Early 2000s Abstract Sculptures

Slip is a stone sculpture by contemporary British artist Peter Brooke-Ball (Foundry: Pangolin Editions). This bronze and silver sculpture rests on a Kilkenny limestone plinth. Resemb...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

Red Grooms New York City Newsstand, "Extra, Extra Read All About It", 2003 Mixed Media 3-D Construction in Custom Fitted Lucite Box 20 × 26 1/2 × 10 1/2 inches Frame included Edition...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

'Kudu' is an original springstone sculpture signed by the Zimbabwean artist Terence Paradzai Nehumba. Terence was trained in the Shona stone carving tradition and this is an excellen...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Delightful and fabulous to live with - great to put on tables, shelves, mantles, desks and even better if they can be near natural light coming in. Amazing to turn and see the diffe...

Omaggio To Picasso Woman in Hat Murano Glass Sculpture Artist signed and titled. Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Robert Indiana LOVE (Sculpture Stamped with Indianapolis Museum and Artist Stamp), 2009 Brushed Aluminum (Gold) Stamped with Artist's Copyright & Indianapolis Museum of Art/2011 Morgan Art Foundation/ARS, NY Stamped/incised w/text: "Authorized Replica/Robert Indiana/LOVE/Indianapolis Museum of Art/2011 Morgan Art Foundation/ARS, NY 3 × 3 × 1 1/2 inches Unframed Since first appearing on the Museum of Modern Art’s 1965 Christmas card, Robert Indiana’s “LOVE” quickly permeated the popular imagination, appearing everywhere from life-size sculptures to government-issued stamps. The design’s appeal was timeless, yet also emblematic of the idealistic and free-loving 1960s. As art legend has it, Indiana was first bemused and later conflicted about the instant runaway success of his design, worried that it may have ruined his reputation among the art world elite as a one-hit wonder. Despite the artist’s private insecurities, “LOVE” remains one of the most treasured works in 20th-century American sculpture—breaking $4.1 million at auction in 2011. Another edition from this authorized, artist approved series recently sold at Christie's in Paris for over $12,000. LOVE (Limited Edition Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright). This is a limited edition artist authorized miniature of the Indianapolis Museum of Art's giant outdoor...

E Tu (Stand Tall), contemporary Maori sculpture, green patina, warrior figure Wi Te Tau Pirika Taepa (born 1946, in Wellington) is a New Zealand ceram...

M.080601 is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 130 × 20 × 10 cm (51.2 × 7.9 × 3.9 in). The sculpture is signed and numbered, it is part ...

Writing No. 2 is a bronze sculpture by contemporary artist Martine Demal, dimensions including brass base are 68 cm × 24 cm × 18 cm (26.8 × 9.4 × 7.1 in). The sculpture is signed an...

Six sides to a cube is a unique Mansfield red sandstone sculpture by contemporary artist Richard Perry, dimensions are 26 × 22 × 22 cm (10.2 × 8.7 × 8.7 in). The sculpture is signed...

Mirror polished stainless steel. John Whitehead's first standing geometric abstract sculpture, this piece is a montage of intersecting geometric shapes in 3D space. Various patterns...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

sculpture CUBE was made in 2005. An abstract geometric form made of bronze. Interior sculpture, that may looks your place fancy and original. One of a kind art piece.

15 feet X 8 feet X 5 feet Machined aluminum John Raymond Henry (1943-2022) is an internationally renowned sculptor. Since 1971, Henry produced many...

Memento Clear Cell is a unique contemporary modern glass object made by Australian glass artist Emily McIntosh. This sculpture is made up of three blown clear glass components, small, medium and large, that are all lathe worked with a brushed translucent finish. The artist has been pursuing themes of touch as human memory through marking the glass skin. Her sculpture is focused upon surface finishes that amplify translucency, shadow & the reflection of light within the glass creating impressions of fragility & the suggestion of vulnerability. They are reminiscent of time capsules or cells capable of holding onto transient thoughts and memories, these structures are intended to preserve and protect one’s precious ephemeral recollections that through time may otherwise become forgotten. Emily McIntosh (1978, Australia) graduated with a MA in Fine Art and earlier with a BA First Class Honours in Fine Arts in Ceramic Design - Glass from the Monash Unversity in Caulfield. After her study she spent several months in Japan at the Ezra Glass Studio working with renowned glass artist Hiroshi Yamano...

