Mixed Media Sculptures

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

"Memento Morididdle Movement #111" is an original hand-cut paper sculpture in a found frame by Charles Clary. This piece measures 13in x 15in x 3.5in. Bio // Charles Clary was born...

"Transmission #1 2-2" is an original hand-cut wood collage by Matt R. Phillips measuring 20"h x 13"w. The piece ships in the pictured, artist-made, wood floater frame. The artist us...

This wall hanging piece represents a blue heart with other organic shapes such as flowers and thorns. The artist uses clay, blue and gold glaze, as well as copper and velvet.

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

The Big Door (La Grande Porta) is an original Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Relief ...

Untitled 03, 2016 Mixed media on metal sheet Signed on reverse 70,8 H × 39,4 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of etch...

Original, oil and wire on board. Russell West’s intensely coloured, dripping paint artworks draw the eye into a three-dimensional labyrinth of layers and hollows, colours and patter...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

“Ballet Pink Folds” is a light pink/flesh colored wall sculpture made with burlap on linen. The folds are carefully arranged from a single piece of burlap. This creates a dynamic art...

Ukrainian conceptual artist Dunja Jankovic focuses her work on screen printing, which serves as her primary method of production. She begins with paper that has been treated with wax...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Acrylic paint and aluminum leaf on acrylic glass. 36" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

Phillip King Yellow Disc, 2007 Hand painted steel on a marble base Signed and numbered 21/35 on base. Provenance: Bernard Jacobson Gallery, London Private Collection, UK 5 3/5 × 12 ...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Ukrainian conceptual artist Dunja Jankovic focuses her work on screen printing, which serves as her primary method of production. She begins with paper that has been treated with wax...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Abstract composition in white is a sculpture realized by Tonino Maurizi, in 2022. 28x16 cm. Handsigned in felt-tip pen. Ecellent conditions Tonino Maurizi (1940): painter, sculptor, designer, cabinetmaker, Tonino Maurizi lives and works in Montecosaro, where he was born on 19 February 1940. He graduated from the Art Institute of Macerata together with enterprising and creative students such as Dante...

Abstract composition in white is a sculpture realized by Tonino Maurizi, in 2000s. 28x21 cm. Hand signed in felt-tip pen. Ecellent conditions Tonino Maurizi (1940): painter, sculptor, designer, cabinetmaker, Tonino Maurizi lives and works in Montecosaro, where he was born on 19 February 1940. He graduated from the Art Institute of Macerata together with enterprising and creative students such as Dante Ferretti...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

"White Washed" by Joan Giordano Mixed media, archival newspapers, photographs, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...

"The World in a Grain of Sand" by Joan Giordano Mixed media, international archival newspapers, encaustic on canvas Museum shown and collected artist Joan Giordano is known for her ...

Ukrainian conceptual artist Dunja Jankovic focuses her work on screen printing, which serves as her primary method of production. She begins with paper that has been treated with wax...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Red, purple, and blue modernist biomorphic mobile sculpture by Jon Jon Krawczyk. Signed by the artist at the bottom of the piece. Artist Biography: A graduate of Connecticut College, Krawczyk has studied fine art throughout Europe and apprenticed with various acclaimed sculptors. He realizes his biomorphic sculptures by cutting sheet stainless steel or bronze and welding, pounding and shaping with focused heat. Each sculpture is therefore unique, as the works are never cast from a mold. Krawczyk draws inspiration from artists such as Picasso, Henry Moore and David Smith. He is not only influenced by the obvious masterful techniques of these artists, but also by their philosophies of the sculptural process. Jon Krawczyk works in stainless steel, either brushed or highly polished, and in bronze, to which he applies intense patinas of earth tones and bright blues and greens. These works appear to have the geological marks of boulders, as sentinels that look comfortable in natural environments, can be abstract tendrils or wispy smoke-like forms that defy gravity, or long, thin, yet powerful lines that seem to jump into the sky. His most recent highly polished stainless steel sculptures...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhered to canvas in a range of ...

Ukrainian conceptual artist Dunja Jankovic focuses her work on screen printing, which serves as her primary method of production. She begins with paper that has been treated with wax...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Ukrainian conceptual artist Dunja Jankovic focuses her work on screen printing, which serves as her primary method of production. She begins with paper that has been treated with wax...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

"Wandering Bonanza 19" is an original Lost Object Series assembly with string by Amsterdam-based artist X-O (Hyland Mather) measuring 20in x 16in x 2in.

Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

This is a very rare piece of Israeli Studio Ceramics art from the 70s. it has a patina of dust on it but I have left it as is. it is signed Sharir and dated 1975. Studio pottery is pottery made by amateur or professional artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium. Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London, International Sculpture Objects & Functional Art Fair (SOFA) Chicago and International Sculpture Objects & Functional Art Fair (SOFA) New York which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams and Sothebys. Possibly David Sharir but I have found nothing similar. Lucie Rie, Hans Coper Elizabeth Fritsch, Ruth Duckworth began to experiment\abstract ceramic objects, varied surface and glaze effects to critical acclaim. European artists coming to the United States contributed to the public appreciation of pottery as art, and included Marguerite Wildenhain, Maija Grotell, Susi Singer and Gertrude and Otto Natzler. Significant studio potters in the United States include Otto and Vivika Heino, Warren MacKenzie, Paul Soldner, Peter Voulkos and Beatrice Wood. The Israeli ceramics...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Acrylic paint and aluminum leaf on acrylic glass. 36" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Artwork made in latex washes, enamel, birch & lacquer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art ...

Untitled Steel Mesh I 2012, Jin-Sook So, steel mesh, painted, electroplated silver and gold leaf, 31.5" x 52.75" x 6.25", 2012. This abstract geometric wall sculpture was done by fi...