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Katharina FritschSchlange / Snake1999/2001
1999/2001
About the Item
Katharina Fritsch
Schlange / Snake
1999/2001
Plastic, paint
7/8 x 7 1/2 x 3 3/8 inches; 2 x 19 x 9 cm
Edition of 240
Accompanied by a certificate of authenticity signed and numbered by the artist
Frame available upon request
Schlange / Snake first appeared as part of a group of objects displayed on a glass shelf in Katharina Fritsch’s 2001 exhibition at Tate Modern in London. Since then, the snake has been a recurrent motif in her work, including a version more than five feet long in her outdoor sculpture Figurengruppe / Group of Figures (2006–08), in the collection of the Museum of Modern Art in New York. In Fritsch’s work the snake is a culturally and psychologically evocative symbol of shared fears and superstitions often expressed in religious stories, folk tales, and legends.
Available from Matthew Marks Gallery, New York and Los Angeles
- Creator:Katharina Fritsch (1956, German)
- Creation Year:1999/2001
- Dimensions:Height: 0.88 in (2.24 cm)Width: 7.5 in (19.05 cm)Depth: 3.38 in (8.59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU59437524952
Katharina Fritsch
Katarina Fritsch (b. 1956, Essen, Germany) is a contemporary German sculptor known for her surreal, highly detailed, and often monochromatic sculptures that explore themes of mythology, consumer culture, and psychological symbolism. Fritsch studied at the Düsseldorf Academy of Fine Arts from 1977 to 1984, where she was influenced by German conceptualism and the legacy of Joseph Beuys. Her sculptures frequently depict everyday objects, animals, religious figures, and human forms, reimagined at unexpected scales and rendered in bold, uniform colors. These transformations give her works an uncanny, almost dreamlike presence. One of her most famous pieces, "Elephant" (1987), exemplifies her ability to make familiar figures feel strange and psychologically charged. Another iconic work, "Hahn/Cock" (2013), a giant blue rooster installed in London’s Trafalgar Square, plays with notions of power, national identity, and symbolism. Fritsch has exhibited extensively, including at the Venice Biennale (1995, 2011) and Documenta IX (1992), and her work is held in major collections such as the Museum of Modern Art (MoMA), Tate Modern, and the Art Institute of Chicago. Through her precise craftsmanship and conceptual depth, Fritsch continues to challenge perceptions of reality and meaning in contemporary sculpture.
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