Seth Clark

"Neighborling Maquette 28" Patterned Architectural Tower Figure by Seth Clark

2025

This piece, titled "Neighborling Maquette 26" s an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating stru...

This piece, titled "Neighborling Maquette 25" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating str...

This piece, titled "Neighborling Maquette 23" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating st...

This piece, titled "Neighborling Maquette 29" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating st...

Pyxis Bronze and Red Pigment 13" x 14" x 9" Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...

A wonderful example of an abstract ceramic or sculpture in blue, referred to as a bird house or face vase, by Indian / American artist Gerry Williams (1926-2014). Williams was born in India from American parents, and eventually set up a studio and became a longtime resident of Dunbarton, New Hampshire. Williams took his first pottery lessons from master ceramic artist Vivika Heino at the League of New Hampshire Craftsmen in the late 1940s. He became a juried member of the League in 1952. New Hampshire Governor Jeanne Shaheen named Williams the state’s first artist...

-----This ceramic totem sculpture is a more minimal expression than usual The simplicity emphasizes the subtle translucent blu glaze and its strong support colors. The adaptation to...

Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...