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Peter ShirePost Modernist Color Pop Art Metal Dog Sculpture Memphis Milano Peter Shire LA1987
1987
$6,500
£4,823.25
€5,618.43
CA$9,048.05
A$10,075.82
CHF 5,243.91
MX$124,233.60
NOK 66,785.15
SEK 62,771.57
DKK 41,920.44
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About the Item
Peter Shire (American, b. 1947)
"Springer Fos Dog,"
1987,
Painted metal sculpture
Hand signed, titled and dated on foot,
Dimensions: overall: 31"h x 49"w x 20"d
Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures suitable for outdoors in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson, Peter Shire, Patssi Valdez, and Dave Lefner.
Further reading
A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990.
Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987.
Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984.
Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000.
Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990.
Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983.
Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984.
Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993.
Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991.
Select Museum Collections:
Art Institute of Chicago, Illinois
Brooklyn Museum of Art, Brooklyn, New York
Berkeley Museum, Berkeley, California
Fresno Museum of Art, Fresno, California
The Israel Museum, Jerusalem, Israel
The Jewish Museum, New york city
Judisches Museum, Frankfurt, Germany
Laguna Art Museum, Laguna Beach, California
Long Beach Museum of Art, Long Beach, California
Los Angeles County Museum of Art, Los Angeles, California
Metropolitan Museum of Art, New York
Mint Museum of Craft and Design, Charlotte, North Carolina
Museum of Arts and Design, New York
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, Lodz, Poland
Newport Art Museum, Newport Beach, California
Oakland Museum of Art, Oakland, California
Österreichisches Museum für Angewandte Kunst, Vienna, Austria
Portland Art Museum, Portland, Oregon
Sak’s Fifth Avenue, New York
San Francisco Museum of Modern Art, San Francisco, California
San Jose Museum of Art, San Jose, California
Seattle Museum of Art, Seattle, Washington
Skirball Museum, Los Angeles, California
Stedelijk Museum, Amsterdam, The Netherlands
Total Contemporary Art Museum, Seoul, Korea
Victoria and Albert Museum, London, United Kingdom
Selected Solo Exhibition venues
Los Angeles County Museum of Art, Los Angeles, California
Chouinard Gallery, South Pasadena, California
Antonia Jannone Gallery, Milan, Italy
Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California
LA Artcore Center, Los Angeles, California
S.K. Josefsberg Gallery, Portland, Oregon
20th Century Collage, Dallas, Texas
Toomy-Turrel Gallery, San Francisco, California
Frank Lloyd Gallery, Santa Monica, California
Bobbie Greenfield Gallery, Santa Monica, California
Diane Nelson Fine Art, Laguna Beach, California
Loyola University, New Orleans, Louisiana
S.K. Josefsberg Gallery, Portland, Oregon
University of Judaism, Platt Gallery, Los Angeles, California
El Centro del Pueblo, Los Angeles, California
Gallery Saito, Sapporo Hokkaido, Japan
Morgan Gallery, Kansas City, Missouri
Riva Yares Gallery, Scottsdale, Arizona
Daniel Saxon Gallery, Los Angeles, California
David Lawrence Editions, Beverly Hills, California
Art et Industrie, New York
Clara Scremini Gallery, Paris, France
Design Gallery Milano, Milan, Italy
Lucy Berman Gallery, Palo Alto, California
Parallel Gallery, Del Mar, California
Davis-McClain Gallery, Houston, Texas
Saxon-Lee Gallery, Los Angeles, California
Traver-Sutton Gallery, Seattle, Washington
Onyx Gallery, Los Angeles, California
Skirball Museum, in cooperation with Saxon-Lee Gallery, Los Angeles, California
Installation of the Olympic Village Entertainment Center, California State
Polytechnic University in conjunction with the School of Architecture
Museum of Contemporary Art, Temporary Contemporary, Los Angeles,
Hokin-Kaufman Gallery, Chicago, Illinois
Hand and the Spirit Gallery, Scottsdale, Arizona
B.Z. Wagman Gallery, St. Louis, Miss
Traver Sutton Gallery, Seattle, Washington
The Morgan Gallery, Shawnee Mission, Kansas, Missouri
The Art Store, Los Angeles, California
American Hand Gallery, Washington, D.C
Modernism, San Francisco, California
Studio Alchymia, Florence, Italy
Janus Gallery, Venice, California
Janus Gallery, Los Angeles, California
The Hand and Eye, Honolulu, Hawaii
Gallery 17848, Tustin, California
- Creator:Peter Shire (1947, American)
- Creation Year:1987
- Dimensions:Height: 31 in (78.74 cm)Width: 49 in (124.46 cm)Depth: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38216565602
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View AllPost Modernist Color Pop Art Sculpture Memphis Milano Peter Shire LA Metal Art
By Peter Shire
Located in Surfside, FL
Peter Shire
Night Studio, 1989
Welded steel and aluminum metal sculpture with anodizing and two-part polyester painting,
Movable kinetic Elements: yellow vane
27 1/4" tall, 18" wide, and 15" deep.
