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Reclined Figure - Bronze sculpture - 1970

1970

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Silver Composition - Silvered Bronze Sculpture by N. Franchina - 1960
Located in Roma, IT
Silver Composition is an original decorative object realized by Nino Franchina in 1960. Original sculpture realized in silvered bronze. Bronze patinated silver sculpture. Signed a...
Category

1960s Contemporary Abstract Sculptures

Materials

Bronze

Flu - Sculpture by Jake & Dinos Chapman - 2004
By Jake & Dinos Chapman
Located in Roma, IT
Flu is a contemporary artwork realized by Jake & Dinos Chapman in 2004. Painted bronze sculpture – unique example Provenance Galerie 20.21 Essen (Coll. Olbricht). Certificate of a...
Category

2010s Contemporary Abstract Sculptures

Materials

Bronze

Central Structure - Iron Sculpture by Claudio Palmieri - 1998
By Claudio Palmieri
Located in Roma, IT
Central structure is a contemporary metallic sculpture, realized in 1998 by the Italian artist Claudio Palmieri. Original Title: Struttura Centrale In excellent conditions, this o...
Category

1990s Contemporary Abstract Sculptures

Materials

Iron

Composition with Nails - Iron Sculpture by Nino Franchina - Late 1900
Located in Roma, IT
Composition is an original decorative object realized by Nino Franchina in the second half of the XX century. Original iron and wood. Iron sculpture c...
Category

Late 20th Century Contemporary Abstract Sculptures

Materials

Iron

The Sails - Sculptures by Tatiana Pomus - 1974
Located in Roma, IT
The Sails is a contemporary artwork realized by the artist Tatiana Pomus in 1974. Wood and iron sculpture. Signature of the artist engraved on the base. 
Category

1970s Contemporary Abstract Sculptures

Materials

Iron

Lovers - Bronze Sculpture by Luciano Minguzzi - 1950s
By Luciano Minguzzi
Located in Roma, IT
Realized by the Artist in 3 different variants, each with a different central body. Declaration of authenticity signed by the Artist on rear of photo in 1975. Provenance: Private Col...
Category

1950s Abstract Abstract Sculptures

Materials

Bronze

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Sherry Owens Almost a Symphony, 2019 Bronze, patina, brass nails, paint 16 5/8 x 12 1/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...
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Widows and Maidens #6
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Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...
Category

2010s Contemporary Abstract Sculptures

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Bronze

Widows and Maidens #5
By Sherry Owens
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Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...
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2010s Contemporary Abstract Sculptures

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