Keith Haring

Keith Haring 'Untitled' Vase 1989

1989

PABLO PICASSO (1881-1973) Tête de chèvre de profil (A. R. 109 V) Terre de faïence plate, 1950, unglazed, aside from the editions A. R. 109 a...

PABLO PICASSO (1881-1973) Service visage noir (A. R. 42) Terre de faïence plate, painted in colors and glazed, 1948, inscribed 'G', with the Edition Pica...

PABLO PICASSO (1881-1973) Vase deux anses hautes (A. R. 213) Terre de faïence vase, 1953, from the edition of 400, inscribed 'Edition Picasso'...

PABLO PICASSO (1881-1973) Oiseau No. 83 (A. R. 483) Terre de faïence plate, 1963, numbered 183/200, titled, inscribed 'Edition Picasso' and 'Madoura', partially glazed and painted.

PABLO PICASSO (1881-1973) Motif spiralé (A. R. 404) Terre de faïence plate, 1957, numbered 71/500, with the workshop numbering, incised 'Edition Picasso' and 'Madoura', partially p...

PABLO PICASSO (1881-1973) Picador (A. R. 202 V) Terre-de-faïence plate, 1953, unique prototype molded and painted by Picasso before the edition of 300. With the Madoura Plein Feu ...

The artist grew up in the French Alps, in the heart of the mountains, on the Italian border. I keep a love of nature, wide open spaces, silence. Her work is imbued with these organic...

Earthenware, 1986 Publisher : Atelier de Segries (Moustiers-Sainte-Marie) Diameter: 25cm The energy of the artist's gesture can be seen in the peta...

Created in 1953, ceramic Picador A.R. 200 is a round plate of white earthenware clay with oxidized paraffin decoration (brown, green, white) in a stanniferous enamel bath...

Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the Col...

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.