Miniature Nude Sculptures

Donne V by Nando Kallweit Elegant bronze sculpture of 3 female figures. Edition of 25 Dimensions: 26 x 19 x 7cm

This sculpture is made out of bronze, by Dutch artist Martijn Soontiens. De sculpture stands on a natural stone base. His male dancing sculptures are about moving and movement. Ar...

This is a one of a kind original figurative sculpture by San Diego artist, Susan Hawkins. Its dimensions are 9x8.5x.2.25. It is made of bronze. A certificate of authenticity will fol...

Andries Velting is a new artist at Gallerie Bonnard. His moving sculptures of dancers are a special addition tot our existing collection. Velting say...

Nando Kallweit Steff unique bronze sculpture Dimensions: 14cm tall Serial Unique

Edition of 12

Max Kalish The Road Builder inscribed M. KALISH 23, with Meroni-Radice foundry mark, on top of base bronze with dark brown patina, on an ebonized rectangular plinth Height: 13 1/8 in. not including base Provenance: Spanierman Gallery, New York BIO Max Kalish (1891 – 1945) Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

Provenance Acquired by the gallery directly from the artist Exhibitions Exhibited at the Los Angeles Art Show 2014, January 15-19, 2014

This delicately balanced, female nude figure is patinated in a dark blue and black tone. Available by commission in an edition of 8, this piece is 1/8. A former student of philosop...

Vinyl 10 × 4 × 3 in 25.4 × 10.2 × 7.6 cm Edition of 1000 Medium Sculpture Condition Figure is in pristine condition and has never been displayed. The box is also in Mint Condition. Signature Signed in plate, • Printed signature under foot. Certificate of authenticity Included (one issued by gallery; one issued by authorized authenticating body) Frame Not included Series "Stop Being Poor...

Jean Garnier (1853-1910) Art Nouveau Bronze Sculpture circa 1890s A Fine bronze sculpture by listed French artist Jean Garnier. A young nude woman with long flowing hair and a tamb...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

Sculptor, engraver and medallist. Serge Zelikson received his secondary artistic education in his native country. In 1914 he arrived in Paris, where he studied at the Ecole des Beaux...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Contemporary bronze sculpture on a marble base made by Polish artist Ryszard Piotrowski. The artwork depicts human figure in an acrobatic pose. It is very dynamic. The surface is tex...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Balancing, Mother and child signed and editioned 1/6 mounted on black marble plinth 14"h x 11.5"w x 8"d (height w...

"Amazon", Nude Walking Woman Looking on the Side Figurative Bronze Sculpture. Passionate about the spirit, with her timeless and universal expression in the heart of the human condition, the artist Isabelle Jeandot...

Women figure. I 2013, porcelain, h 17,5 cm by Ilona Romule, leading sculptor in Latvia ''Women Figure" in porcelain is a small-scale sculpture that emb...

Jose Marmol "An American Marriage" Hand signed and dated Painted bronze Provenance: Allan Stone Gallery, New York. It came with an inlaid art deco box also signed Marmol. I cannot find any conclusive biography of the artist. Allan Stone (1932–2006) was a legendary American art dealer, collector, and leading authority on Abstract Expressionism. In 1960, he founded the Allan Stone Gallery where he became renowned for his early advocacy of preeminent 20th-century artists. He championed artists such as John Chamberlain, Joseph Cornell, Willem de Kooning, Richard Estes, Arshile Gorky, John Graham, Eva Hesse, Franz Kline, Yasuhide Kobashi, Wayne Thiebaud, and Jack Whitten. He was also known for his zealous and eclectic approach to art collecting, amassing a collection that spanned painting, sculpture, assemblage, collage, folk art, Art Nouveau, Art Deco, furniture, mechanical parts, signs, and bugatti cars. At the time of his death, he had the largest collection of African and Oceanic art in private hands. His clientele included Robert Mallary, John Chamberlain, and Elaine de Kooning, During the gallery's first decade Stone showed established luminaries such as Willem de Kooning, César, Franz Kline, John Chamberlain, Barnett Newman, and Alfred Leslie. He gave first or early shows to Arman, Robert Arneson, Richard Estes, Dorothy Grebenak,Eva Hesse, Robert Ryman, Wayne Thiebaud, and Jack Whitten. The Allan Stone Gallery was one of the few that would see artists and their work without an appointment—a vital lifeline for the inexperienced and unconnected. It was also unconventional in its frequent showings of unknown woman artists and artists of color, such as Eva Hesse, Gerald Jackson, Jack Whitten, Elizabeth King, Sue Miller, Sylvia Lark, Kazuko Inoue, Diana Moore, Oliver Lee Jackson, Mary Lovelace O'Neal and Lorraine...

Bronze sculpture with wooden base. Signed and dated under the base. Certificate of authenticity signed by the artist,

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

Michael Ayrton (1921-1975) Girl Wringing out her Hair Patinated bronze, 1962 26cm in height Michael Ayrton was a British artist and writer, renowned as...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo Sculpture (Alexandros of Antioch)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic Painted Cast Marble Sculpture Dimensions: 15.75" tall x 4.38" wide x 4.38" deep Weight: 5.4 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. The Venus de Milo is an ancient Greek sculpture that was created during the Hellenistic period, sometime between 150 and 125 BC. It is one of the most famous works of ancient Greek sculpture, having been prominently displayed at the Louvre Museum since shortly after the statue was rediscovered on the island of Milos...

