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David GilhoolyEmiliano Zapata / Frog Revolutionary1981
1981
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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Price Upon Request
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About the Item
Emiliano Zapata / Frog Revolutionary, 1981
By David Gilhooly (1943-2013)
20" x 11.5"
Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic works of animals, food and other subjects. He started his career in 1962 as an assistant to sculptor Robert Arneson, who ran the freewheeling TB-9 ceramics studio at UC Davis
Arneson and his students were iconoclasts who created works that poked fun at high culture and made them leaders in the Bay Area funk art movement.
Although he sculpted creatures from anteaters to zebras, Mr. Gilhooly made his popular reputation with an amusing amphibian.
He created green frogs - first as unusual handles for drinking cups and then as full-size residents of Frog World, a universe of figures with full histories and mythologies.
"Frogs are more fun than people," he told The Sacramento Bee in 1992. "You can't glaze people in colors."
Besides depictions ranging from Egyptian gods to Queen Victoria to the singing Andrews Sisters, Mr. Gilhooly sculpted frogs in frying pans, wedding cakes and other settings. He raised eyebrows with a frog crucifixion, a large work now belonging to the Crocker Art Museum.
"He was all about pushing buttons, in a way" Crocker associate director and chief curator Scott Shields said. "He was a fascinating character."
Mr. Gilhooly also created a cornucopia of ceramic foodstuffs, including fruit, vegetables, ice cream sundaes and towering Dagwood sandwiches. In addition, he sculpted with Plexiglas, printed and created collages and assemblages.
Shown for many years at the Candy Store Gallery in Folsom, his works were exhibited at major museums in the United States and Canada.
Many are in collections at the Oakland Museum of Art, San Francisco Museum of Modern Art and the Whitney Museum of American Art in New York.
The son of a veterinarian who graduated in the first animal husbandry class at UC Davis, David James Gilhooly III was born April 15, 1943, in Auburn. He grew up in California, Puerto Rico and the Virgin Islands before enrolling in biology at UC Davis in 1961.
He signed up for a ceramics class to impress a female art student and switched his major after attending an exhibition by painter Roy De Forest. He earned bachelor's and master's degree in art from UC Davis and had an early marriage that ended in divorce.
He taught in the 1970s and 1980s at universities in the United States and Canada, including UC Davis and California State University, Sacramento.
He reportedly was fired after two years at University of Saskatchewan for naming a pair of ceramic baboons after the art department chairman and his wife.
Mr. Gilhooly was married to Chang since 1983. He lived in Shingle Springs, Fort Bragg and Cameron Park before moving to Oregon in 1995.
"He just wanted to work and work and evolve as an artist," Chang said. "He wanted to live as many lifetimes in this lifetime as he could."
- Creator:David Gilhooly (1943, American)
- Creation Year:1981
- Dimensions:Height: 20 in (50.8 cm)Width: 11.5 in (29.21 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU747311384102
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By Luciano Minguzzi
Located in Missouri, MO
Luciano Minguzzi (Italian, 1911-2004)
Piccolo Guerriero (Little Warrior) c. 1950s
Bronze
Monogrammed and Numbered 1/5
Height From Base to Top: approx. 12" High
Bronze: 6 3/4 inches x 4W x 3D
Luciano Minguzzi was born in Bologna in 1911 and died in Milan in 2004. In 1943 he took part in the Fourth Quadrennial of Rome. In 1950 he was awarded the grand prize for sculpture at the XXV Venice Biennale, and attended again in 1952.
His works can be found at Museum of the Fabbrica del Duomo, in the Museum of Modern Art in the Vatican and in the Galleries of Modern Art in Rome, Milan, Bologna, Florence, Trieste, Verona, Carrara, Padova, as well as abroad and overseas.
Additional Biography (translated from Italian):
Luciano Minguzzi ( Bologna , 24 May 1911 - Milan , 30 May 2004 ) was a sculptor and medalist Italian .
Image of the exhibition Luciano Minguzzi: sculptures and gouaches 1950-1970 in the Romanesque cloister of the Cathedral of Prato ( Museo dell'Opera del Duomo ), 24 April - 24 May 1971. Photo by Paolo Monti .
Index:
He made his first experiences under the wise guidance of his father, also a sculptor , continuing his studies at the Academy of Fine Arts in Bologna following the engraving courses held by Giorgio Morandi , those of sculpture under the guidance of Ercole Drei , attending at ' university the lessons Roberto Longhi.
Thanks to a scholarship, he stayed in Paris and London , starting to exhibit in 1933 and already at the Roman Quadrennial of 1943 he obtained his first prize, which was followed by others including the Angelicum of 1946 and the first place ex aequo at the Biennale del 1950.
Immediately after the war he created the monument to the Partisan and the Partisan for his hometown , located near Porta Lame , in the area where an epic battle between Nazi-Fascists and partisans took place in 1944 .
The work, composed of two figures of young people - one of which armed - caught in a moment of great naturalness, was forged with cast bronze from the equestrian statue of Benito Mussolini (by Giuseppe Graziosi ) which was located inside the current "Renato Dall'Ara" Stadium, in turn made with some cannons stolen from the Austrians during the Bolognese Risorgimento uprisings of 1848.
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Signed on Back
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