Wax Abstract Sculptures

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

Inspired by the organic shapes, colours and textures of the natural world, Jana Osterman creates stunning wall reliefs. This bright white plaster piece is polished with wax giving it a light sheen. This work is the Artist’s Proof from an edition of 10. “I’m interested in producing quiet, minimal, contemplative work, concerned with how far I can push a form and material to stay inside that realm.” Jana Osterman Born in Slovenia, Osterman moved to Holland where she studied at the Royal Academy of Art in The Hague. She continued with printmaking studies in England. For the last 20 years, Osterman has worked as a full-time artist and fabricator in Canada, first in Toronto and now in Prince Edward County...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Theia is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20.5 × 23 × 19 cm (8.1 × 9.1 × 7.5 in). The sculpture is signed...

Sculpted from Spanish black marble, this enigmatic and powerful piece was created by Viktor Mitic. The Toronto based artist is known for his imaginative form and use of colour. This ...

Barbara Kruger War Platter, 2018 Glazed Earthenware Artists name fired on the underside which is considered her authorized signature as she officially does not sign her works Hand nu...

Luna is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20 × 20 × 17 cm (7.9 × 7.9 × 6.7 in). The sculpture is signed an...

An imposing fourteen-foot tower of curved abstract shapes is fabricated from stainless steel in this new sculpture from Viktor Mitic. He is known for his colourful abstract paintings and sculptures that were inspired by paint drippings on his studio floor. This intriguing patinated piece in rich dark tones signals a departure for Mitic. “My goal with these is to showcase the universal human connection we are all a part of, and if I can make a statement while doing so, even better.” Viktor Mitic Serbian-born Viktor Mitic earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, black, gray, and beige "Play Tower #3", made by Hudson Valley artist, Donise Engl...

Wheel, Christie Joy, willow, beeswax, damar resin, 24.25” x 28” x 9”, 2013. This abstract woven willow sculpture was created by American fiber artist, Ch...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...