Wire Abstract Sculptures

ARNALDO POMODORO Medaglia 25 Anni Tecno (Two Sided Bronze Medallion), 1979 Bronze (incised signature) 2 1/2 × 2 × 7/10 inches Edition 196/1600 Unframed This beautiful two sided limit...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

Crafted by the brilliant mind of Taos, New Mexico based Jeweler/ Metal Smith, Julie Lake. The Specimina Earrings are a stunning pair of contemporary, geometric and botanically inspired jewelry. Featuring sleek lines with a geometric pod-like shape at the bottom of the earrings fixed with botanical gold beads inside the cage. These earrings are fit with highly polished stainless steel wire ear post. Bio Julie Lake hand fabricates her metal work exclusively from a spring tempered, fine gauge stainless steel. She uses an arc welding process at precise settings to join the metal by melting and fusing it together at the tiny joints. The nature of this stainless steel, along with the welding process, allows Lake to create complex and visually fragile, yet deceptively strong forms with very small diameter wires. Although the welding of steel is typically regarded as an industrial process, Lake likens her technique to the domestic act of sewing or knitting. By way of welding, she methodically and repetitively stitches together the threads of stainless steel which accumulate into larger forms. Her decision to only create with this very specific material is quite minimalistic, but Lake engages with the material with multidisciplinary intent. Her work spans from large scale art installation, to design-driven functional items, to wearable and decorative pieces rooted in fine craft. This multidisciplinary approach allows the individual pieces to cross-pollinate with and inform each other. Lake's training as a maker started at a very young age. Her father, Ron Lake, is a machinist who went on to establish a career creating fine folding...

Luminosité changeante II is a unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief is made f...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

This is an intense bronze abstract sculpture created by the well known Italian artist Carmelo Cappello. This is a multiple of 250 specimens. It is made in bronze with a wooden black...

"Upsurge" is a minimalist, abstract pedestal sculpture in fabricated bronze. It was conceived in 1989 and can be considered a Mid-Century Modern artwork. It is finished with Clement ...

Ancient glacial ice that shapes and carries stones hundreds of kilometers was the inspiration behind these enigmatic sculptures by Shayne Dark. Cast in steel and coated in a veined b...

Chromatic Pathways . 2021 Mixed media on Plexiglass, hand sculptured The colorful set is composed of three wall sculptures made by plexiglass. Th...

The mirrored surfaces of the stainless steel Maldonado work of art, reflect the world around. Maldonado's artistic research has an ethological matrix: a sign as a kind of pre-Incan g...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumentsal version of this in Rabin Square in th...