Edition of 24 (not sure if they were all produced, this is not numbered)
This piece is unsigned.
There is some Paint Loss present, and some small Scratches. Overall, the piece looks to be in Nice shape.
Additionally, the yellow squares can turn when they are pushed, or if they are in the presence of a strong gust of air.
Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso.
Further reading
A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990.
Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987.
Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984.
Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000.
Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990.
Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983.
Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984.
Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993.
Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991.
Select Museum Collections:
Art Institute of Chicago, Illinois
Brooklyn Museum of Art, Brooklyn, New York
Berkeley Museum, Berkeley, California
Fresno Museum of Art, Fresno, California
The Israel Museum, Jerusalem, Israel
The Jewish Museum, New york city
Judisches Museum, Frankfurt, Germany
Laguna Art Museum, Laguna Beach, California
Long Beach Museum of Art, Long Beach, California
Los Angeles County Museum of Art, Los Angeles, California
Metropolitan Museum of Art, New York
Mint Museum of Craft and Design, Charlotte, North Carolina
Museum of Arts and Design, New York
Museum of Fine Arts, Houston, Texas
Museum of Modern Art, Lodz, Poland
Newport Art Museum, Newport Beach, California
Oakland Museum of Art, Oakland, California
Österreichisches Museum für Angewandte Kunst, Vienna, Austria
Portland Art Museum, Portland, Oregon
Sak’s Fifth Avenue, New York
San Francisco Museum of Modern Art, San Francisco, California
San Jose Museum of Art, San Jose, California
Seattle Museum of Art, Seattle, Washington
Skirball Museum, Los Angeles, California
Stedelijk Museum, Amsterdam, The Netherlands
Total Contemporary Art Museum, Seoul, Korea
Victoria and Albert Museum, London, United Kingdom
Selected Solo Exhibition venues
Los Angeles County Museum of Art, Los Angeles, California
Chouinard Gallery, South Pasadena, California
Antonia Jannone Gallery, Milan, Italy
Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California
LA Artcore Center, Los Angeles, California
S.K. Josefsberg Gallery, Portland, Oregon
20th Century Collage, Dallas, Texas
Toomy-Turrel Gallery, San Francisco, California
Frank Lloyd Gallery, Santa Monica, California
Bobbie Greenfield Gallery, Santa Monica, California
Diane Nelson Fine Art, Laguna Beach, California
Loyola University, New Orleans, Louisiana
S.K. Josefsberg Gallery, Portland, Oregon
University of Judaism, Platt Gallery, Los Angeles, California
El Centro del Pueblo, Los Angeles, California
Gallery Saito, Sapporo Hokkaido, Japan
Morgan Gallery, Kansas City, Missouri
Riva Yares Gallery, Scottsdale, Arizona
Daniel Saxon Gallery, Los Angeles, California
David Lawrence Editions, Beverly Hills, California
Art et Industrie, New York
Clara Scremini Gallery, Paris, France
Design Gallery Milano, Milan, Italy
Lucy Berman Gallery, Palo Alto, California
Parallel Gallery, Del Mar, California
Davis-McClain Gallery, Houston, Texas
Saxon-Lee Gallery, Los Angeles, California
Traver-Sutton Gallery, Seattle, Washington
Onyx Gallery, Los Angeles, California
Skirball Museum, in cooperation with Saxon-Lee Gallery, Los Angeles, California
Installation of the Olympic Village Entertainment Center, California State
Polytechnic University in conjunction with the School of Architecture
Museum of Contemporary Art, Temporary Contemporary, Los Angeles, California
Hokin-Kaufman Gallery, Chicago, Illinois
Hand and the Spirit Gallery, Scottsdale, Arizona
B.Z. Wagman Gallery, St. Louis, Miss
Traver Sutton Gallery, Seattle, Washington
The Morgan Gallery, Shawnee Mission, Kansas, Missouri
The Art Store, Los Angeles, California
American Hand Gallery, Washington, D.C
Modernism, San Francisco, California
Studio Alchymia, Florence, Italy
Janus Gallery...
