Stephen Glassborow

Legal Eagle

2019

My work starts from the expression of life in the present day as felt and seen through real experiences and situations. By expressing the present situation or cultural background, th...

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

Béla Bartók, Hungarian composer and pianist, is considered to be one of the most important composers of the 20th century. Conceived in 1947 while Wein was in Rome after having been a...

Demetre Chiparus Egyptian Dancer, ca. 1920 Bronze, enamel, gilt metal, and marble 29 in Signed to base 'Chiparus'

Wonderfully stylish statue of a great Dane, with a black patina, by Gustav Reissmann (1887-1954). The dog is standing still and fully alert. Signed on the side of the base, K. Gustav...

Cockatoo Head turned to the right, with a raised and spread out crest by Edouard-Marcel SANDOZ (1881-1971) A bronze sculpture with a dark brown patina nuanced with green Signed on t...

"Return from the Hunt" also named '"Return from the Tiger hunt" by Roger GODCHAUX (1878-1958) Remarkable bronze group with a nuanced dark greenish brown patina Signed on the base "...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

The Hunting is a sculptural interpretation of Autumn, a lithograph from Erté’s The Four Seasons. It represents a beautiful creature – half woman, half animal – wounded by a cruel hun...