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Matt Mitros
"Mug Composition #33", Contemporary, Abstract, Ceramic, Sculpture, Mixed Media

2019

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  • Contemporary Design, Ceramic Sculpture, Porcelain, Iron Particles, Glaze, Clay
    By Perry Haas
    Located in St. Louis, MO
    Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...
    Category

    2010s Contemporary Sculptures

    Materials

    Iron

  • Contemporary Design, Ceramic Jar, Wood Fire Porcelain, Iron Particles, Glaze
    By Perry Haas
    Located in St. Louis, MO
    Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...
    Category

    2010s Contemporary Sculptures

    Materials

    Iron

  • "Year of the Monkey", Figurative Porcelain Sculpture with Colorful Glaze
    By SunKoo Yuh
    Located in St. Louis, MO
    The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian beliefs inform some aspects of his imagery, implied narratives that often suggest socio-political critiques largely drive his work. Yuh is currently Associate Professor at the University of Georgia, Athens, GA. The Rubin Center has exhibited two monumental columns that showcase Yuh’s mastery of his complex narratives and the ceramic medium. Yuh’s work is included in the collections of the Renwick Gallery at the Smithsonian in Washington, DC, The Philadelphia Museum of Art and The Museum of Fine Arts Houston, among others. Honors and awards he has received include the Joan Mitchell Foundation Grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize, and the Virginia A. Groot Foundation Grant. Selected Public Collections Renwick Gallery of the National Museum of American Art Smithsonian Institution, Washington D.C. Icheon World Ceramic Center, Icheon, Korea The State Hermitage Museum, St. Petersburg, Russia Seoul Museum of Art, Seoul, Korea International Museum of Ceramic Art, Alfred, NY The Philadelphia Museum of Art, Philadelphia, PA The Museum of Fine Arts, Houston, Houston, TX Oakland Museum of Art, Oakland, CA State Foundation on Culture & the Arts, Honolulu, HI Pacific Asian Museum, Pasadena, CA Honolulu Contemporary Museum, Honolulu, HI Long Beach Museum of Art, Long Beach, CA Wright State University, Dayton, OH Kennedy Museum, Athens, OH Fuller Crafts Museum, Brockton, MA Museum of Art & Archeology, Columbia, MO Society for Contemporary Crafts, Pittsburgh, PA Macon Museum of Art & Science, Macon, GA Clayarch Gimhae Museum, Gimhae, Korea JINRO Cultural Center, Seoul, Korea Seoul Newspaper, Seoul, Korea "Year of the Monkey...
    Category

    2010s Contemporary Figurative Sculptures

    Materials

    Ceramic, Clay, Porcelain, Glaze

  • "Another Connection", Abstract Figurative Ceramic Sculpture with Colorful Glaze
    By SunKoo Yuh
    Located in St. Louis, MO
    The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...
    Category

    2010s Contemporary Figurative Sculptures

    Materials

    Ceramic, Clay, Porcelain, Glaze

  • Contemporary Wood Fired Porcelain Jar Form, Design, Sculpture, Glaze, Ceramic
    By Perry Haas
    Located in St. Louis, MO
    Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...
    Category

    2010s Contemporary Sculptures

    Materials

    Iron

  • Contemporary Ceramic Sculpture with Colorful Decal Pattern, Porcelain with Glaze
    By Jesse Small
    Located in St. Louis, MO
    Small’s work includes porcelain figurines and lace-like steel chandeliers inspired by branches and twigs he has documented during his travels. While in China, Small’s porcelain forms...
    Category

    Early 2000s Contemporary Abstract Sculptures

    Materials

    Ceramic, Clay, Porcelain, Glaze, Other Medium

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    Located in Richmond, BC
    Originally a virtual visualist, Alikov has leaped into the practice of fine art and has gone beyond the visual. He produces conceptual artworks that blend the border of two-dimension...
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    Originally a virtual visualist, Alikov has leaped into the practice of fine art and has gone beyond the visual. He produces conceptual artworks that blend the border of two-dimension...
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    Originally a virtual visualist, Alikov has leaped into the practice of fine art and has gone beyond the visual. He produces conceptual artworks that blend the border of two-dimension...
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  • "MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
    By Harold Wortsman
    Located in Toronto, Ontario
    Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
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  • Binary Converter - Mixed Media Sculpture
    Located in Richmond, BC
    Originally a virtual visualist, Alikov has leaped into the practice of fine art and has gone beyond the visual. He produces conceptual artworks that blend the border of two-dimensional and three-dimensional art. The intricately-overlapped and embossed canvases, strips of gradient materials, drawn patterns and symbols create an illusionistic dimension. The hard edges, symmetrical curves and the non-narratives speak of scientific systems, futuristic notions, and fashion metaphors. Currently, he is working his way into the seventh “generation” of this series, which started with black and white, sharp-contrast, two-dimensional canvases, was developed into more pristine black fields, and currently progressed on, to mixed-media sculptural objects that he calls assemblages. The materiality aspect of the recent Generation 6 and Generation 7 makes it as if the artist is venturing from order to relative disorder, from simplicity to richness, from monotonic to chromatic. Either entangled, sewn together or carefully arranged and layered, the materials such as nylon straps and buckles, translucent glassine, reflective fabrics, zippers, elastic fasteners, and hand-made mini domes show a bit of the veteran visual effect artist’s “cyber soul”, which is a liberating approach to fine art. Alikov’s exhibition at Lipont...
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    Originally a virtual visualist, Alikov has leaped into the practice of fine art and has gone beyond the visual. He produces conceptual artworks that blend the border of two-dimensional and three-dimensional art. The intricately-overlapped and embossed canvases, strips of gradient materials, drawn patterns and symbols create an illusionistic dimension. The hard edges, symmetrical curves and the non-narratives speak of scientific systems, futuristic notions, and fashion metaphors. Currently, he is working his way into the seventh “generation” of this series, which started with black and white, sharp-contrast, two-dimensional canvases, was developed into more pristine black fields, and currently progressed on, to mixed-media sculptural objects that he calls assemblages. The materiality aspect of the recent Generation 6 and Generation 7 makes it as if the artist is venturing from order to relative disorder, from simplicity to richness, from monotonic to chromatic. Either entangled, sewn together or carefully arranged and layered, the materials such as nylon straps and buckles, translucent glassine, reflective fabrics, zippers, elastic fasteners, and hand-made mini domes show a bit of the veteran visual effect artist’s “cyber soul”, which is a liberating approach to fine art. Alikov’s exhibition at Lipont...
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    2010s Contemporary Abstract Sculptures

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    Metal

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