Photographic Paper Abstract Sculptures

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Abstract geometric three-dimensional wood wall sculpture in a rich palette of brick red, burgundy, and cream "Piquante", hand-carved wooden wall sculpture by Hudson Valley artist, St...

Abstract geometric, pop art style, three-dimensional wood wall sculpture in burgundy, yellow, and white, with accents of royal blue "Nagamba", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2022 24 x 24 x 3.5 inches Carved wood and acrylic on three tiered panel Signed, verso This abstract, three-dimensional wall sculpture was made by sculptor, Stephen Walling, in 2022. The work is composed on a three tiered wood panel, painted a deep burgundy. Hand carved wood blocks...

b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...

Confusion ritmique I no. 8/10 is one of a series of three different medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia...

Reflexion ritmique I is one of a brand new series of three different unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

"Clue #3" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #3 measures...

b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...

Kal Mansur’s wall works are dimensional objects made of plexiglass. An internal plexiglass object is encased within translucent plexiglass. Embedded fluorescent pigments project colo...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.