Epoxy Resin Abstract Sculptures

Markus Linnenbrink is a German painter best known for his room-sized painted installations and works on canvas. Working within the genre of American Color Field painters, such as Gen...

Tom Holland (American, b. 1936) Hopps fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1982, hand signed and dated Dimensions: 65.5 X 78 X 10 inches Tom Hollan...

Tom Holland (American, b. 1936) Rivero fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1981, hand signed and dated Dimensions: 73 x 58 X 10 inches Provenance: C...

Eclipsis Edition of 100 Materials: Jesmonite tile in a box frame Dimensions: frame 45.2 x 27 x 6.6cm; tile 17 x 35 x 3.5cm Beautiful hand-finished tile made from cast Jesmonite wi...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Venn Edition of 100 Materials: Jesmonite tile in a box frame Dimensions: frame 45.2 x 27 x 6.6cm; tile 17 x 35 x 3.5cm Beautiful hand-finished tile made from cast Jesmonite with b...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

The Presence of Absence – Female (II) is a unique coal, stainless steel and epoxy resin sculpture by contemporary artist Tom Price, dimensions are 170 × 50 × 50 cm (66.9 × 19.7 × 19....

Modern-day 3-dimensional facsimile of the 1-dimensional mathematical axis spiral found in the ancient manuscript titled the "Archimedes Palimpsest." Sculpture conveys a double entendre with its proprietary version of the universe spiraling through space, evoking Archimedes’ effort to calculate the volume of the universe. The universe is depicted via the vortex spiral and globe as supercooled and superheated, a polar opposite electrical balance of nature. An armillary sphere conveys Archimedes' math treatises on the circle, sphere and cylinder. Included are one vintage pulley and corkscrew (representing the water screw), both honoring Archimedes inventions, and one valve handle. SPECS: Spot-welded seven-foot long vintage iron chain, vintage armillary sphere...

Working in a range of materials— wood, epoxy, metal, and found materials— Walter Robinson hand-fabricates and assembles objects, signage and tableaux that investigate the mechanics o...