Ceramic Figurative Sculptures

Where's the revolution? is an original modern artwork realized by Maryam Pezeshki in 2007. Ceramic sculpture. Maryam Pezeshki was born in Tehran on August 18, 1977. SHe began to paint at the age of three. Her first painting was a Pinocchio. Participate in national and international painting competitions and festivals among Asian and Iranian children, winning first prize each time. At the age of ten she participated in a television program entitled "Little Great Artists". At the age of fourteen she won the prize for the best drawing and sculpture among Iranian teenagers, and she enrolled in the artistic high school, continuing to do her first personal exhibitions of sculpture, painting and drawing. From the age of seventeen to nineteen she won the national prize for best sculpture at the youth festival for three consecutive years. At seventeen he enrolled at the University of Art in the graphics sector and at twenty-one he graduated with full marks. In the same year she began studying for the master of graphics and managed to be among the seven students admitted. At the age of twenty-five she finished his studies and won a competition for teaching drawing and sculpture at the University of Art. In the meantime, visit the European and Indian museums...

Balloon Rabbit (Violet) 2019. Porcelain with metallic chromatic coating. Limited edition of 710/999 ex. Certificate of authenticity and the original b...

Oiseau à la Huppe, Picasso, ashtray, design, ceramic, animals, art, postwar Oiseau à la huppe Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel, bl...

Balloon Swan (Yellow) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed...

Picador, Pablo Picasso, Ashtray, Design, Sculpture, Ceramic, White, Edition Picador Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel D. 15.2 cm St...

Petits visages no.57, Picasso, 1960's, Postwar, Naif, Faces, Plate, Design Petits visages no.57 Ed. 50/150 pcs 1963 White earthenware clay, decoration in engobes and enamel under partial brushed glaze D. 27 cm Numbered and inscribed on the back: No.57, Edition Picasso, 50/150, Madoura Picasso : Catalogue of the edited ceramic works 1947-1971, by Alain Ramié, Editions Madoura, 1988, illustrated under no.468, p.244. Literature : Céramique de Picasso...

This small terracotta statue portrays a lady laying on a very sensual and athletic position. Is signed on the base Quinto M. Even if it's not dated, we can premusably suggest a perio...

Georges Braque - rare unique ceramic plate titled, “Hecate” (1962). Hecate was the Greek goddess of the moon and one of the main deities worshipped in Athenian households as a protective goddess who bestowed prosperity and daily blessings on the family. In “Metamorphoses de Braque” Rapael de Cuttolo describes how Braque became involved with Greek Mythology which was an important part of his oeuvre. The artist made numerous Lithographs and gouaches illustrating these subjects. In 1961 as a “Hommage to Braque” his jewels were presented at an exhibition at La Galerie Mollien du Musee du Louvre., and again, in 1965, at another special exhibition in New York. On page 121 it describes how Armand Israel, Georges Israel...

Ceramic planter, crystal blue eyes Edition 500 Signed, numbered, dated and embossed on the bottom New, as issued. Minor imperfections may appear due to the nature of the materials So...

Volpato or Cialli manufacture, molded by Lorenzo Weber, Pio VI blessing on horseback during the Cavalcata for the Possession English white terracotta of 45 x 29 x 17 cm, datable to...

From the series Salud Y Pesetas. It is a new series of works that, inspired by ancient Iberian archelogical artefacts, their findings and forgeries, unravel potential reinterpretatio...

Recycled Ceramic Wall mounted mosaic of Amy Winehouse By Susan Elliott Taking inspiration from the cupboards of the nation. Since moving to St Leonards from London, in 1999 Susan...

Balloon Animals, Collector's Set, Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art The six iconic Balloon Anim...

"Verführung" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our website to ...

"Innere Zerrissenheit" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our w...

"Empfangen" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our website to l...

Nickel clay

Scène de tauromachie, Picasso, 1950's, edition, earthenware, terracotta, scene Scène de tauromachie Ed.274/500 pcs 1957 Red earthenware clay, eng...

The drawings, with an apparently naive line and almost always in black and white, creates a very recognizable universe of his own around fragility, unconditional love and self-improv...

Recycled Ceramic on a life size resin human skull By Susan Elliott Taking inspiration from the cupboards of the nation. Since moving to St Leonards from London, in 1999 Susan Ell...

Tête de chèvre de profil, Picasso, 1950's, Plate, Goat, Animal, Design, Ceramic Tête de chèvre de profil Ed. 50 pcs 1950 White earthenware clay, decoration in oxidized paraffin and ...

Chouette, Picasso, Pitcher, Design, 1950's, Ceramic, Black and white, Animal Chouette femme Ed. 500 pcs 1951 Earthenware ceramic vase with engobe and ...

Terracotta Sculpture by Swedish artist Evert Lindfors (1927-2016), made in the 1970s. Evert moved to France in the 1940s where he studied at the École des Beaux-Arts in Paris. He wo...

Visage no.202, Picasso, 1960's, Portrait, Plate, Design, Edition, Ceramic, Naif Visage no.202 Ed. 111/500 1963 White earthenware clay, decoration in engobes and enamel under glaze D...

