Steven Heinemann

Untitled Bowl (Black) - black, red, nature inspired, textured, ceramic vessel

2018

In her lakeside studio surrounded by nature, Paula Murray creates uniquely beautiful porcelain pieces. This vessel has a tall undulating form accentuated by waves of lines that run b...

In her lakeside studio surrounded by nature, Paula Murray creates uniquely beautiful porcelain pieces. This creamy white vessel has a tall undulating form. Wave-like patterns that ru...

Inspired by forms and patterns found in nature, Paula Murray’s work often reflects the deeply spiritual connection between humans, culture, and the natural world. The intense saffron...

This modern minimalist wall sculpture is handmade in ceramic by Marie-Ève Fréchette. The three carefully curated objects—a rock-like form and two narrow pipes are handmade from porce...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. Thes...

Sara Fine-Wilson's "Tousle" is a gestural 13 x 10 x 8.5 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Embrace (Light Grey) is a Fired clay constructed and painted sculpture by Patricia Volk, dimensions are 36 × 55 × 62 cm (14.1 × 21.6 × 24.4 in). It is a unique signed piece and com...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...