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Large Post Modernist Color Pop Art Metal Sculpture Memphis Milano Peter Shire LA
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Peter Shire (American, b. 1947)
"Naked Lady,"
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Dimensions: overall: 72"h x 30"w x 24"d
Peter Shire (born 1947) is a Los ...
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Polish Modernist PUPPY DOG Bronze Expressionist Art Sculpture
By Dominik Albinski
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Dominik Albiński
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He started carving at the age of twelve. When he was eighteen he went to Pari...
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Abstract Australian Post Modernist Sculpture Peter D. Cole Metal, Enamel, Marble
Located in Surfside, FL
Peter D. Cole (Australian, b. 1947)
Symbols of Landscape, 1987
Mixed metal, enamel and marble
signed P.D. Cole and dated
21 x 6 1/2 x 6 in (53 x 16.5 x 15cm)
Provenance: Macquarie Galleries, Sydney, Australia, 1987.
Sculptor Peter D. Cole was born in Gawler, South Australia and trained at the South Australian School of Art between 1965 and 1968. Since the 1980’s Cole has been based in the Kyneton District of Victoria, where he has established himself as one of Australia’s senior and most renowned contemporary sculptors, drawing on the landscape as a source of inspiration and recent research trips to Japan and India have added to his rich source material.
As a public artist, Cole has made a significant contribution to the urban landscape and public spaces of Australia receiving the Australian National Trust Heritage Award and the Australian Institute of Landscape Architecture Award of Merit for Foundation Park, a permanent work at The Rocks, Sydney. He is highly sought for commissions and his work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport and recently Windsor Railway Station precinct. He was awarded the H.P. Gill medal for top student and the Contemporary arts Society award for drawing in 1968 and has exhibited regularly since 1969 with exhibitions in Australia and America, with notably a solo exhibition in 1995 at The Carpenter Centre, Harvard University USA.
Peter D. Cole ranks as one of Australia's senior and most renowned contemporary sculptors. Graphic, minimalist and refined, his uncompromising aesthetic vision encompasses both large-scale structures, aerial works, and more intimate, witty ruminations.
An accomplished water-colourist and draughtsman, Cole's vision translates easily into works on paper, valued by collectors for the insight they provide into his practice. Cole's robust materials- brass, bronze, painted steel and aluminium- vibrant colours and precise shapes articulate spatial, intellectual, and philosophical concepts. He is also interested in the notion of 'diagrammatic' landscapes, ones that express the transition between the flat plains of the Australian bush, and a more city-centric urban cacophony. Cole's work observes and recognises the boundaries of modern life without limiting its scale, or its scope.
Cole is the recipient of the Australian National Trust Heritage Award (1996), the Australian Institute of Landscape Architecture Award of Merit (1995), and is highly sought for commissions. His work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport. Hs work bears similarities to Peter Shire, Charlie Hewitt and Brad Howe.
Cole lectured in sculpture between 1975 and 2001 and has worked continuously on his practice encompassing sculpture, painting, drawing, printmaking, design and architecture. His work is represented in many collections both private and public throughout Australia, America, Japan and Europe.
SOLO EXHIBITIONS
2017 A Modern Narrative, Australian Galleries, Sydney
2016 PLACE AND SPACE, Australian Galleries, Melbourne
2013 Australian Galleries, Roylston Street, Sydney
2012 Lister Gallery, Perth
2011 New Sculptures, John Buckley Gallery, Melbourne
2006 New works, Australian Galleries Painting & Sculpture, Sydney
2004 Primary Structure, Calder Lister Gallery, Perth
1997 Steele Gallery, New York, USA
1995 Carpenter Centre for the Visual Arts, Harvard University, Massachusetts, USA
1990 William Mora Gallery, Melbourne
SELECTED GROUP EXHIBITIONS
2021 This is Gippsland, with works by Sidney Nolan, John Wolseley, Anne Montgomery Trevor Vickers, Ann Greenwood, Tony Newsom, Peter Cole, Nick Mount, John Woollard, Cheryl Burgess, Kiyoshi Ino and more.