Sequential blinking light sculpture by contemporary artist David Szfranski. Blanket Wood Substrate Lights Electronic Blinking mechanism. Box 9"x 6" x 5.5" The sculpture has a hypn...

turned wood, wooden vessel, oak Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediately fascinated...

'Mother and Child' is an original springstone sculpture signed by the Zimbabwean artist Nelson Mutumbuki. The sculpture presents a theme beloved by Shona artists: motherhood. In the ...

Acrylic on 3 wood panels Each panel is 36 x 18 x 1 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall dimensions: 36 x 56 x 1...

Guillaume ROCHE The artist translates movement and energy through the dynamism of assemblages and seeks the balance of composition. His sculptures offer aerial movements, round shapes with powerful lines, delicate and sensual cuts. The contextualization of his works, inscribing the approach of Guillaume Roche in the field of architecture: work of structure, lines, matter and skin, study of a volume and its proportions according to context and environment. His work is conceived to be connected with the territory. The EXCLOS series is born from the encounter of the concepts of EXPLOSION and ECLOSION. The artist conceives these imposing spheres of steel as a powerful breath contained by a gentle force that channels and envelops this primary energy. Working with stainless steel, Guillaume seeks contrast through concepts such as full-void, light-weight, balance-fall. In contrast, he finds total freedom of creation...

Melanie Yazzie (1966-) Pollen Keeper II (maquette) Powder-coated metal, 2008 Hand signed, titled, dated and numbered 2/30, attributed, titled, dated and numbered again to paper label Mounted to a white composition plinth Provenance: The Freund Family Collection Melanie Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder. Yazzie was born in 1966 in Ganado, Arizona, United States. She is Navajo of the Áshįįhí, born for Tó Dichʼíinii. She grew up on the Navajo Nation. Although she grew up on the Navajo Nation, Melanie Yazzie is of the Salt Water Clan born for the Bitter Water Clan. She first studied art at the Westtown School in Pennsylvania. Yazzie earned a BA in Studio Art with a minor in Spanish from Arizona State University in 1990 and an MFA in printmaking from the University of Colorado at Boulder in 1993. Melanie Yazzie works a wide range of media that include printmaking, painting, sculpting, and ceramics, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native postcolonial dilemmas. Melanie's work focuses primarily on themes of indigenous people. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. Yazzie is known for her multilayered monotype prints that focus on storytelling and reflect her dreamtime friends and companions. The works are filled with colors and textures that reflect different world. The works are made with stencils and often she is printing with soy based inks called Akua inks that are safe for the artist and the environment. The works most often are printed on Arches 88 due to the absorbing quality of that 100% rag paper. It is a fine art paper made in France and very soft to the touch. It is a paper designed originally for screen printing but is the perfect surface for many of the works Yazzie creates. The works often are monotypes as opposed to monoprints. So the works are a one of a kind work of art and not made in multiples. She is a Professor and Head of Printmaking at the University of Colorado at Boulder. She teaches printmaking courses and travels extensively to indigenous communities within the United States and abroad. She can always be found through the University of Colorado Art and Art History Department. In addition to teaching at the Institute of American Indian Arts, the College of Santa Fe (now Santa Fe University of Art and Design), Boise State University, and the University of Arizona, Yazzie has taught at the Pont Aven School of Contemporary Art in France. Yazzie has led over 100 international print exchanges over a 20-year time period. Many of these exchanges include artists from Siberia, Japan, New Zealand, Australia, Canada, Mexico, and Germany. In 2012, the Denver Art Museum welcomed Yazzie as artist-in-residence, making her the first in the Native Arts department. A selection of major exhibitions from the 1990s to present include "Between Two Worlds" (2008) at Arizona State University, "Traveling" at the Heard West Museum (2006), "About Face: Self-Portraits by Native American, First Nations, and Inuit Artists" at the Wheelwright Museum (2005), "Making Connections" (2002) in Bulova, Russia, "Navajo in Gisborne" (1999) in Gisborne, New Zealand and "Watchful Eyes" (1994) at the Heard Museum. In September 2013 she co-curated the exhibition "Heart Lines: Expressions of Native North American Art" in Colorado University Art Museum, partially based on her private collection and including her work "Pollen Girl". Artists featured: Norman Akers, Maile Andrade, Kenojuak Ashevak, Pitseolak Ashoona, Corwin Clairmont, Jimmie Durham, Joe...

