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Colin Burn
"Hokusai Dreaming" 24K Gold Sculpture 7.5 x 1 in Ed. of 10 by Colin Burn

2018

About the Item

"Hokusai Dreaming" 24K Gold Sculpture 7.5 x 1 in Ed. of 10 by Colin Burn Medium: 24K Gold, Diamonds & Pearls Edition of 10 NOTE: preparation time may take up to 8 weeks. Electroformed 24k gold octopus olisbos sculpture with flawless marquise diamond set eyes and natural sea pearl set coral shaft. This unique art piece inspired by famous artist Hokusai is symbolic of a popular Japanese sexual fantasy known as tentacle erotica. Sculpture comes with Limited Edition Artist Certificate of Authenticity and Jewelry Certificate of Materials. A Shrine to the unconventional and the vast depths of erotic imagination. This sanctum invites you to delve into the depths of story and wild fantasy as we explore other worlds, accepting the unconventional and surrendering to the taboo. Katsushika Hokusai - The Dream of the Fisherman's Wife is the most famous image in Kinoe no Komatsu (English: Young Pines), a three-volume book of shunga erotica first published in 1814 within the ukiyo-e genre. The image depicts a woman, evidently an ama (a shell diver), enveloped in the limbs of two octopuses. The larger of the two mollusks performs cunnilingus on her, while the smaller one, his offspring, assists by fondling the woman's mouth and left nipple. In the text above the image the woman and the creatures express their mutual sexual pleasure from the encounter. The image is often cited as a forerunner of tentacle erotica, a motif that has been popular in modern Japanese animation and manga since the late 20th century however took precedence in Shunga around the Edo era. Modern tentacle erotica similarly depicts sex between women and tentacled beasts; the sex in modern depictions is typically forced, as opposed to Hokusai's mutually pleasurable interaction. “In the text above Hokusai's image, the big octopus says he will bring the girl to Ryūjin's undersea palace” The Dream of the Fisherman's Wife is testimony to how our interpretation of an image can be distorted when seen in isolation and without understanding the context. The Legend of Princess Tamatori (Tamatorihime), or Ama, is based around the historical figure Fujiwara no Kamatari (614-649), who was the founder of the powerful Fujiwara clan. Upon Kamatari’s death, the Tang Dynasty emperor, who had received Kamatari’s beautiful daughter as a consort, sent three priceless treasures to Japan in order to comfort his grieving lover by honoring her father. One of these treasures, a pearl, was stolen by the Dragon King in a storm on its way to Japan in the inlet of Fusazaki. Kamatari’s son Fujiwara no Fuhito (659-720) went in search of the pearl to the isolated area where he met and married a beautiful pearl diver named Ama, who bore him a son. Ama, full of love for their son, vowed to help recover the stolen pearl. After many failed attempts, Ama was finally successful when the dragon and grotesque creatures guarding it were lulled to sleep by music. Upon reclaiming the treasure, she came under pursuit by the awakened sea creatures. She cut open her breast to place the pearl in for safekeeping; the resulting blood clouded the water and aided in her escape. She died from the resulting wound but is revered for her selfless act of sacrifice for her husband Fuhito and their son. Artists Inspiration: “My influence came from revered Japanese artist Katsushika Hokusai through his inspirational Shunga print titled ‘The Dream of the Fisherman’s Wife - 1814’ depicting two octopuses making love to a Japanese ama diver. This unique woodblock print spurred a culture within Japanese society known as tentacle erotica. Having spent a great deal of time in Japan, I was fascinated by the concept and how popular it is within Japanese sexual fantasy. I wanted to create a sculpture that would capture the cultural value of this famous print and its alluring popularity. My concept was to create elements within the sculpture directly reflective of Hokusai’s work. The large octopus in Hokusai’s print is represented at the head of the sculpture, the coral shaft represents the fossilized remains of the ama diver and the pearls are her catch. The tip represents the small octopus while the diamond eyes in the large octopus represent the jewels of the feared Sea Dragon. According to a popular Japanese story, Princess Tamatori the original ama diver would help her husband steal back a priceless pearl. Tamatori dives down to Ryūjin's undersea palace of Ryūgū-jō, and is pursued by the sea dragon god and his army of sea creatures, including