Metal Nude Sculptures

"Female torso" is a monumental bronze sculpture of a woman. The bronze is covered with green patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 2 of 14 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

"Reclining Man" Ashcan Early 20th Century American Scene Social Realism Gay Nude Isadore Konti (1862 - 1938) "Reclining Man" 7 1/2 w x 4 1/2 d x 7 high inch...

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

Numbered and limited to 12 copies ( 8 + 4 P.A) Artwork signed Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, metal,...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler Ancient Art bronze 18h x 9w x 7d in 45.72h x...

Laurence Perratzi is a French figurative artist exploring the body’s expression. Her work is a reflection on movement, strongly influenced by her athletic background where poise and ...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

Sculpture - original. bronze 6/8 Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of Elisabeth...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

Sharon II is an elegant figurative bronze sculpture of a female figure in a yoga-inspired stretch postureby Nando Kallweit. Sharon II is a striking small-scale sculpture depicting a...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

Alfredo Pina’s Extreme Effort (Le Suprême Effort) is a striking bronze sculpture that embodies the raw struggle of human perseverance. This expressive work portrays a muscular male f...

Gallulus Bronze Sculpture Nude Boy Male Figure Green Patina Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Provenance Acquired by the gallery directly from the artist Description Christopher Slatoff’s Judgment of Wotan; Die Walkure II depicts the music drama, Walkure, Die (The Valkyrie)....

'Seated Nude' by Caroline Lloyd. Paris, Académie de la Grande Chaumière, Salon D'Automne, Woman Artist, LACMA, GGIE, Jeu de Paume ----- Signed 'Lloyd' for Caroline Lloyd (American,...

Erich Schmidt-Kestner (1877 Berlin - 1941 Nordhausen), The Feeding, around 1915. Gold and black patinated bronze with cast brown patinated plinth mounted on a lightly veined black-gr...

Athena, concrete sculpture by Troy Williams, female, nude, steel, green, cement intentionally distressed to give an antique look

Cupid and Psyche by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group with nuanced brown patina signed on the base "Carrier-Belleuse" old edition cast France circa 1870 hei...

Large Arms Raised Standing Figure II is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 186 × 30 × 32 cm (73.2 × 11.8 × 12.6 in). The sculpture is sig...

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Reposing on its orig...

Ary Bitter (1883 Marseille - 1973 Paris), Girl with Kid, around 1930. Green patinated bronze with cast plinth loosely mounted on a white-veined dark green marble base. Dimensions of the plinth: 5 cm (height) x 80 cm (length) x 24 (width), dimensions of the bronze 28 cm (height) x 72 cm (length) x 18 cm (width). Weight of the bronze 18.2 kg, total weight 39.2 kg. Signed “Ary Bitter.” on the plinth and stamped “L N Paris J L” by the foundry Les Neveux de Jacques Lehmann...

Signed Edition #1 of 6 Provenance Acquired by the gallery directly from the artist Description Feeling the sun’s warmth enveloping her body, Peter Brooke’s bronze “Goddess” express...

Sexy Robot Floating (Black), 2020 PVC, plated resin, alloy, and LED light 22 × 14 × 14 in 55.9 × 35.6 × 35.6 cm Edition of only 250.

Artist/Designer; Manufacturer: Victor Salmones (1937-1989) Marking(s); notes: signed; ed. 9/10 Country of origin; materials: Mexican; bronze Dimensions (H, W, D): 10.5"h, 13"w, 11"d Additional Information: This work is one of four Victor Salmones bronzes...

Large French Neoclassical sculpture of Androcles and the Lion. Exceptional quality casting and patina. Mid 19th century. The runaway slave ...

"Gynaeceum" ("Gynécée") is a poetic bronze sculpture of three nude women being at one with Nature, by Isabelle Jeandot. The diameter of its circle bo...

Nude woman figure knelling on the pillow. Signed illegibly with initials, dated '64 edition 1/3. Bronze on marble base.

Bronze sculpture. Incised signature by the artist and numbered. Artwork is in excellent condition. Edition of 10. Certificate of authenticity included. All reasonable offers will be ...

Aquarius Contemporary Bronze Sculpture Nude Male Figure Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high s...

Ian Edwards - The Calling - Original Signed Bronze Sculpure Dimensions: 120 x 55 x 55 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavour. ...

Ian Edwards - The Root Within - Original Signed Bronze Sculpure Dimensions: 220 x 70 x 70 cm Edition of 6 Edwards’ practice expresses the power and determination of human endeavour...

"The Broken Mirror" also named "The Unrecognized Truth" by Aimé-Jules Dalou (1838-1902) Bronze with a very nuanced brown patina cast by SUSSE France circa 1910 height 34 cm A similar model reproduced in "Jules Dalou, le sculpteur de la République", Exhibition held at the Musée du Petit Palais, Paris, 2013, page 391, n°316. Biography : Aimé-Jules Dalou, said Jules Dalou(1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

Charles Theodore Perron (French, 1862-1934) "Woman with Iris" Gilt and Patinated Bronze Sculpture, late 19th century, the standing figure upholding Irises, on a circular base, signed...