Signs and Writings No. 3 is a monumental bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 93 × 102 × 33 cm (36.6 × 40.2 × 13 in). ...

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

Yeonsoo Kim, "Look at Me," Colorful red clay vessel, underglaze, 13 x 11 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...

Sculpture LEAF is made of wallnut tree and combined with bronze. An abstract form with organic aesthetic. Interior sculpture, that may looks your place fancy and original. One of a...

This figurative mixed media textile wall sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowi...

2003 Edition of 99 copies + 15 EA +15 HC + 30 copies numebered /XXX. Signed « Arman » and numbered on the gilded bronze. Referenced in Denyse Durand-Ruel Archives under Nr 7698. Referenced at the Arman Studio in New York under NR APA# 7030.03.006. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...

JOHN CHAMBERLAIN PARISIANSUMMER 2006 Painted and stainless steel Unsigned 15" x 17" x 11 1⁄2” Chamberlain began to explore metal sculpture in the late 1950s, finding his signatu...

Sky Cradle, sculpture by John Reeves, mixed media, wood, granite, limestone

JAN MARES Jan Mares (Czech, 1953-2005) Signed 3-D Glass American Flag, 2002 Cut, polished, and etched glass 3 × 5 × 2 inches incised signature and date Jan Mares was a celebrated C...

Rhomboid, 2001 Laminated acrylic Signed and dated: Vasa / 2001 9.5" H x 4.5" W x 2.5" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist based in Los Angeles, California. Born in Yugoslavia, Vasa has lived in Los Angeles since his arrival in the United States in 1960. He is an academically trained painter and was a professor at the University of California, Los Angeles UCLA in the Department of Design and Media Arts. He taught theories of color to understand interdependence and interaction of color and form, color and quantity, color and placement, and after-image. In the 1960s, Vasa developed techniques for working with cast laminated acrylic forms based on simple Euclidean shapes. These prisms of luminous construction are created by composing colored planes within these geometric forms. To fully appreciate these works of art, it is essential to observe them from different angles―the sculptures dimensionality contributes to an ever-changing appearance. Now retired as a professor emeritus, Vasa focuses on his conceptual art practice. His studio, designed to accommodate the technology required for his work, is located in the heart of Los Angeles. He makes laminated acrylic sculptures that reflect and refract light. He has had solo exhibitions at galleries in the United States, Japan, Italy and Serbia, including the Museum of Contemporary Art, Belgrade, the San Diego Museum of Art, and the Palm Springs Desert Museum. Vasa is best known for his sculptures made from colored pieces of the plastic, poly(methyl methacrylate), which is also known as acrylic and by the brand names Plexiglas and Lucite. Untitled from 1975, in the collection of the Honolulu Museum of Art, demonstrates the effect of these minimalist sculptures. His work straddles the West Coast Light and Space art movement, Artists such as Robert Irwin, James Turrell, John McCracken, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, and Lita Albuquerque...