Unique terracotta sculpture Signed on the base

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Unique terracotta sculpture Signed on the base

Signed and dated. «Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...

Pichet Poule, by Pablo Picasso, Pitcher, 1950's, Design, Blue, Decoration Pichet Poule Ed. 500 pcs 1954 Shaped piece turned in white faience earth with blue oxide decoration on white enamel 13.5 x 17 x 10 cm Stamped under the base: Madoura plein feu, Edition Picasso, Edition Picasso, Madoura Catalogue Raisonné de l'oeuvre céramique de Picasso de 1947 à 1971, by Alain Ramié, Madoura, 1988, illustrated under no.250, p.133. For this ceramic, Picasso uses...

Pichet Têtes, Pablo Picasso, 1950's, Sculpture, Ceramic, Pitcher, Design Pichet têtes Ed. 500 pcs 1956 White earthenware clay, oxidized paraffin decorati...

Unique terracotta sculpture Signed on the base

Corrida sur fond noir, Picasso, Multiple, 1950's, Animal, Toros, Spanish, Plate Corrida sur fond noir Ed. 500 pcs 25.09.1953 White earthenware c...

Unique terracotta sculpture Signed on the base

Faune aux marottes, Picasso, 1950's, Earthenware, Unique work, 1950's, Design Faune aux marottes Unique work 1.12.1956 Earthenware, decoration with engobes and metallic oxides 15.1 ...

Unique terracotta sculpture Signed on the base

Visage à la grille, Picasso, Edition, 1950's, Face, Plate, White, Naif, Ceramic Visage à la grille Ed.100 pcs 1956 White earthenware clay, engobe decoration under partial brushed gl...

Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design Pichet Têtes Ed. 500 pcs 1956 White earthenware, decoration with oxidized par...

Visage, Picasso, 1950's, Unique work, sculpture, design, Frame, Portrait Visage Unique work 1957 Painted and partially glazed ceramic ; tomette 16.9 x 15.2 cm Certificate of authent...

Jean Ramié, Picasso, Unique Bowl, Earthenware, Design, Kitchen, French, Editions Jean Ramié, Maréchal des Logis de Réserve Unique work 1955 Earthenware, painted and glazed 21.1 x 5....

Visage dans un ovale, Multiple, Picasso, 1950's, Portrait, Abstract, Design Visage dans un ovale Ed. 100 pcs 08.04.1955 White earthenware clay, engobe ground engraved by knife under...

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

A 19th century terracotta statue of a North African carrying water by Joseph Le Guluche. The subjects of Joseph Le Guluche have a great presence, always very expressive, often in mo...

A powerful presentation piece, this stunning bust of Jean Bécu - Comtesse du Barry is both beautiful and tragic. Executed in terracotta that has been left natural and shows a complex...

In his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-...

Tête de faune, Picasso, Tile,Ceramic,Sculpture, Design, Postwar, Mythological Tête de faune Unique work circa 1968 Painted and partially glazed ceramic, square tile 15.2 x 15.2 cm C...

Paysage, Pablo Picasso, 1950's, Plate, Design, Ceramic, Figuratif, Editions Paysage Ed.200 pcs 08.12.1953 White earthenware clay, decoration in engobes, knife engraved, under glaze ...

Artwork made in white clay

In his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-...

Signed and dated. «It was you that put your foot into my habitat» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works com...

Profil de Jacqueline, Pablo Picasso, Edition, 1950's, Monochrome, Design, Plat Profil de Jacqueline Ed. 100 pcs 22.01.1956 White earthenware clay D. 42 cm Stamped on the back: Empre...

Recycled Ceramic Wall mounted mosaic of Amy Winehouse By Susan Elliott Taking inspiration from the cupboards of the nation. Since moving to St Leonards from London, in 1999 Susan...

Pichet Poisson, Pablo Picasso, Ceramic, Madoura Vallauris, Fish, Sculpture, 50's Pichet Poisson Ed. 500 pcs 13.5 x 22.5 x 9 cm Red earthenware clay, de...

In his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-...

Picador, by Pablo Picasso, 1950's, Bowl, Sculpture, Design, Edition, Earthenware Picador Ed. 500 pcs 1955 White earthenware clay, decoration in engobes and paraffin, white enamel 12...

White Earthenware 49 x 30 x 15 cm 19 1/4 x 11 3/4 x 5 7/8 in ----------- "Working as a hybrid artist and curator, the core of my practice is unpicking the work of establishment organ...

Young Wood Owl, Pablo Picasso, 1950's, Multiples, Design, Postwar, Pitcher Young wood-owl Ed. 500 pcs 1952 White earthenware clay, partly polychromed and glazed 26.5 x 9.5 cm Stampe...

Taureau gravé, Pablo Picasso, 1940's, plate, Sculpture, Design, Bull Taureau gravé Ed. 84/200 pcs 1947 White earthenware clay, engobe decoration, engraved under yellow glaze 32 x 39...

In his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-...