
After da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali...
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Nicholas CrombachAfter da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali...2016
2016
About the Item
- Creator:Nicholas Crombach (1989, Canadian)
- Creation Year:2016
- Dimensions:Height: 12 in (30.48 cm)Width: 8 in (20.32 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4762195323
Nicholas Crombach (BFA, 2012) currently works in Kingston, Ontario. He has been awarded the Elizabeth Greenshields Foundation Award and is the recipient of grants from the Toronto Arts Council, The Ontario Arts Council, and Canada Council for the Arts. In 2017 Crombach presented a solo exhibition, Behind Elegantly Carved Wooden Doors, at Art Mûr Montreal receiving reviews in Border Crossings Magazine (summer 2018) and Vie des Arts (Winter 2017-18). His solo exhibition, The End of the Chase, travelled in 2018-2019, exhibiting at New Art Projects in London UK, Art Mûr Berlin and Art Mûr Montréal. In 2019 Crombach produced an exhibition of collaborative works with artist Nurielle Stern entitled Whale Fall, presented at The Canadian Clay and Glass Gallery in Waterloo. He has been awarded several major commissions for public sculpture, including Billy, Nanny, and the Kids, in Burlington, ON, and Horse and Cart located in Victoria Park, Kingston, ON. He is currently working on Flock, for Niagara Falls Exchange in Niagara Falls, ON and Wind Vane for Florence Carlyle Park in Woodstock, ON. In 2016-2017 Crombach participated in a year-long residency at The Florence Trust (London, UK), and most recently was artist-in-residence at The Studios at MASS MoCA (July 2022) in North Adams, Massachusetts.
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View AllUnnamed
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...
Category
2010s Contemporary Figurative Sculptures
Materials
Resin, Paint
Extrapolation 4
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Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Figurative Sculptures
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Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
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Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
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By Guillaume Lachapelle
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Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Figurative Sculptures
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