Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Mark Morrison
Monkey

ca. 1940

$4,000
$8,00050% Off
£3,020.37
£6,040.7450% Off
€3,504.25
€7,008.5050% Off
CA$5,621.26
CA$11,242.5150% Off
A$6,262.87
A$12,525.7550% Off
CHF 3,269.52
CHF 6,539.0350% Off
MX$76,039.63
MX$152,079.2650% Off
NOK 41,095.69
NOK 82,191.3750% Off
SEK 38,845.41
SEK 77,690.8150% Off
DKK 26,158.81
DKK 52,317.6250% Off

About the Item

Mark Morrison (1895-1964) Monkey, ca. 1940 Carved New Hampshire granite 8.5" by 5", height is 16.5" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Education: University of Missouri John Flannagan, mentoring and private instruction ca. 1940 Art Students League with William Zorach and Jose de Creeft Exhibited: Sculpture Guild Annuals Audubon Artists Annuals National Academy of Design Annuals Pennsylvania Academy Annuals Metropolitan Museum Artists for Victory, 1942. Newark Fine Arts Museum Whitney Annuals International Exhibition, Fairmount Park, Phila. 1950 Nebraska Fine Arts Metropolitan Museum Exhibition, 1951 Boston Arts Festival National Sculpture Society Annuals Memberships: Sculpture Guild, Inc. Audubon Artists Awards: Ellen Prince Speyer Award, N.A. 1950 Architects League of New York, Avery Award, 1958, 1959. Museum Collections: Metropolitan Museum of Art National Academy of Design Pennsylvania Academy of Fine Arts Whitney Museum of American Art. Museum of Fine Arts, University of Arizona Mark Morrison began his life as a sculptor while nearing his professional retirement. In the late 1930s and into the 1940s, he like many of the younger artists in New York City availed himself to the great many academies, museums, teachers and mentors it offered. He studied with John Flannagan before his death, and then Jose de Creeft and Williams Zorach at the Art Students League. Having an attraction and aptitude for the ideas of the direct carving movement and good thorough craft, he took advantage of the growing public interest in a new American sculpture, and worked quickly to become a contemporary of his teachers. Through the 1950s, he exhibited with them, sold, entered competitions, and won awards. He was a sculptor with a sure hand, a head for academy, patience, and promise. Morrison died suddenly in October 1964 having had just married his second wife earlier the same year. Mrs. Mark Morrison would offer a small piece for one more exhibition with a Sculptors Guild in 1965. The work was never seen again until 2025. Morrison was born on New Year’s Day in 1895 in Kingfisher, Oklahoma, a small rural city not yet a part of the Union. The only child of a Protestant minister, and one of only 16 that in 1913 would graduate from his high school in Higginsville, Missouri. He studied agriculture at the University of Missouri, at some point leaving to enlist in the army. He would reach the rank of Major. After the war, he married his first wife, moved to New York and began work for Tidewater Oil. He worked with them until 1954, retiring as a vice president. At the time he was living at 8 W. 13th St., his studio already set up in a corner of the basement in his apartment building. The earliest exhibition on record for a work by Morrison was the Artists for Victory show at the Metropolitan Museum, 1942. Earlier the same year, John Flanagan committed suicide. The death was a terrible blow. Flannagan had been a profound influence, sharing both technical instruction and philosophical guidance. The importance of their friendship during the 1930's cannot be overemphasized. Morrison is part of Flannagan's artistic legacy, his only known pupil during the mythical sculptor's short life. Born in the same year of 1895, both artists came to NYC from rural regions of the US: Oklahoma and North Dakota respectively. In contrast to Morrison's stable life, Flannagan was a deeply troubled, difficult, impatient and unpredictable man. To have considered mentoring Morrison, his teacher must have seen a kindred spirit and artist of extraordinary potential. In turn, Morrison must have been a sympathetic and patient pupil who recognized the importance of overlooking personal shortcomings for the invaluable instruction of an artistic genius. Morrison did not show regularly for almost 10 years spending this time educating himself, exhibiting here and there. He continued his sculpture studies at the Art Student League with Zorach and de Creeft, spending most nights working stones in his studio. His mature style would become clearly realized by 1950, a synthesis of the naïve and the sophisticated, what Flanagan called "the image in the rock", and the polished fluid marbles of Zorach. Black Swan was featured in the Sculptors Guild exhibition "In Time and Place" at the Museum of Natural History in March 1952. And exhibit pushing those points in their mission to assist the public to fuller appreciation of sculpture, and that the sculpture and the architecture of buildings may again be planned simultaneous and homogeneously. Morrison's swan was the centerpiece of the modern living room designed by Earnshaw, Inc. In the same hall of the museum one year earlier Morrison and other members of the group demonstrated process at work in seven makeshift studios. He would continue to exhibit in Guild annuals and Audubon Artist annuals. His sculpture "Gosling" was given a special honorable mention from the Architects League in the Avery Competition of 1958, runner up to Zorach. In 1959, when he showed "Grasshopper" he won outright. He had moved his studio to a larger more private space a few blocks away in Greenwich Village. By 1964 his work had become larger in scale, his groupings more challenging and lively, more considerate of light and the nature of the stone itself. He had lost weight and for a man of nearly 70 years old was in very good health. His death was unexpected and unfortunate, probably of a stroke . His legacy has survived, largely unknown until now in a small ranch in upstate New York.
  • Creator:
    Mark Morrison (1895 - 1964, American)
  • Creation Year:
    ca. 1940
  • Dimensions:
    Height: 16.5 in (41.91 cm)Width: 5 in (12.7 cm)Depth: 8 in (20.32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Wilton Manors, FL
  • Reference Number:
    1stDibs: LU245216297612