2019. Australian Galleries: The Purves Family Business. The First Four Decades, Book Launch and Group Exhibition, Australian Galleries, Melbourne
2019. papermade, Australian Galleries, Melbourne
2017. Painting, sculpture and works on paper – Group exhibition, Australian Galleries, Melbourne
2017. Sculpture: medium and small scale – Mixed Sculptors, Australian Galleries, Sydney
2016. Impressions, Australian Print Workshop, Melbourne
2014. one of each, Australian Galleries, Derby Street, Melbourne
2011. large exhibition of small works, Australian Galleries, Roylston Street, Sydney
2006. Stock Show, Australian Galleries Painting & Sculpture, Melbourne
2005. End of Year Group Exhibition, Australian Galleries Painting & Sculpture, Sydney
2003. This was the future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art,
2002. Tokyo Designers Block Idee, Tokyo, Japan
PUBLIC COMMISSIONS
Arts Victoria; Shepparton lake sculpture, Shepparton VIC 19 October 2019
Bank of Melbourne; in consultation with Bates Smart McCutcheon; large freestanding sculptural screen, Melbourne
Brisbane International Airport; in consultation with Bligh Voller architects and Jean Battersby Art Consultants; large suspended sculptures...
Category
1980s Abstract Abstract Sculptures
Materials
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Modernist Hand Forged Iron Mosaic Sculpture Animal Ram Israeli David Palombo
By David Palombo
Located in Surfside, FL
Heavy Hand Forged Brutalist Iron Ram or Goat Sculpture
David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000.
Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character.
Education
1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem
1942 Sculpture with Zeev Ben Zvi, Jerusalem
1956 Mosaic, Ravenna, Italy
1958 Welding Course
Awards And Prizes
1966 UNESCO Award
Exhibitions:
Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod
Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz.
The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem
Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum
12 Artists, The Bezalel National Museum, Jerusalem
Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati,
General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art
Artists: Naftali Bezem, Nachum Gutman, Shraga Weil, Shraga, Marcel Janco, Ruth Schloss
Category
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Blas Castagna Hand Painted Wooden Constructivist Sculpture Toy Horse Carved Wood
Located in Surfside, FL
Blas Alfredo Castagna was born in Buenos Aires, Argentina in 1935. He studied at the Manuel Belgrano National School of Fine Arts and at the Prilidiano Pueyrredón School, where he obtained the title of National Professor of Drawing and Decorator Painter. In 1959 he traveled to Italy and in Sicily he attended the metal-beating workshop at the Scuola d´Arte di Comiso. A year later, he had a solo show of oil painting and gouaches at the “Alcora” Gallery in Buenos Aires, also presenting it in the province of San Juan. In addition to his artistic activity, he worked between 1974 and 1976 as a teacher in the Department of Plastic Arts, Faculty of Humanities, of the National University of San Juan. In 1982 he was invited to exhibit plates and monotypes at the Galerie de L´Université - Tour Mauran in Toulouse, France. A year later he exhibited in our country at the Van Riel Gallery, where a long connection with this room begins. In 1998 he exhibited again in Toulouse, at the Espace Croix Baragnon, an exhibition entitled "Origins, Mémoide", also presenting that year, at the Enrique Larreta Museum of Spanish Art in Buenos Aires, his "Obra Figurativa 1973-1993". Collectively, he presents his works in Uruguay, Cuba, Spain, at the Museum of Modern Art in Buenos Aires and at the National Museum of Fine Arts, at the Borges Cultural Center (2007 and 2008), at the Museum of Modern Art in Bahia ( Brazil, 2005), at the Sainsbury Center Norwich (United Kingdom, 2004), Centro Cultural Recoleta (1999), at the Fortabat Foundation (1985), at the II Biennial of Havana (1986) and at the ARCO fair in Madrid ( 1987). In 1990 he was awarded the Spirit of Greece Award for engraving, and in 1992 the “Konex Platinum Award. His work is influenced by the Latin American geometric constructivism present in Argentina and Uruguay as well as the European influences of Surrealism and Dada Art.
He showed at the prestigious van Riel Gallery. For over 80 years the Frans van Riel Gallery has exhibited at the forefront of Argentinean art. Beginning with Alfredo Hlito “Grupo de Artistas Modernos de la Argentina” (Argentinian Modern Artists). The avant-garde of the 1950s and the work of Kenneth Kemble, Leónidas Gambartes and the Grupo Litoral, Juan Del Prete, Aldo Paparella sculpture, Julio Llinás, Aldo Pellegrini, Juan Batlle Planas, Libero Badii, Malena Babino, Horacio Butler, Alejandro Corujeira, Juan Del Prete, Kirin, Luis Felipe Noé...
Category
20th Century Neo-Constructivist Figurative Sculptures
Materials
Fabric, Wood, Paint
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