Made from a real pizza nestled in its original box opened using high-chromium stainless steel, the piece measures 16" x 16" x 21", weighs approximately 80 pounds and is an Artist Proof. The artist sees his creation as a reflection of the cultural distortions represented by memes, a statement he has expressed perfectly in his reflective, yet unevenly textured, medium. "You look at your reflection [in the piece], and it's distorted in the stainless steel." The piece was born in 2007, just as the social internet was beginning to explode out of the digital back rooms and onto the world stage under the watchful eyes of Myspace, Facebook, YouTube, Reddit, Twitter, Tumblr, and other popular platforms. But Big Sausage Pizza was conceived well before that, in the Wild West days of the internet when few truly public forums existed and media of every kind was most commonly shared via email. In those days one never knew what to expect from a link or an attachment and each click had equal odds of either brightening your day with a dancing baby or posing a risk to your computer, your dignity, or your relationships... and that was half the fun. Every recipient of these images, videos, or audio files suddenly had the means not only to pass them along to as many people as they pleased, but to change and individualize them before sending them on. In this way, the media very quickly mutated and were distributed around the globe. In other words, they became true memes. Pizza has evolved in much the same way. Like the internet, it started as an artifact of a specific culture, but today both are so common throughout the world that most of us can barely remember a time when they were special and exotic. Just as the internet simply IS, pizza also simply IS. We used to make pizza at home, or at least buy it in a place where they were handmade and offered a limited list of toppings. Today, the meme that is pizza is brought to our tables by an almost entirely mechanized process, and it's so wildly mutated that each individual has the ability to create a new twist on the old...

Vasa Mihich is a renowned Los Angeles-based artist known for his sleek, colorful, and captivating acrylic sculptures. He was a Senior Professor of Design at the University of Califor...

Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary

'Stretching' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential sty...

"Arabesque XXXIV" is an original abstract carved Bubinga wood sculpture by Robert Longhurst. The artist signed and dated the piece. It features a dark...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized...

Sculptor Jeff Glode Wise's expertise as a jewelry maker is immediately evident in the pedestal-sized kinetic sculpture "Streaming Obelisk." The mixed media ...

ANSELM REYLE (B. 1970) Harmony bronze effect lacquer and veneered macassa wood plinth bronze: 66 x 69 x 29 in. (167.6 x 175.3 x 73.7 cm.) plinth: 211⁄2 x 63 x 303⁄4 in. (54.6 x 160 x...

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

'Bride' is an original springstone sculpture signed by the Zimbabwean artist Brian Nehumba. Brian was trained in the Shona stone carving traditio...

"Duet" by Mark Leichliter Abstract Sculpture 6ft high" Powdercoated Steel 2/10 Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE ARTIST...

Light Element is a unique Belgium black marble and LED sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 30 × 24 cm (4.7 × 11.8 × 9.4 in). The sculpture...

This handwoven contemporary textile sculpture, Rojo, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains her in...

Colourfield by EDMUND DE WAAL (b. 1964) Ten glazed porcelain vessels Largest 9.2 high x 19.9 cm in diameter (3 ⁵/₈ x 7 ⁷/₈ inches) Impressed with the ar...

"Lion's Den" Abstract Metal Sculpture by Kevin Barrett Unique bronze tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wal...

Vase-sculpture by Annick Bailly On peut afficher à 1590 euros A vase-sculpture by French contemporary sculptor Annick Bailly. With its abstract, plant-like forms, this vase-sculptur...

Intimate by Sara Modiano A three-dimensional freestanding sculpture Measures: 27 in. H x 24 in. W x 4 in. D Metal, wire This piece is a mixed-media, one of a kind sculpture from ren...

Spillway is a low relief, bent laminated, wall-hung sculpture made from ash veneer and formed using a vacuums technique. The shapes mimic two bodies of water connecting through a "s...

'Flower' is an original fruit serpentine sculpture signed by the Zimbabwean artist Josphat Makenzi. Makenzi was trained in the contemporary Shona stone...

Rose Granite / Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most b...

Liquid Sunshine: Spring Moss Hand-dyed cast polymer rubber on painted steel 31.5 X 9.5 X 9.5 Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

"Maternity" by Mark Leichliter Abstract Figurative Sculpture 7.5 x 2.75 x 2.5" Bronze on Granite Base ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby F...

Frank Stella K.52 2006 Stainless steel tubing and cast aluminium 40.6 x 40.6 x 26.7 cms (16 x 16 x 10 1/2 ins) FS10201 K Series The series is based on the Italian composer Domenico...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

"Inclusion" by Mark Leichliter Abstract Sculpture 24x11x7" Stainless Steel Brushed and Powder Coated 1/10 ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in near...