More From This Seller

View All
Baboon
Located in Wilton Manors, FL
Mark Morrison (1895-1964) Baboon, ca. 1940 Carved and weathered Walnut 12" wide, 12" deep, height is 26.5" Please note the bottom surface is not perfectly flat and the piece lean...
Category

Mid-20th Century Realist Sculptures

Materials

Walnut

Baboon
$2,500 Sale Price
50% Off
Madonna
Located in Wilton Manors, FL
Mark Morrison (1895-1964) Madonna, ca. 1940 Carved stone 7" wide, 5" deep, height is 4.5" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Education: Univers...
Category

Mid-20th Century Realist Sculptures

Materials

Stone

Madonna
$1,600 Sale Price
60% Off
Chipmunk
Located in Wilton Manors, FL
Mark Morrison (1895-1964) Chipmunk, ca. 1940 Italian granite 5" by 4", height is 4 1/8" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Education: Universit...
Category

Mid-20th Century Realist Sculptures

Materials

Stone

Cinnamon Bear
Located in Wilton Manors, FL
Mark Morrison (1895-1964) Cinnamon Bear, ca. 1950 Carved red granite 11" wide, 11" deep, height (including wood base) is 15" Provenance: Estate of Mrs. Mark Morrison. Born: ...
Category

Mid-20th Century Realist Sculptures

Materials

Granite

Cinnamon Bear
$2,500 Sale Price
50% Off
Embryo Lizard
Located in Wilton Manors, FL
Mark Morrison (1895-1964) Embryo, ca. 1940. Carved Italian granite. 12.5" wide, 8.5" deep, height is 5" Measurement are for stone form alone. It sits 12.5 inches tall at a pitch ...
Category

Mid-20th Century Realist Sculptures

Materials

Granite

Embryo Lizard
$2,400 Sale Price
40% Off
Platypuses
Located in Wilton Manors, FL
Mark Morrison (1895-1964) Platypuses, ca. 1940 Granite 10.25" wide, 8" deep, height is 20.5" Very heavy, dense stone. Weighs approx. 125-150 lbs. Provenance: Estate of Mrs. M...
Category

Mid-20th Century Realist Sculptures

Materials

Granite

Platypuses
$4,000 Sale Price
50% Off

You May Also Like

WTF 2 1/99
By Giuseppe Palumbo
Located in Napa, CA
Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pa...
Category

2010s Contemporary Figurative Sculptures

Materials

Bronze

Observation
By Gerald Balciar
Located in Colorado Springs, CO
Artist has inscribed their signature and edition number on the bronze base of this sculpture. 16/20
Category

21st Century and Contemporary Realist Sculptures

Materials

Bronze

Untitled
Located in Vancouver, CA
Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...
Category

1990s Abstract Figurative Sculptures

Materials

Marble

Take a Look-See
By Gerald Balciar
Located in Colorado Springs, CO
Signed/inscribed by Artist on bronze base of the sculpture with an edition number. 37/100
Category

21st Century and Contemporary Realist Sculptures

Materials

Bronze

Angustia vital
Located in Barcelona, BARCELONA
Certificate of authenticity Included (issued by gallery)
Category

1980s Abstract Sculptures

Materials

Wood

Gorille
By Jorge Borras
Located in Pasadena, CA
After completing his studies at the Royal Catalan Academy of Fine Arts in Sant Jordi, Barcelona, Jorge Borrás moved to France1. His works, especially his bronzes, are sold in major auctions mainly in France (Versailles, Drouot, Saint Germain En Laye, Enghien les Bains, etc. June 30, 1992, two bronzes were sold at Christie's in London) 2. They are exhibited in Parisian salons such as the Salon d'automne3, the Salon des artistes français, the Salon des Independants the exhibitions of the National Society of Fine Arts, the Salon de l'école française [ref. necessary]. He received the Arts-Sciences-Lettresn 1 Medal and is a member of the International Association of Visual Arts (affiliated with UNESCO). In addition, he produced a series of medals and sculptures for the Monnaie de Paris, and various achievements such as the bust of Dr. Coll Colomé, a monument erected in Benicarlo (Spain) and publishing covers including the novel by Jean-Marc Roberts Vincent's friend. The work of Jorge Borrás is a tribute to the woman [ref. necessary]. Her favorite themes are ballerinas and bathers as well as women in everyday attitudes. Wild animals, some endangered, are also very present in the work of Jorge Borrás, especially in recent years where he takes great pleasure in capturing the wild moment of his attitudes. Passionate about drawing, he began painting at the age of ten and made his first exhibition at the age of twenty. At the School of Fine Arts in Barcelona, he discovered sculpture with Luisa Granero and studied painting and sculpture. The students the drawing section, of the great master of Spanish painting and portrait painter Francisco Ribera Gomez...
Category

2010s Contemporary Figurative Sculptures

Materials

Bronze

Gorille
$8,800 Sale Price
20% Off