Carole A. Feuerman

Miniature Quan, Swimmer Sculpture by Carole Feuerman

2014

Artist: Marian Weisberg, American XXth Title: Opossum Year: circa 1969 Medium: Resin-cast Sculpture, signature inscribed on base Size: 7 x 7 x 3.5 in. (17.78 x 17.78 x 8.89 cm)

A mixed media sculpture by James Johnson from 2002. A pregnant female figure of epoxy resin with copper wings and a simian face. Artist: James Johnson Title: Monkey Girl 2 Year...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

Artist: Michael Stevens, American (1942 - 1989) Title: Chased Year: 1980 Medium: Hand-Carved and Painted Wood Sculpture, signed, titled and dated under base Size: 17.75 x 37 x...

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

Doug Aitken EveryThing, 2015 Mirror, Fibreglass & resin 92.5 x 119.5 x 12.5 inches Edition of 4 plus 2 AP's Provenance: NB: Available on sale

Tombem-ho Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies ...

Fent Front Assegut Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...