Pablo PicassoBuste de faune, Picasso, Ceramic, Terracotta, Faune, Mythological, Design, 1950'
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Dimensions:Height: 7.29 in (18.5 cm)Width: 3.67 in (9.3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Geneva, CH
- Reference Number:1stDibs: LU1502212227462
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- ShippingRetrieving quote...Ships From: Geneva, Switzerland
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Tête de faune, Picasso, Tile, Terracotta, Design, Sculpture, Unique, MythologyBy Pablo PicassoLocated in Geneva, CHTête de faune, Picasso, Tile, Terracotta, Design, Sculpture, Unique, Mythology Tête de faune Unique work 27.02.1961 Red terracotta tile, painted and glazed white 15 x 15 cm 20 x 15 ...Category
1960s Post-War Abstract Sculptures
MaterialsTerracotta
- Visage dans un carré, Picasso, plate, multiples, edition, 1950's, portrait, faceBy Pablo PicassoLocated in Geneva, CHVisage dans carré Ed. 59/100 pcs 1956 White earthenware clay, engobe decoration under partial brushed glaze, ivory, blue D. 42.2 cm Numbered, incised and stamped on the reverse : 59/...Category
1950s Post-War Abstract Sculptures
MaterialsCeramic, Clay, Earthenware
- Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, EarthenwareBy Pablo PicassoLocated in Geneva, CHVisage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware Ed. 500 pcs White earthenware clay, decoration in engobes under glaze Inscribed on the reverse: Edition...Category
1950s Post-War Abstract Sculptures
MaterialsEarthenware, Clay
- Petit masque central, Pablo Picasso, 1960's, Unique, Design, Plate, TheaterBy Pablo PicassoLocated in Geneva, CHPetit masque central, Pablo Picasso, 1960's, Unique, Design, Plate, Theater Petit masque central Unique work 16.5.63 Painted and partially glazed ceramic D. 25.4 cm / 9.8 in. D. 33 ...Category
1960s Post-War Abstract Sculptures
MaterialsCeramic, Earthenware
- Tête de faune, Picasso, Tile, Ceramic, Sculpture, Design, Postwar, MythologicalBy Pablo PicassoLocated in Geneva, CHTête de faune, Picasso, Tile,Ceramic,Sculpture, Design, Postwar, Mythological Tête de faune Unique work circa 1968 Painted and partially glazed ceramic, square tile 15.2 x 15.2 cm C...Category
1960s Post-War Figurative Sculptures
MaterialsEarthenware
- Visage, Picasso, 1950's, Unique work, sculpture, design, Frame, PortraitBy Pablo PicassoLocated in Geneva, CHVisage, Picasso, 1950's, Unique work, sculpture, design, Frame, Portrait Visage Unique work 1957 Painted and partially glazed ceramic ; tomette 16.9 x 15.2 cm Certificate of authent...Category
1950s Post-War Figurative Sculptures
MaterialsCeramic
- Tuscan Florentine Figurative Abstract Female Bronze Statue 20th centuryBy Quinto MartiniLocated in Florence, ITThe small bronze statue portrays a lady standing, with the arms lifted up to help her looking far away. It's an single cast. It can be dated to th...Category
1960s Post-War Abstract Sculptures
MaterialsBronze
- "Abstract Sculpture, " Gerome Karmwoski, Wood Surrealist ExpressionismBy Gerome KamrowskiLocated in New York, NYGerome L. Kamrowski (1914 - 2004) Abstract Sculpture Oil on wood 62 inches high Provenance: The artist's estate Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner, and Cameron Booth. Both Turner and Booth had been students of Hans Hofmann, and were also associated with the Abstraction-Création group in Paris. It was from these peers that Kamrowski was introduced to a "kind of expressionist cubism." In 1933 Kamrowski was awarded a scholarship to the Art Students League, where he would study in New York under Hans Hofmann. Unfortunately, immigration problems had prevented Hofmann from assuming his post. Nevertheless, Kamrowski decided to remain in New York for a short time, to attend classes taught by George Grosz. After a few weeks, he returned to St. Paul, and found a position in the mural painting division of the Minnesota FAP/WPA (Works Progress Administration). In 1936 he contributed “Synthetic Cubist Style” frescoes in the Northrup Auditorium of the University of Minnesota. In 1937 Kamrowski went to Chicago to study under László Moholy-Nagy and Alexander Archipenko at the New Bauhaus (now Illinois Institute of Technology's Institute of Design). There he was exposed to new and interesting ideas regarding the role of nature in art and the "geometric basis of natural form". In 1938 Kamrowski received a Guggenheim fellowship to attend Hans Hofmann's summer school in Provincetown, Massachusetts. He then relocated to New York where he met William Baziotes. Together they shared a fascination in Surrealist automatic writing, and both artists explored its possibilities in their paintings. Kamrowski was particularly drawn to Surrealism's fundamental appeal of intuition over intellect. He was interested seeking a process that "binds all things together...a kind of cosmic rhythm". Throughout the late 1930s and early 1940s while living in New York, Kamrowski became an integral part of the emerging surrealists. In 1942, the artist Roberto Matta attempted to form a group of artists to investigate new applications for Surrealist methods. He invited Kamrowski, along with William Baziotes, Jackson Pollock, Peter Busa...Category
1960s Post-War Abstract Sculptures
MaterialsWood, Oil
- Untitled (Suspended Willow)By Harry BertoiaLocated in Palm Desert, CAA sculpture by Harry Bertoia. "Untitled (Suspended Willow)" is an abstract, steel and steel wire sculpture by Post War artist Harry Bertoia. The willow form is one of Harry Bertoia's...Category
1960s Post-War Abstract Sculptures
MaterialsSteel, Wire
- TuskBy Tim HawkinsonLocated in Palm Desert, CAAn abstract sculpture of 132 Jello molds on an iron plate by Post War artist Tim Hawkinson. Signed verso, "88, Tim Hawkinson." Provenance: ACE Gallery, Los Angeles; Private coll...Category
1980s Post-War Abstract Sculptures
MaterialsMixed Media
- High WindowBy Anthony CaroLocated in New York, NYCast and Welded BronzeCategory
1970s Post-War Abstract Sculptures
MaterialsBronze
- Extra-large Post-War Inspired Structured Metal Assemblage From Late 20th CenturyLocated in Frederiksberg C, DKPresenting an extraordinary and commanding work of art, an extra-large metal assemblage in post-war style which truly makes a statement. The patinated metal objects create a rich, darkened and golden metallic nuances that are deep and saturated. The physical three-dimensionality arising from the of the metal assemblage further enriches the overall depth, creating an intensely dramatic and captivating visual experience. Due to its size and volume this piece is both remarkable and rare, and will without a doubt stand out in any interior. Within the assemblage, a diverse array of scrap metal objects and plates of varying sizes and forms coexist alongside intriguing remnants, including a leather sole, large leather straps, fragments of a robe, and vintage nails...Category
Late 20th Century Post-War Mixed Media
MaterialsMetal
Recently Viewed
View AllRead More
Science Uncovers Hidden Truths behind Young Pablo Picasso’s Blue Period
From 1901 to 1904, Picasso limited his palette to bluish hues in producing some of his most famous early works. A new show looks at the recycled materials, hidden underpaintings, surprising influences and bohemian lifestyle that led to their creation.
Who Are the Most Popular Artists on 1stdibs?
Learn the stories of some of the world's most recognizable artworks and their makers.