Kevin Cranmer

Kwa-Giulth Thunderbird

1987

This artwork titled "The protectress" 1997 is a original stone cut with stencil on thin paper by noted Canadian Inuit artist Kakulu Saggiaktok, 1940-...

This artwork titled "The Drummer" 1993 is an original color lithograph on Wove paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 31/50 in pencil by the artist. The image size is 22 x 15.5 inches, sheet size is 30 x 22.5 inches, framed size is 39.5 x 31.5 inches. Custom framed in a dark wood frame, with off white backing. The artwork is in excellent condition, the frame has minor restorations and very light dents, barely visible. About the artist: Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer. Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston. Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak. The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day. Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation. While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...

A fine vintage Pacific Northwest Native wooden carving. The carving in the form of an hawk with red, black, white, and yellow tones set on a brown wooden board. By William Wasden Jr. Wasden was trained from a very young age in numerous artistic practices of the Kwakwa̱ka̱’wakw peoples including carving, jewelrymaking, and printing. As a high schooler, he began focusing primarily on preserving traditional singing after hearing his grandfather perform. Wasden currently teaches singing in Alert Bay on Cormorant Island, British Columbia. He also heads the Gwa'wina Dancer's Cultural Society, whose mission is to spread authentic Kwakwa̱ka̱’wakw culture & teachings. In Kwakwaka'wakw art, human faces are placed strategically on animal carvings to indicate the creature's supernatural ability to transform into a human form. Kwakwaka'wakw origin myths say that their ancestors were originally animals of various kinds who discarded their animal forms and transformed into humans. Simply a wonderful piece of Pacific Northwest Native art...

A strongly carved Figural Column by noted Coast Salish artist, Lance Joseph Joseph was born in 1957 in Vancouver, British Columbia, Canada. This carved figural totem, larger than l...