PVC Abstract Sculptures

Pop Art American Flag in Handsewn Patchwork Denim. I had another with a label from OK Harris Gallery verso. This one does not have that label or the label Label from Pratt verso (Pratt MFA '75) Not positive of the year Hand signed Genre: Modern Medium: Denim Jean Textile Fabric, Mixed Media Country: United States Dimensions: 14 X 28 inches This is a textile wall hanging tapestry "painting" made from vintage jeans. JJ had a masters (MFA) from Prat and studied at Hunter college for many years. He was a master jeweler and goldsmith for 50 years, a musician and a photographer. He made a living working with photography, jewelry, bronze sculpture and antique restoration. An artwork in denim fabric by a French Post War & Contemporary artist living in New York City, Jean de la Verrière, An untrained, art brut, 'outsider' artist, now 85. He sold some of his denim patriotic flag works through OK Harris gallery in Soho in the 1980s, one went directly to Ralph Lauren, according to the artist. He is also known for sculpture. particularly his working model, fully functional guillotine sculptures. Artist says he was influenced by Pop Art particularly Robert Rauschenberg and Jasper Johns works. He was in the New York art world along with his artist friends Bernar Venet, Arman and Claude Gillie. He fabricated and cast jewelry for some of his friends. This has a Sterling Ruby feel to it but was done a generation earlier. This is assembled like a quilt and was influenced by early American folk art. Jean Jacques De La...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

Sara Fine-Wilson's "Emerge" is a small abstract mixed media ceramic and plaster sculpture measuring 8 x 8 x 6 inches. Multiple ceramic elements were previously hand formed and extrud...

Yeonsoo Kim, "You Are Enough" Monochromatic black and white clay vessel, White stoneware, black underglaze, 22 x 20 x 20 inches. Korean ceramic artist Yeonsoo Kim masterfully blends...

"All things arise from emptiness and return to it. The return to the origin returns the calm. Calm allows you to accept destiny. Accepting destiny means knowing eternity. "-Lao Tse The artists were inspired by the universe and gravity. They play with different concentrations of beads to make the Big Bang. It is perfect for Hotel and Apartment Lobbies. The piece transmits movement and tranquility. This piece was made with Tropical Teak...

"Snorkeling Pig" by Dwight Davidson is and original, handmade sculpture made with glazed assembled stoneware that depicts a pig swimming with a snorkeling mask on.

"My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and patterns, reflecting the complex and ever-changing nature of...

Yeonsoo Kim, "Never Ending Story," Colorful clay white stoneware, underglaze, 14 x 12 x 12 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition w...

MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...