Auguste-Joseph Carrier

"Raphael"

Mid-19th Century

After Edouard Henri Delesalle (French, 1823-1851) "Sapphos" Patinated Bronze Sculpture, late 19th century, impressed to base "F. Barbedienne, fondeur" and "Reduction Mecanique A. Col...

Emile-Louis Picault (French,1833-1915) "Joueur de Luth" [Lute Player] Patinated Bronze Figural Sculpture, late 19th century, the standing figure in Renaissance style costume playing ...

After Paul Dubois (French, 1829-1905) "Le Chanteur Florentin" [The Florentine Singer] Patinated Bronze Sculpture, the standing singer resting on a pedestal whilst playing a lute, on ...

Georges Van der Straeten (Belgian, 1856-1941) "The Harpist" Patinated Bronze Sculpture, late 19th century, the elegant lady in a flowing dress holding a harp, on a square plinth sign...

Cigale (Cicada) by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with nuanced dark brown patina signed "A. Carrier-Belleuse" old edition cast France circa 1870 heigh...

"Alsace 1871". Bronze sculpture. Signed and dated 1879. Dim. Height: 48 cm.

Pierre-Marie POISSON (1876-1953) The Comedy Bronze sculpture with black patina signed on the base "P. Poisson" Cast by Valsuani (with the foundry stamp) Raised on a stone base Fra...

MASTER ANGEL Museum sculpture of the master of Mauer Austrian Danube Region Around 1500/20 Lime wood, carved full round Height 55 cm Provenance: Hofstätter Collection, Vienna The masterful sculpture was made in the workshop of the master of the altar of Mauer around 1500 in Lower Austria. It can be located in the context of the Danube school of the first third of the 16th century, was carved from limewood and is 55 cm tall. Since there are no attributes or context, it is an unknown figure of a carved altar. The master of the altar of Mauer is an anonymous Gothic carver who was active between 1500 and 1525 and received this so-called emergency name through the altar for the parish and pilgrimage church of Mauer near Melk. This winged altar was probably commissioned by Göttweig Abbey in the 1470s and is made of lime wood. It shows an expression in the transition from late Gothic to early Renaissance and is considered the most important carved altar in Lower Austria, created between 1510-15. The figure presented here is very related in its design to the figures of the altar of Mauer. In lively-moving form, the male figure turns his upper body to the right, with his head pointing upward, probably toward the sky. The right leg in lunge emerges from under the frock...