This monumental bronze sculpture by Jesús Curiá features three youthful acrobats in a feat of coordination and balance. The composition of...

Bathing woman drying her right foot also known as "Suzanne" by Aimé-Jules DALOU (1838-1902) A bronze sculpture with a nuanced dark brown patina Signed on the base " Dalou " A very...

Bust of a young man with green bronze patina.

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Vintage signed and numbered art deco sculpture by Erte. Painted Bronze cica 1987.

A lively and important work that would bring animation to any interior. Though he has been called “the world’s best public sculptor,” by art critic Ken Johnson, Tom Otterness’ playfu...

"Benji - Dance of Sorrow" is a bronze sculpture of a dancing man. The bronze is covered with green patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 7 of 14 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

Mother and Child, with a base by Baltasar LOBO (1910-1993) A bronze group with a dark brownish green patina Signed on the base " Lobo " Cast by " Susse Fondeur Paris " (with the fou...

The dynamic nature of this ecstatic pirouette must be experienced from all sides. Whirlwind examines the forces of attraction and separation in a relationship. The couple’s solid bon...

Discover a striking work of art by acclaimed French sculptor Roland Masson: a rare, limited-edition abstract bronze sculpture of extraordinary beauty and elegance. Meticulously cast ...

Henri Godet (French, 1863-1937) "La Reveil de L'Aurore" [The Awakening of Dawn] Patinated Bronze Sculpture, early 20th century, on a circular base with applied plaque "La Reveil de L...

Emile Coriolan Hippolyte Guillemin (French, 1841-1907) "The Falconer" Patinated Bronze Sculpture, late 19th century, the figure of a young man holding a falcon whilst standing on a d...

Bronze Gladiator Figure, Wounded Gladiator in dark patina bronze, early 1900s Italian sculpture in good condition. The work is inspired by the Hellenistic sculpture depicting the Dyi...

Carminis Bronze Sculpture Nude Boy Male Figure Flute Pan God - In Stock Carminis is a bronze, nude male figure from boy playing flute, with a brown patina, in fact it reminds us of ...

MEL RAMOS (1935-2018) Dita 2017 Cast and polished stainless steel 58 x 33 x 26 cm 22.83 x 12.99 x 10.24 inches Number 29 of 60, Edition of 60 + 6 A.P. Cast signature and number on b...

Uil Owl Bronze Sculpture Girl with Owl on Head Wisdom Contemporary In Stock The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poem, where the reader not only encounters the artist, but also himself. Though the statues are realistic, there is still enough room for interpretation. Do the artist and the viewer see the same story? It doesn’t really matter, because the beauty in his work has a autonome quality. How can we interprete the work in the conscious and unconscious brain? The first will be hit by the clear styled forms and the technical know-how. The second by his favourite theme, nature, the loving images of men and animals, often together in harmony. Very common in his work is the symbolic worth within the story. The viewer experiences an emotion, seeing a human or human presence, funny or vulnerable. You sympathize with the myth and feel the power of the methaphorical meaning. This is confirms we are dealing with a real artist. Erwin Meijer managed very well to give his sculptures a classic universality, timeless, surpassing the boundaries of reality. With a signature beyond countries and cultures. . East and west meet each other in many sculptures, like Europe and the bull...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Luis Domenech y Vicente (Spanish, 1873-1920) "Aui Victori" [Hail to the Victor] Patinated Spelter Sculpture, circa 1920, the standing figure with outstretched arm holding a sprig of ...

Emile Louis Picault (French, 1833-1915) "Paris" Patinated Bronze Sculpture, late 19th century, the standing figure holding a golden apple, signed to base. 32" H x 12" W x 12" D. The ...

19th century French finely chiseled bronze figure of Hermes . Signed Pigalle G . Cuspinera Hermes , the messenger of the gods, is sitting on a rock, ready to leap up. He is att...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Motherhood by Baltasar LOBO (1910-1993) A bronze group with a nuanced greenish dark brown patina Signed " Lobo " Cast by " Susse Fondeur Paris " (with the foundry mark) Artist's cas...

This bronze sculpture is an exquisitely detailed representation of the god Dionysos, whose cult was one of the most popular in ancient times. Here, the god is nude, with a mantle that gently lies on his right leg. He is holding a bunch of grapes with his left hand, and a rhyton (drinking horn) with the right. The god is youthful and joyfully gazes forwards, with a crown of ivy leaves set upon his long flowing hair. These features clearly resemble those of the life-size Roman marble sculpture of Dionysos exhibited at the British Museum, acc. no. 1861,0725.2 . This statuette was probably part of a larger composition and used as a decorative element applied to a piece of furniture. Its finely wrought details, as well as the attractive olive-green patina led to its inclusion in the collection of the Fitchburg Art Museum for thirty years. PROVENANCE English Private Collection (Sotheby’s, London 17-18 July 1985, Lot 204) Royal Athena...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...