Simcha Even-Chen

Folding in Motion 1 by Simcha Even-Chen - Porcelain sculpture, red and yellow

2020

This work represents a shape with sensual curves . It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal romantic gift to express yo...

Folding in Motion 9 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 23 × 43 × 14 cm (9.1 × 16.9 × 5.5 in). The sculpture is signed and ...

Folding in Motion 6 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 20 × 32 × 20 cm (7.9 × 12.6 × 7.9 in)...

Entrapped 10 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 38 × 40 × 23 cm (15 × 15.7 × 9.1 in). The sculpture is signed and comes wi...

It is a striking piece. Steven Heinemann’s wall mounted ceramic sculpture has a bold fluid organic form and equally bold colour—deep red. Called “La Bouche” ...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Swirling Red, 2023 (Ceramic, C. 13 in. h x 22 in. w x 17.7 in. d, Object No.: 4191) Merete works with abstract sculptural form and is interested in the way one defines and comprehen...

Sara Fine-Wilsons ”Lite” is a gestural 5.5 x 5.5 x 6 inch ceramic sculpture in pale yellow with accents of warm tan, light pink, and white. In this graceful and evocative sculpture i...