haozous Warm Springs Chiricahua Apache 1914-1994 National Medal of Arts awardee Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Desert Breeze, Sculpture by Allan Houser Haozous, Bronze, Cloaked Figures,Apache Allan Houser was represented by Glenn Green Galleries (formerly known a...

Sherry Owens Queen of the Night, 2019 Bronze, patina 8 x 19 x 11 1/2 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrt...

Sherry Owens Almost a Symphony, 2019 Bronze, patina, brass nails, paint 16 5/8 x 12 1/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Pooja, sculpture by Guy Dill, abstract, contemporary, bronze sculpture, indoor, outdoor Contact us with expected delivery times. Abstract sculptor GUY DILL is well-known and in suc...

'Whale & Calf' by Tobias Martin is a Solid Bronze Animal Sculpture. Tobias Martin was born in 1972 in Wiltshire, 12 miles from Stonehenge. Influenced by his idyllic rural upbringing, and the forces of nature and magic that permeated his childhood surroundings, these works have something of the mystical about them. Each piece is approached with precise observation and an acute interest in the minutiae of the subject matter, manipulating the material with a delicacy and lightness of touch. Despite being realised in heavy materials such as bronze, the resulting piece achieves a sense of movement and character that conveys the essential spirit of the animal. Inspired by the work of Grinling Gibbons and Alfred Gilbert...

Euphoria Bronze sculpture 275 x 106 x 83 cm 108.3" x 41.73” x 32.7” Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery...

Epiphanion Bronze sculpture 145 x 130 x 80 cm 57.1” x 51.2” x 31.5” Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine Arts, Athens (1982-1986) with Dimitris Mitaras and Dimosthenis Kokinidis, as well as at the Royal College of Fine Arts, London (1985-1986) with Peter de Francia...

Meteoron Bronze sculpture 205 x 100 x 70 cm 80.7” x 39.4” x 27.6” Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine Arts, Athens (1982-1986) with Dimitris Mitaras and Dimosthenis Kokinidis, as well as at the Royal College of Fine Arts, London (1985-1986) with Peter de Francia...

Diver Bronze sculpture 240 x 100 x 60 cm 94.5” x 39.4” x 23.62” Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine Arts, Athens (1982-1986) with Dimitris Mitaras and Dimosthenis Kokinidis, as well as at the Royal College of Fine Arts, London (1985-1986) with Peter de Francia...

Diver Bronze sculpture 230 x 100 x 50 cm 90.6” x 39.4” x 19.7” Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine Arts, Athens (1982-1986) with Dimitris Mitaras and Dimosthenis Kokinidis, as well as at the Royal College of Fine Arts, London (1985-1986) with Peter de Francia...

Jealousy, bronze edition sculpture of a man with two women, Eduardo Oropeza Jealousy, bronze and straw sculpture of a man with two women edition of 12