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Peter ReginatoAbstract Bronze Sculpture, Unique Signed work from the estate of Arthur Carrca. 1987
ca. 1987
$7,000
£5,325.39
€6,227.02
CA$9,789.81
A$10,997.74
CHF 5,852.87
MX$135,991.30
NOK 71,317.91
SEK 68,954.19
DKK 46,447.71
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About the Item
Peter Reginato
Abstract Bronze Sculpture, ca. 1987
Bronze
Signed on the underside
4 × 6 1/2 × 5 1/2 inches
This bronze sculpture is by the American abstract sculptor Peter Reginato. This artwork's interplay of positive and negative space creates a dynamic interaction of levels and draws attention to the metallic luster. This was acquired from the Estate of Dr. Arthur C. Carr, NY, longtime professor at Columbia University and a well known collector of modernist art who befriended many of the artists whose work he collected.
Signed on the underside
Very good with natural aging and oxidation of bronze
- Creator:Peter Reginato (1945, American)
- Creation Year:ca. 1987
- Dimensions:Height: 4 in (10.16 cm)Width: 6.5 in (16.51 cm)Depth: 5.5 in (13.97 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good with natural aging and oxidation of bronze.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745216009912
Peter Reginato
(American, b. 1945) A noted contemporary sculptor whose chosen medium is steel, Reginato was born in Texas, but grew up in California. His whimsical abstract forms employ a variety of textures and colors, grouping together painted (and sometimes perforated or folded) metal shapes in a collage-like fashion. The shapes are sometimes layered, but are often connected using thin steel pipes the artist calls "wires," allowing individual elements to seemingly move about in space. Reginato credits California's car culture for encouraging his early interest in metal, and his training in engineering and metalwork for the fine craftsmanship with which his works are constructed. Though abstract, Reginato's exuberant sculptures possess an anthropomorphic feel, and the collage-like nature of his compositions imbues each work with a distinct personality. Reginato has recently produced a series of sculptures in entirely unpainted steel, adding a new dimension to his work. The artist's many honors include a Guggenheim fellowship and scores of solo gallery and museum exhibitions in the U.S. and abroad. His work is found in numerous prestigious private and public collections, including the Hirshhorn Museum and Sculpture Garden, Washington D.C., and The Metropolitan Museum of Art, New York.
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Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality.
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[1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30.
Additional Biography:
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