Provenance Acquired by the gallery directly from the artist Artist Statement “Ray Bradbury never ceases to inspire me. While working with him, I saw his ...

Allen Jones (1937) Chest (1968) Sculpture. Silkscreen print on fiberglass published by Xartcollection 14 3/5 × 10 1/5 × 4 7/10 in 37 × 26 × 12 cm An iconic example of Jones's early w...

Ian Edwards - The Hour of Darkness - Original Signed Bronze Sculpure Dimensions: 40 x 31 x 31 cm Edition of 8 Edwards’ practice expresses the power and determination of human endea...

Suspended in air, this lone figure floats in a curled pose with hands clasped . This dynamic and innovative sculpture challenges our perception of space while captivating the imagination. This sculpture hangs from the ceiling by an adjustable wire and can be installed in the middle of a room or over a buffet or credenza. The possibilities for placement are endless. This artwork can be paired with Flight I as shown in the photos, Also available on 1stDibs. Jesús Curiá Perez Dance IV...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate (see photo) Kuhn’s sculptures were collected...

A superb bronze cast of Edgar Degas’ iconic dancer, Danseuse agrafant l’épaulette de son corsage presents a moment of disarming intimacy: a young ballerina absorbed in adjusting the ...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 20...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

A tabletop-sized solid bronze casting of Michelangelo's "Winged David", on a solid marble base. You can see his giant-killer sling "slung" over his shoulder. Fine detail. This came out of a collection of neoclassical grand tour souvenirs, owned by collector Daniel Glaser of New Orleans, Louisiana (from his estate). Back in the day, wealthy travelers in Europe often purchased sculptures and other mementos of the sites they visited. We have several other pieces from this collection in addition to this, including "Discobolus" and a fine gladiator with lance. Proudly presented by Guy Lyman Fine Art...

Hans Harders (1875 Mörel - 1955 Berlin), Boy playing the shawm, around 1930. Dark patinated bronze with round plinth on a black marble base (2 cm high), t...

Nude kneeling by Baltasar LOBO (1910-1993) A bronze sculpture with an old gilded patina Signed on the lower side " Lobo " Cast by " Susse Fondeur Paris " (with the foundry mark) Art...

Scy Colorado / Texas Artist Image Size: 12" Medium: Bronze "Antica" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Naturalistic sculpture of a woman standing and holding a small calf. The sculpture is signed "Happy Birthday 1976" and "W. R. Stevenson" on one side of the base. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Bacchante by Charles DESPIAU (1874-1946) Sculpture in bronze with nuanced dark brown patina Signed at the back "C. Despiau" Cast by Alexis RUDIER France Vers 1930 Height 23 cm Width 18 cm Depth 13 cm The plaster model of "Bacchante" was exhibited in 1909 at the Salon of the Société Nationale des Beaux-Arts. Charles Despiau produced several variants of this work, including the one presented here. Among other known versions, there is one cast with the right leg cut off, four casts with the torso alone and eight casts with the raised leg (1929). Bibliography : "Charles Albert Despiau", Collections du musée...

Jenik Cook Handmade ceramic vase or pot sculpture Hand signed by the artist. Fired clay with a luster bronze painted finish Jenik Esterm Simonian Cook is a painter and ceramicist ...

Standing Nude 97. Signed and numbered on base Cam '97, edition 6/6. Very good condition. Measures 18" H. base about 6x6 inches Cameron Douglas was born in Perth, Scotland in 1957 ...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

'In the manner of' Aristide Maillol 1861-1944, was a French sculptor, painter and print maker. Maillol predominantly was a painter and weaver of tapestry, however Gaugin advised him ...

Sofia is a limited edition bronze sculpture with a brass plating and a mild steel base.

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

Donato Gramegna Figure Of Woman in Bronze with rectangular marble base. Depicts a seated nude woman with legs flexed, in excellent condition except for minimal chipping at the corner...

Light relief. Hug Litofany, bone porcelain, diam. 31 cm Lithophane is a technique where an image is created by manipulating the varying degrees of translucency in porcelain. This c...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

The Torso of a King (König) is an elegant figurative bronze sculpture of the male form complete with Egyptian crown by Nando Kallweit.  He is often accompanied by his partner the Tor...

Sculpture - original. Numbered 1/4. Founder GODAR. Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the en...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Morning 2008, painted porcelain bowl, 30х27.5х12 cm ''Morning'' is a visually striking piece of art, combining intricate hand-painted details, a nude female figure, and the bloomin...

Kitade’s search for the universal common ground in life, even in conflict. ‘Conflict is part of human nature, there is always a Side A and Side B in life and in this show it is the s...

Water 2009, painted porcelain plate, 39х19х2.5 cm Water is a captivating and evocative painted porcelain plate. It combines artistic craftsmanship, a romantic theme, and the allure ...

Figurative sculpture of a nude female figure. The stone is a grey tone with speckling. The artist signed and dated the piece in the crevice on the bottom. Jose Zacarias is known for ...

Sculpture Baigneuse à la coupe in enameled chamotte clay. Incised signature “Jean Derval 2009”.

Wax lost bronze. 3/8. Founder CHAPON. Michel SERRAZ was born on August 2, 1925 in Paris he knows the price and importance of work and is constantly in a harmonious relationship wi...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Bronze founder CHAPON 3/8. Lost wax. Sophie Susplugas lives and works in Paris. From her earliest years she carved busts, hands, dancers and dancers. It all starts with the ground...