Émile Gilioli

Architectural Apparition

1964

Wang Keping Wings Bronze with black patina 11 x 16 x 5 in, 28 x 41 x 13 cm Signed and numbered on the reverse upper right Edition 8 + 4 AP Private Collection of Didier Marien ...

Jean-Robert Ipoustéguy Personnage en mouvement 1976 Bronze 25 x 12 x 12 in, 63 x 30 x 30 cm Dated and signed "Ipoustéguy" Edition 5/8 Private Collection of Didier Marien ...

Jean-Robert Ipoustéguy Young Girl 1989 Bronze 24 x 7 x 11 in, 60 x 28 x 18 cm Edition 4/8 Private Collection of Didier Marien Jean-Robert Ipoustég...

Émile Gilioli Astrale 1966-68 Polished Bronze 12.2 x 8.3 x 6.3 in, 31 x 21 x 16 cm Signed and numbered “Gilioli, 5/6” Cast by Fonte Thinot Edition 5/6 Provenance : Collection...

Émile Gilioli La Boisselune 1954-59 Bronze 23.6 x 15.4 x 7.9 in, 60 x 39 x 20 cm Signed, dated and numbered on the back: “Gilioli, 59, 1/6" Cast from La Plaine Edition 1/6 P...

Pollès The Little Sower La Petite Semeuse 2010 Bronze 14 x 8 x 8 in, 36 x 21 x 19 cm\ Edition 1/4 In continuity to the tradition of Greek sculpture, Pollès's works lie between Brancusi’s purity, Henry Moore’s figurative abstraction and Modigliani’s flowing siluets and forms. Considered as the inventor of the “Organic Cubism”, Pollès is immediately identifiable through this distant reminiscence of Picasso’s Cubism, mixed with great sensitivity and voluptuousness that characterize his subjects. His personal vision of beings in motion, his sculptures with extraordinary patinas, break the pure aesthetic and create a new, very intimate, mythology. Pollès has been in collaboration with the Boccara gallery...

"TERAPHIM" Salvador Aulestia's Teraphim exhibition and simultaneous video presentation of the Teraphim exhibition held in front of Leonardo da Vinci's "Last Supper" on Corso Magenta...

Organic, abstract bronze sculpture by Yulla Lipchitz of a reclined woman. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Germany. While g...

Console table with cast bronze structure, wooden top burnt with shou sugi ban technique and bronze details

Archaic stool in solid wood burnt with shou sugi ban technique with bronze details

Maxine Kim Stussy, a prolific sculptor and painter from the late 1940’s to present. Maxine led an incredibly artistic life traveling the world with h...

SALE ONE WEEK ONLY This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.) Gene worked...