octopuses. She cuts open her breast to place the pearl in for safekeeping; the resulting blood clouded the water and aided in her escape. She died from the resulting wound but is revered for her selfless act of sacrifice for her husband Fuhito and their son. The Octopuses are among the Sea Dragons protectors and their sexual liaison with the ama diver in Hokusai’s work was interpreted in Edo times as consensual, however it was often depicted differently by western art collectors. ABOUT COLIN BURN: Australian artist Colin Burn is a bold provocateur in the world of conceptual art, using his work to disrupt societal norms and spark critical dialogue often around uncomfortable truths. His art pushes boundaries, urging viewers to rethink their assumptions on value, power, and meaning, especially in contexts often deemed taboo or overlooked. Known for his masterful fusion of symbolism and opulence, Burn transforms ordinary objects into potent allegories, frequently employing their high monetary value to amplify the emotional and intellectual resonance of his themes. He understands that society frequently ties value to price, and this awareness is central to his approach. With an attention-grabbing allure, Burn’s work invites viewers to look beyond the surface, encouraging them to explore the deeper, often concealed meanings behind what they see—reminding them that true value lies not only in the material cost, but in the idea or theme that it represents. A compelling example of this is his Pearl Royale chess set, an opulent reimagining of the classic game. Beyond its luxurious design, the set transforms chess into more than just a strategic contest; it becomes a profound symbol of connection, peace, and mutual respect. By drawing on the game’s global significance and rich historical context, Burn reveals the paradoxes within human interaction—where even competitive engagement can serve as a medium for dignity, harmony, and shared ideals. Through such opulent creations, Burn draws attention and invites viewers to reflect on the cultural forces woven into our everyday lives, urging us to reconsider the subject matter itself as to where the true value resides. Burn’s practice is deeply influenced by avant-garde pioneers such as Marcel Duchamp, Andy Warhol, and Damien Hirst —artists who revolutionized the boundaries of art and its engagement with culture. Like these trailblazers, Burn navigates the art world with unyielding originality, often using shock and irreverence to question the status quo. His provocative pieces, such as his luxurious erotic dildo sculptures, push the limits of art, sexuality, and seriousness, not merely for the sake of controversy and attention but as a deliberate dismantling of the systems that govern meaning and value. These works challenge the viewer to confront their own biases, assumptions, and the traditional hierarchies that shape their perceptions of art, life, and sexuality. Guided by a deeply personal philosophy of artistic independence, Burn asserts, "I would rather cut a path and be hit with the branches than follow in others’ footsteps." This rebellious spirit drives his continual exploration of identity, luxury, and the human condition. His practice is a constant journey of carving new paths within the art world, where conventional boundaries are questioned and redefined. Before embracing contemporary art full-time, Burn spent over three decades as a fine jeweller, crafting unique and exquisite pieces. His jewelry garnered recognition from both the Australian and Japanese governments, as well as accolades from major Australian sporting organizations. In 2018, Burn made a significant transition, moving from commercial jewelry design to the creation of limited-edition contemporary artworks. This shift marked a new chapter in his career, leading to solo exhibitions in Perth, Tokyo, and Los Angeles, where his works have been met with critical acclaim. Through his art, Burn continues to provoke thought and push the boundaries of artistic expression. He challenges audiences to confront uncomfortable truths about the systems that govern value, meaning, and worth in an increasingly materialistic world. His works compel us to reconsider the perceptions we hold of luxury, success, and societal norms, urging us to question whether these align with the deeper human experience.
  • Creator:
    Colin Burn (Australian)
  • Creation Year:
    2018
  • Dimensions:
    Height: 8 in (20.32 cm)Width: 2 in (5.08 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Culver City, CA
  • Reference Number:
    1stDibs: LU1085116236332

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