Armond Lara

Fertility Fetish Figure

Gourd pot sculpture made of traditional materials of pine needles with beeswax sealant, gourd lined with pine sap, oil paint on applied primed canvas, cotton cloth, feathers, loom be...

Gourd pot sculpture made of traditional materials of pine needles with beeswax sealant, gourd lined with pine sap, oil paint on applied primed canvas, cotton cloth, feathers, loom be...

Gourd pot sculpture made of traditional materials of pine needles with beeswax sealant, gourd lined with pine sap, oil paint on applied primed canvas, cotton cloth, feathers, loom be...

An exact, cast alabaster likeness of one of the components of Albrecht Dürer's 1493 drawing, "Six Studies of Pillows," a drawing which exists on the bac...

"There's inevitable pain in every form of love." Debra Baxter's new body of work, Love Tears, embodies the entanglement of love, mortality and the natural world. Taking cues from Victorian mourning...

Joyce Stolaroff is a Santa Fe-based ceramic and sculpture artist. Her dog sculptures have been used as a catalyst for multiple charitable and fundraisi...

Xawery Wolski Vestido de Oro I (Gold Dress I), 2015 Terracotta, gold glaze 67" x 60" x 3" Polish-born sculptor Xawery Wolski works in a variety of materials: bronze, terracotta, w...

These four plaques represent either domestic (a horse, two rams) or exotic animals (a rhinoceros and an elephant). Made on slate slabs cut to shape (a rectangle with concave angles), they are all based on the same narrative scheme: in a frame of Egyptian porphyry, an animal in multicoloured marble is represented advancing on a green marble floor, standing out against a black slate background. These plates were made in Italy, probably in Florence or in Rome, during the 18th century. We think that their primary purpose was to decorate the drawers of a cabinet. Like many other compositions in hard stone, these plaques were inspired by engravings that were a widespread decorative repertoire in the workshops. Three of the plaques presented here were directly inspired by works by Antonio Tempesta (1555 - 1630): the Rhinoceros, the Polish Horse...

"Verführung" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our website to ...

Artist: Stephanie Todhunter Title: Felicia Year: 2018 Size: 8"x7"x4" Medium: Plaster of paris, found objects, spraypaint, alcohol inks. Your Origin...

Artist: Stephanie Todhunter Title: Ellie Year: 2019 Size: 8.5"x7"x4" Material: Plaster of Paris found objects, Spray Paint, alcohol inks Each piec...

Artist: Stephanie Todhunter Title: Donna Year: 2019 Size: 8"x7"x4" Material: Plaster of paris, found objects, spraypaint, alcohol inks