Michael Ayrton

Reflex I

1965

Edition of 12

Oil on canvas 88.9 x 130.1 cm.; 35 x 51 1/4 inches Signed, lower right

This charcoal and gouache still-life is signed by Barnabè in the lower right. In 1959, French art critic Michel Concil-Lacoste, in the newspaper Le Monde, expressed his views on Bar...

This watercolor of New York City bursting with energy in the 1960s is typical of Lersy's colorful and exuberant style. His work combines mid-century Modern abstraction with subjects...

This exuberantly-painted Parisian street scene is typical of Lersy's colorful and energetic style. His work combines mid-century Modern abstraction with subjects beloved by the Impre...

The painting is signed at the lower right by Barnabè. In 1959, French art critic Michel Concil-Lacoste, in the newspaper Le Monde, expressed his views on Barnabè: "Barnabè is a pain...

Elegant pair of gilt bronze heron sculptures . The item will be well-suited to either an indoor or outdoor setting.

Elegant pair of gilt bronze heron sculptures . The item will be well-suited to either an indoor or outdoor setting.

Fantastic pair of gilt bronze leopard sculptures . The item will be well-suited to either an indoor or outdoor setting.

An untitled signed bronze sculpture by the Mexican artist, Victor Salmones (1937 - 1989) from an edition of 10. Numbered 1 of 10. Signature "Victor Salmones. 1/10" in cast. In excellent original condition. Victor Salmones (1937-1989) was the most widely known sculptor living and working in Mexico during his lifetime. His sculptures won him universal acclaim and are held in the collections of museums, corporations, cities, universities and private collectors in some 30 countries. During his career, he was highly sought after and increasingly involved in the execution of commissions for major public works around the world. Salmones developed his love and talent for creating sculpture by working with clay in high school. He attended the Instituto de Bellas Artes (Mexican National Institute of Fine Arts), where he was an apprentice to the Bauhaus master, Otto Hoffman. He was trained to use the exacting, age-old lost wax method of casting and worked principally in bronze. Hoffman's encouragement led to the opening of Victor's own sculpture workshop in Cuernavaca in 1966. In 1967, Salmones’ fluid bronze “Adam” won first prize at the Biennale Exposition of the National Museum of Modern Art. His work continued to win the highest critical acclaim at subsequent Biennale expositions, and in 1971, over hundreds of entries, his life-size bronze Narcissus...

Group of bronze skeleton sculptures having a passionate conversation. Very detailed. The kneeling figure has working jaw. By American sculptor David W...

Pierre Traverse Archer and Centaur c. 1969 Bronze 17 x 16 x 7 in, 45 x 41 x 17 cm It is signed by the artist and is an "Epreuve d'artiste" (EA) 3/4 Edition 3/4