Oliver Ashworth-Martin

Traces V by Oliver Ashworth-Martin - Concrete sculpture, abstract, nature, seed

2018

Big Source Keeper is a unique pigmented glass fiber reinforced concrete sculpture by contemporary artist Pavlína Kvita, dimensions are 265 × 120 × 90 cm (104.3 × 47.2 × 35.4 in). The...

Mask III is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and comes with...

Psyche is a unique installation of three mirror-polished stainless steel sculptures on a concrete base and three painted stainless steel stabiles and bases by contemporary artist Fra...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Concrete Base (Indoors/Outdoors) 18" x 9.5" x 9" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Bor...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

Blue decorative sculpture with gold accents by Houston, TX contemporary artist Jude Rosemond. Sculpture is made from concrete, clay, stone with rosewater...